Watch “The truth about Shakespeare’s “Julius Caesar”” on YouTube
As you probably know if you subscribe to this blog, I love to review adaptations of Shakespeare, so imagine my delight when I realized that the classic teen comedy Mean Girls from 2004, (and the current Broadway show of the same name), is based on Julius Caesar! This movie doesn’t have Shakespearean dialogue or the names or locations, but the essence of the play is the same, albeit with a more modern ending.
In Shakespeare’s play and Tina Fey’s script, the main antagonist is popular, and dangerous, and inspires fear and envy from everyone. Regina George and Caesar both rule their empires through their armies, intimidation, their wealth, and their supreme self-confidence. In addition, both names are associated with royalty- Regina in Latin means queen.


I didn’t realize that the movie has its roots in Julius Caesar until I saw this video from the YouTube channel The Take: https://youtu.be/FRfoEzZbK_Y. It was when I watched this video, that I realized Mean Girls character Janis was an analog for Shakespeare’s character Cassius, the man who sets the plot in motion to assassinate Caesar.

In the movie, Janis meets a well meaning girl and manipulates her into betraying Regina. Look at this clip where after Cady feels betrayed by Regina, Janis outlines her conspiracy, with a Roman sword in her hand! https://youtu.be/D0JMoa4QfA0

Like Cassius, Janis claims that once Regina is destroyed, the social order of the high school will change from a dictatorship to a democracy, but what she really wants is to supplant and replace Regina and make herself the new queen Bee. Even her name is a clue to her malevolent nature, she is named after the Roman god with two faces!

Sir Patrick Stewart as Cassius in the 1972 RSC production of Caesar
Similarly in Julius Caesar, Cassius convinces Brutus that once Caesar dies, Rome will be a republic again. In real life, Brutus was Caesar’s close friend, so Brutus agonizes over whether he is doing the right thing and whether he owes more loyalty to Rome, or his friend Caesar: https://youtu.be/IoDwXjKIenI
If Janis is Cassius, what about Brutus?

Cady Heron (played in the movie by Lindsay Lohan), is naive but intelligent. Like Brutus, she is manipulated and carefully chosen to betray the king. Janis chooses Cady because she’s pretty enough to get close to Regina, her looks are like social currency. Brutus’ social currency was his family: he was descended from the founder of the republic so he lent credibility to the conspiracy. He was also close in family to Caesar and Cassius.

In both stories once the monarch is destroyed, the power vacuum immediately starts to close; rather than change the social order, a new monarch arises. In Caesar, the second triumvirate takes over for the first, and Caesar’s nephew Augustus eventually becomes the supreme ruler of the Roman empire.

In Mean Girls, once Regina loses her social cache, Cady takes her place.
Then when Janis exposes Cady and Regina, she briefly basks in becoming a new Queen Bee- her revolution to overthrow a tyrant has paid off, bit now she is the tyrant herself. This actually mirrors the real Julius Caesar, who took power from the feared dictator Lucius Cornelius Sulla.

Bust of Sulla
Like Regina and her Burn Book, Sulla kept a list of people he saw as threats called the Proscriptions, only Sulla used it to execute the people on the list and seize their property. Caesar started his career as a populist soldier working for the Senate against Sulla and for the people, but became a dictator himself, the very thing he was sworn to oppose!
The movie does end on an encouraging note when the adults finally step up and address the terrible things that their students are doing, which has important lessons about bullying that every young person should see.

Tina Fey actually admitted that she herself was a Mean Girl in high school, so there’s a great deal of honesty when her character confronts the kids about the consequences of bullying each other.
Though the movie ends happily, the Cesarian parallels are not over; even though this high school has been democratized, the problems that created this Mean Girls autocracy remains. As you can see in the final minutes of the movie, a new crop of Plastics arrive just as the old group disbanded.https://youtu.be/LshX2God-wkIn four years when the regime changes again, will there be a new Caesar?
After rewatching clips from the movie, I realized that Tina Fey actually made a Caesar reference right there in the movie!
In this clip, Gretchen is in English class, perfectly paraphrasing Cassius’ speech in Act I, Scene ii, even the part about Caesar being a colossus:
Cassius. Why, man, he doth bestride the narrow world
Like a Colossus, and we petty men
Walk under his huge legs and peep about
To find ourselves dishonourable graves.
Brutus and Caesar: what should be in that ‘Caesar’?
Why should that name be sounded more than yours?
Write them together, yours is as fair a name;
Sound them, it doth become the mouth as well;
Weigh them, it is as heavy; conjure with ’em,
Brutus will start a spirit as soon as Caesar.
Now, in the names of all the gods at once,
Upon what meat doth this our Caesar feed,
That he is grown so great? Age, thou art shamed!
Rome, thou hast lost the breed of noble bloods!
When went there by an age, since the great flood,
But it was famed with more than with one man?
When could they say till now, that talk’d of Rome,
That her wide walls encompass’d but one man?
Now is it Rome indeed and room enough,
When there is in it but one only man.
O, you and I have heard our fathers say,
There was a Brutus once that would have brook’d
The eternal devil to keep his state in Rome
As easily as a king. I.ii. 226-252.
Now I know Mean Girls is based more on a book and by Tina Fey’s own experiences than Shakespeare, but the point is that the next time you are bored and angry about having to read a play based on a guy who’s been dead for over 2,000 years, take a look at the lunch table next to you and you’ll see that things haven’t changed that much.


If you liked this post, please consider signing up for my online class, “The Violent Rhetoric Of Julius Caesar,”

The class breaks down some of the most famous speeches in Julius Caesar and gives you some tips and tricks on how to write persuasive speeches like Antony’s “Friends, Romans, Countrymen,” speech. Use these powers for good though, not to turn your school into a Mean Girls dictatorship! https://outschool.com/classes/84ee847d-19f3-45f8-9f25-81e688b8497d
There’s also a fully asynchronous version that you can do on your own time whenever you want:

Finally, if you love Mean Girls and Shakespeare, check out Much Ado About Mean Girls by Ian Doescher, author of the William Shakespeare’s Star Wars trilogy.

Titus Andronicus is one of the most bloody, disgusting plays in Shakespeare. As this infographic from the Royal Shakespeare Company shows, there are tons of deaths and some of them are even the result of cannibalism!

One way to capture the macabre nature of this play in the classroom, (which some scholars see as a horror comedy), is to characterize it through cooking, after all, revenge is a dish best served cold.

Me in costume as Titus Androgynous, a crazy cooking show host who butchers two people in the same manner as Titus
So here are some ghoulish gourmet dishes and revolting recipes that you can share with your students to help them get into this tragic tale of violence, revenge, and cooking:
Idea 1: recipe cards

Idea 2: Create a menu that summarizes the play:
Act I:
Starter: Caesar Salad, toad in the hole

As the play begins, Caesar has died and Saturnine wants to devour his father’s empire. Enjoy this light salad in anticipation of far more bloody feasts to come.https://youtu.be/UxZ5NOkRwj0
Act II Scene 3: Breakfast:
Lamb Benedict

While on an early morning hunting trip, Bassianus is slaughtered like a lamb by his own nephews. Enjoy this sweet treachery with a golden egg in the hole.
Act II, Scene 4: Main course:
Roast venison with all the trimmings


“As the deer that hath some unrecuring wound.”
“She was washed and cut and trimmed.”
Titus compares his daughter to a deer or welkin, and in the play’s most barbaric scene, the emperor’s sons ravish her and cut out her tongue. They enjoy the cruel rape and mutilation just like two starving lions enjoying their prey.

Act V:
Just desserts: people pot pie.

“More stern and bloody than the centaur’s feast,” A truly unforgettable dessert for this feast of carnage. The cook, Titus, reinvents the term rich food by cooking two emperor’s sons into pies.
Served cold, like revenge!
“Set him breast deep in Earth and famish him.”
Idea 3: Real Titus foods inspired by my favorite Halloween diy recipes
1. Lavinia’s tongue and hands
• horrific Halloween punch with ice cold hand cubes: https://youtu.be/XLYwcX7Ud-E
• Bloody lady fingers https://pin.it/xbnfxcs4bxbhsq
2. Titus hand: Hot dog fingers for Titus’ hand.
Or this grisly appetizer: cheese hand in prosciutto
3.
People Pies:

There are many horrific pie recipes on the internet, but for a busy teacher on a budget, I’m adapting this one from the YouTube channel Threadbanger: https://youtu.be/E6U6xUl3A5M. Don’t show this video to your students because there’s far too much cursing. That said this recipe is very cheap and it’s easy. He used only store bought items and no fancy cooking techniques, which means if you choose to bake it as a classroom activity, even your students can help make it. Here are some tips from the video to get the most horrible ppeople pie you can make:
• Use red filling like cherry or strawberry for filling.
• Use excess dough for a nose.
• Cut out little pieces of apple to make teeth
• Cut holes for the eyes and mouth
• The bloodier, the better!
Bone appetit!

https://gsch.se/game/99ef58a585e547cf9120f602970dfc20/share/
I designed this on an app called “GooseChase”, appropriate since Shakespeare invented the term!
If you click on the link, you can do a great scavenger hunt where you upload pictures or answer trivia questions for points, and of course they are all related to Shakespeare. If you have the app on your phone, search for Shakespeare Birthday Scavenger Hunt and enter the code: 2BON2B (Get it, to be or not to be)! You can also use the code NLEGVM. Let me know if you like it or if you cannot access the link.
Happy Hunting!



For February, I would like to give a shoutout to a wonderful article I read about famous black Shakespearean actors, and to link to a few of my old posts that detailed how Shakespeare approaches the issue of race. Enjoy:
Part I Before the Throne

As I have written before, Richard claims the throne by manipulating everyone in the British political machine- stoking hatred among the nobles, while trying to appear as a pious, humble man to the common people. Because of his years on reality television and experience as a businessman, even I must admit Trump has a gift at manipulating people’s perceptions and playing the part of a man of the people:
Cannot a plain man live and think no harm? But his simple truth must be abused by silken, sly, insinuating jacks!- Richard III, Act I, Scene iii
As for Trump, even though he is a privileged billionaire with inherited wealth, he pretends to be an unpretentious, unapologetic common man, abused by the ‘mainstream media’ and his political opponents.
Richard is also a fan of the moral equivalence argument, (also known as whataboutism). He tries to offset his own murders by mentioning other people and their misdeeds during the Wars Of The Roses, making them seem as bad or worse than Richard:
Let me put in your mind if you forget what you have been ere this and what you are, withal what I have been and what I am. RIII Act I, Scene iii.
Part II: The descent

https://m.youtube.com/watch?v=mQP5FHq7hqs
What is an authoritarian? Basically an authoritarian regime concentrates power into the hands of one person, and tries to hold onto power by:
1. Projecting strength.
2. Demonizing opponents, both real and imagined.
3. Destroying institutions.

From the moment the crown is placed on his head, Richard starts to see threats to his power, and uses all his newfound resources to destroy every each and every threat. First he kills his nephews, (the legitimate heirs to the throne), then he kills his wife, so that he can remarry a princess to try and consolidate his power. And finally, when he faces his greatest threat the armies of Henry tutor Earl of Richmond, Richard goes full on dictator, calling himself a tower of strength, demonizing Richmond as a foreigner, and claiming that his soldiers will rape the English wives and daughters.
Trump is guilty of every one of these authoritarian strongman habits. He tries to convince people he is strong both physically and politically by having photo ops with doctors who claim that he is “the healthiest president ever”. He also attempted to project strength by misrepresenting the size of the crowds at his inauguration (which was a flat out lie), Furthermore, Trump demanded a military parade to emulate autocratic governments like North Korea. Then there’s his ultimate misguided show of American strength: the wall, which even Fox News has calculated will cost $25 billion dollars at least, and will do little to nothing to stop the flow of drugs and illegal immigration.
Trump also has from the beginning waged war on the Internet against any and all who oppose him. Let us not forget that Fox News is a 24 hour a day propaganda machine that exists almost entirely to condemn anyone who opposes the president and his agendas. And in terms of destroying institutions, his constant claims of “fake news“ seeks to destabilize the Free Press. America’s finding fathers guaranteed free press with the knowledge that if the government is corrupt, the only way the public can fight back is through the knowledge provided by a free and Independent press. But if the media is the enemy, we have no one to listen to except Trump himself.

Richard is even more comically trigger happy than Trump. Look at this scene where in less than 10 minutes, he sends a murderer to kill his nephews, plots to murder his wife and marry his niece, and completely throws off the Duke of Buckingham, his only supporter on his way to the crown!
https://m.youtube.com/watch?v=gD5afYxDc6g
Richard’s authoritarian tactics actually spring from one of the best political theorists of the renaissance, unfortunately it was Machiavelli. Niccolo Machiavelli saw how the crown heads of Italy consolidated power through violence and intimidation, and he came to realize that the power behind the throne is much less to do with divine right or royal bloodline, and more with who can play the game and project power and strength. In Shakespeare’s Henry the Sixth Part III, Richard brags that in his quest to the good for the crown he will send Machiavelli to school: https://m.youtube.com/watch?v=v6ji07tsI2M

I unfortunately don’t have enough time to get into the connections between Machiavelli, Richard, and Trump. Suffice it to say that all three advocate rule by fear and have no interest in preserving democracy. Below are some quotes and articles that I have collected about Machiavelli and his connection to Shakespeare and Trump:
http://insights.som.yale.edu/insights/what-can-you-learn-machiavelli
https://www.google.com/amp/s/www.theatlantic.com/amp/article/354672/
https://www.bl.uk/shakespeare/articles/richard-iii-and-machiavelli
Part III: Who Lives, Who Dies, Who Tells Your Story
Sadly, the ultimate similarity between Shakespeare’s Richard III, the real King Richard, and Trump is that the actual human has been swallowed up by a narrative. Even though most of what Trump says is a lie, to his supporters he is the one person who ‘tells it like it is,’ not because they believe him, but because they want to believe in the narrative he constructs.
Not only are his lies compelling, Trump himself has become a powerful symbol to the disenfranchised that the system is broken and corrupt, so why not vote for someone like him? He brands himself as a ‘plain blunt man’ who isn’t afraid to offend or criticize people in power, even though he is much worse than they are at running the government. According to the testimony of his former lawyer Michael Cohen, Trump described his own campaign as the ” The greatest infomercial in political history.” His campaign was from the start, a scam, where the ultimate con man told people he was going to fix healthcare, fix the immigrants coming into the country, and fix everything they didn’t like about America.
Trump and Richard exploit what you and I want to believe. A New York Times article from 2016 made an interesting comparison between Trump’s odious political persona and that of one of the “heels” or bad guys in professional wrestling. These characters are unrepentantly evil, and love to stir up anger in the crowd, and everyone knows that their every word and action is fake, but they buy into the story. This kind of suspension of disbelief is of course, the central guiding principle of theater itself, and arguably Shakespeare created a villain who would make a very effective wrestling heel.
The real Richard’s devolution from a historical king into a villainous archetype is more tragic, but just as powerful. The lies that the Tudor chronicles told about him were more compelling and politically convenient than the truth, and Shakespeare’s genius just further distanced us from caring what the real man was like. In essence, Shakespeare was inventing fake news far before Trump was railing about it. Just as we as an audience are complicit in the pretend crimes of a fake king when we watch the play, we are also complicit in perpetuating a comfortable simplistic story of the 15th century War of the Roses king Richard Plantagenet.
Trump and Richard show that history can be distorted when we focus less on what is really happening and more on what we want to see. More people wanted to believe his lies than Hillary Clinton’s facts, the same way people were forced to believe the Tudor lies instead of the real truth of what happened from 1483-1485. Likewise Shakespeare’s Richard exploits people’s fear, greed, and gullibility to gain power for himself, but this is his only talent; eventually his supporters lose faith in him, his enemies mobilize, and he is taken from power.
If you’re reading this as I post it, there’s a Shakespearean nerd in your life and your wits are about to turn trying to find a gift. I’ve already written about printed editions of Shakespeare and educational apps, so you can consult those if that’s what you are looking for. Now I’m covering the kinds of stuff that die-hard Shakespeare fans will kill a king and marry with his brother for, basically nerdy swag that no Shakespearean fanatics should be without!

For anyone: Immortal Longings.com- This company is very special to me. If you’ve seen any of my Play Of the Month posts, you’ve seen the gorgeous artwork for Shakespeare’s plays by the artist Elizabeth Schuch. Not only do I love her work, my wife and I put her prints on the decor for our wedding day, and wrapped some of my presents in wrapping paper with her designs on it. If you go to her website, she sells Shakespearean art printed on and inspired by Shakespeare’s plays on everything from tapestries to clothes to iPhone cases. I highly recommend checking her work out, and patronizing it as much as possible: https://society6.com/immortallongings/s?q=popular+framed-prints

I also want to give a shout-out to the website Good Tickle Brain, a weekly Shakespearean comic that satirizes the Bard’s work with love. I feel the best way to introduce anyone, young or old to Shakespeare is through a healthy dose of satire and parody. Mya Gosling loves Shakespeare and it comes through in her simple, funny retellings of his plays. If you go to their shop (spelled Shoppe to appeal to nerds like me), you can get some of her comic books, funny T-shirts, and a few educational posters for teachers too: https://goodticklebrain.com/shoppe/

Adults
Bards against humanityMost people know the raunchy card game where you try to encapsulate a disgusting word or phrase with a description written on your card. Well, there’s a Shakespeare version too! It makes sense that someone made a card game inspired by the king of the Elizabethan put-downs, (and the inventor of one or two modern curse words!)Stocking stuffers


Shakespearean Comic Books. I’ve written reviews about some of these books and I’m very impressed by the artwork and the clever adaptations. Click here to read my review of the Romeo and Juliet Comic.
Kids




Board books 📖 Yes, even toddlers can get into Shakespeare. I actually read this to my daughter a lot. It’s not the story of the play, but it does introduce some of the characters and famous lines which can help a child to become familiar with Shakespeare.
This was one of my favorite books growing up. It tells the story of Shakespeare’s life and work, with special attention to the creation of the Globe Theater in 1599. It’s gorgeously illustrated and a great read for kids!
So there are some gift ideas for the Shakespeare nerd in your life. Merry Christmas!
Here’s one more gift that you could give a Shakespeare nerd ages 13-18: A class from ME!
Go to my Outschool profile and Get $5 off the following classes:
Get started at https://outschool.com/classes/a-child-astronomers-christmas-bhmPRpND and enter the coupon code at checkout. My classes are available for as low as $4 apiece! Get started at https://outschool.com/classes/a-child-astronomers-christmas-bhmPRpND and enter the coupon HTHESNIF6B5 code at checkout.





Happy Veterans Day Everyone,
War and soldiers come up a lot in Shakespearean plays. After all, he wrote six plays about the Wars Of The Roses. Though most of his work is about the decisions about war made by powerful monarchs, occasionally he gives us some insight into the lives of common soldiers.
We don’t know if he ever fought, but warfare was very much on his mind at the beginning of his career, with good reason. In 1586 The Spanish armada attacked. Was Shakespeare enlisted? We don’t know.
His early plays are generally positive toward soldiers and it’s easy to see why. The growing nationalism in England resulting from the Tudor control over religion and language —was a direct and defensive reaction to the ex-communication of the Tudor monarchs (particularly Henry VIII and Queen Elizabeth. Shakespeare probably saw himself —
. He no doubt saw his role as building the epic sagas of England to remind his countrymen of England’s past victories, especially during the Spanish Armada and the later Irish Rebellion of 1599.
Shakespeare cashed in with 9 plays on English history that mainly take place on the battlefield. His plays were met with praise by audiences and critics:
“How would it have joyed brave Talbot (the terror of the French),” he wrote, “to think that after he had lain two hundred years in his tomb, he should triumph again on the stage and have his bones new embalmed with the tears of ten thousand spectators at least (at several times).” -Thomas Nashe, c. 1590.
In the first tetralogy, common soldiers don’t have any voice. Probably they were played by apprentices, and fencing masters. They were mainly set dressing. Shakespeare mainly focuses on the pivotal importance of leadership and his portrayal f leadership; he understood the consequences of the choices kings make during the war and its effect on millions of common people: like Talbott and King Henry the Fifth.
I want to analyze a short selection from Henry the Fifth, Act IV, Scene I. In this scene, the king is disguised as a commoner the night before a battle to see what his soldiers really think about him, and the impending fight with the French. An outspoken soldier named Williams tells him that if the fighting is wrong, the king is responsible for his soldiers’ deaths, and has to answer for the atrocities that happen during the war:
methinks I could not die any where so
contented as in the king’s company; his cause being
just and his quarrel honourable.
Ay, or more than we should seek after; for we know
enough, if we know we are the kings subjects: if
his cause be wrong, our obedience to the king wipes
the crime of it out of us.
But if the cause be not good, the king himself hath a heavy reckoning to make, when all those legs and arms and heads, chopped off in battle, shall join
together at the latter day and cry all ‘We died at such a place;’ some swearing, some crying for a
surgeon, some upon their wives left poor behind them, some upon the debts they owe, some upon their children rawly left. I am afeard there are few die
well that die in a battle; for how can they charitably dispose of any thing, when blood is their argument? Now, if these men do not die well, it will be a black matter for the king that led them to it. King Henry V, Act IV Scene I.
Many productions of Henry the Fifth interpret this speech as Shakespeare’s attitude towards war, (a tempting prospect, since the soldiers’ name is William), but in the very next speech King Henry completely changes Williams’ mind! Here’s the full scene from Kenneth Branaugh’s 1989 movie version of the play, which he directed and starred as King Henry:
https://m.youtube.com/watch?v=rv7NsGCDVDs
Next, here’s a fascinating article by psychotherapist Anthony King that attempts to diagnose one of Shakespeare’s most diabolical soldiers, Macbeth: https://warontherocks.com/2015/10/macbeth-as-a-ptsd-victim/
Evidence that Macbeth has PTSD:
Every generation recreates the Shakespeare it needs.” -Anthony King
Macbeth is a veteran dealing with atrocious behavior, his own, and those he’s privy to.
Found on AdAA.org
• Re-experiencing the trauma through intrusive distressing recollections of the event, flashbacks, and nightmares.
◦ Sees daggers 🗡, ghosts, and obsessed over infants 👶
• Emotional numbness and avoidance of places, people, and activities that are reminders of the trauma.
◦ Ignores people and isolated himself in the castle 🏰
• Increased arousal such as difficulty sleeping and concentrating, feeling jumpy, and being easily irritated and angered.
◦ “Macbeth shall sleep 😴 no more”
◦ the murder- in Macbett by Sartre, the soldier actually questions whether the man whom he swore to protect is really worth defending.