Review: Kentucky Shakespeare’s “Two Gentlemen Of Verona”

In Case You Haven’t Heard

Two Gentlemen Of Verona is probably Shakespeare’s first comedy, maybe even his first play. A lot of the plot devices and themes Shakespeare explores in later plays were first set down in Two Gentlemen.

The Plot

Two Gentlemen Of Verona is about two best friends, Valentine and Proteus, who start out as young men yearning for adventure and to seek their fortune in Milan. As you might have guessed from his name, Valentine finds love instead of fortune, and so does his friend Proteus. What makes the play unique is that Proteus falls in love with Valentine’s betrothed Silvia, forsaking his faithful sweetheart Julia. The two virtuous girls support each other and fight to stop Proteus from sabotaging their relationships. In the end though, Valentine forgives Proteus and Valentine takes him back, which makes the play a little controversial for modern audiences.

The Concept

What happens in Milan, stays in Milan! Shakespeare’s gleefully silly comedy is set in 1940’s Las Vegas, where love and friendship are put to the test. A charming adventure navigating a love triangle, betrayal, disguises, an escape into the forest, and a dog. -Quoted from the official program.

The play is set in 1940s Las Vegas, which works well with the theme of young, impressionable men trying to make their fortunes in a place where luck can change in an instant. Proteus goes from a lover and loyal friend to a liar and traitor. Meanwhile, Valentine’s luck changes from a favored gentleman at court, to a banished vagabond.

The performances had the air of a 1940s classic comedy, with a lot of stylized slapstick and over-the top characters. It echoes the work of Laurel and Hardy or Abbot and Costello, which I feel was a wise choice- even if the audience couldn’t understand a word of the dialogue, they could still be entertained by the actors’ over-the top comedy.

Free Shakespeare In the Park

The set of “Two Gentlemen Of Verona”

This was my first KY Shakespeare production, and I enjoyed the overall vibe a lot. According to kyShakespeare.com, the company is enjoying its 66th year of being the longest running, non-ticketed Shakespeare festival in the United States. The company prides itself as being accessible, inclusive, anti-racist, and generally committed to welcoming all people to enjoy their shows. From what I saw from my seat on a balmy day in Olmstead Park, Kentucky Shakespeare is doing a great job accomplishing its goals. I saw people from many different walks of life come by, laugh at the jokes, clap and cheer, and have a good time.

The Cast

The cast has a great grasp of Shakespeare’s language and comic timing. Like I said before, the cast performed as if they were in a 1940s classic comedy, which helps sells some of the absurd moments in the play. That said, across the board, the actors also knew how to deliver the serious moments of the play with grace and pathos.

Crystian Wiltshire (Proteus)

As you read earlier, Proteus’ character commits some very questionable actions- betraying his friend and forsaking his girlfriend for no good reason. In order to make the audience feel even a tiny amount of sympathy for him, would require an actor with charm, and a great sense of humor. Fortunately, Chrystian Wiltshire brings both of these qualities, as well as a great deal of skill. His Proteus is basically a young, naive fool, who never considers the long term consequences of his actions. One gets the impression that by the end of the play, he will learn his lesson and become a better man. Still, I heard a few people booing when Valentine forgave him at the end of the play. It’s a testament to Mr Wiltshire’s performance that he inspired such an emotional response from the audience.

Justin Jackson (Valentine) Obviously, any production of Two Gentlemen depends upon the actors playing the title characters. The play’s central tension is Proteus changing from a lover to a liar and Valentine from a libertine to a lover. Fortunately, Mr Jackson is a great foil for Mr Wiltshire as Proteus. He excellently portrays the change of Valentines heart. At the beginning of the play he is charming and devil-may-care. If you haven’t read the play before, you might expect that Valentine might be the real liar and cheat from the way he teases Proteus about his lovesick behavior. But, once he meets Silvia, Valentine is utterly sincere and his smarmy looks are replaced by a rock solid earnestness. Jackson expertly conveys this startling metamorphosis with his powerful voice, imposing height, and dashing good looks. I wish I could see him in a tragic role like Hamlet or Brutus, but with his masterful portrayal of Valentine, I’m sure he’ll have many more memorable performances in the future.

Kate Drury (Julia) I hope I have established by now that the main idea Shakespeare conveys in this play is that people transform when they fall in love, and neither the exterior nor interior man (or woman), resembles who they were. This is especially true with Julia, who starts out as a simpering, childish girl who tears up Proteus’s love letter to prove that she is not in love, but then agonizes over her cruel destruction of the note. This speech could seem cloyingly sweet or annoying in the wrong hands, but Miss Drury pulls it off to great effect.

Even more impressive is the transformation Julia undergoes in Act 2, where she disguises herself as a man and faces many dangers to find and confront Proteus. She even has the heart to befriend Silvia, the woman Proteus forsakes her for. The childish Julia from Act I might not understand that Proteus is unfaithful, not the virtuous Silvia, but Kate effortlessly shows Julia’s wisdom to see that Silvia never entices Proteus, and scolds his behavior on behalf of Julia herself. It’s rare to see an Elizabethan playwright portray a female friendship that is mature and genuine, but Shakespeare manages to do so, and the actresses mirror this relationship flawlessly.

Tilly as Crabbe the Dog

For most people in the audience, the true star of the show was Tilly as Crabbe the dog. When my kids and I took our seats, my son’s immediate question was “When is the dog coming?” To be fair, Tilly is very cute and never once breaks character.

My Reaction

I tried my best to separate my feelings about Two Gentlemen Of Verona from the production. As I mentioned earlier, as Shakespeare’s first comedy, many of his more famous works are actually derived from this one. For instance, we have an Italian hero who visits his beloved by night, whose love is denied and he is banished from Verona, (sound familiar?) We also have a heroine who disguises herself as a boy, (a device which Shakespeare employs at least six times), a comic servant, a maid, pirates, a foppish suitor, and a bit where the heroine secretly obtains her beloved’s ring. As a hardcore Shakespeare fan, seeing these repeated devices and characters was a little tedious after recognizing them from other plays. I also felt that the dialogue should have been edited a little bit more- the play was about 2 1/2 hours which I felt was a little too long. That said, the skill of the actors and the creative use of the setting helped make Two Gentlemen Of Verona an enjoyable experience for all.

In conclusion, I can see why people like this play and I too enjoy it, despite its questionable subtext.

If you like this analysis, you might be interested in signing up for my Outschool Course on Shakespeare’s Comedies. Link down below. Share this class with a friend and you will get $20 USD off!
You’ll also get $20 USD when you sign up with your link and take their first class!

https://outschool.com/classes/shakespeares-comic-plays-868BR5hg?sectionUid=420e2feb-050f-456b-8d06-6510f6b9ad2c&usid=MaRDyJ13&signup=true&utm_campaign=share_activity_link

Sonnet inspired by the Mandolorian

The Child is locked within that room, alack!
Too high to fly and the doors are far too thick
Perhaps this console I can disarm or hack
O Fate! Thou play'st upon me yet another trick.
To enter I must show this Droid my face
A thing most vile, against my holy creed.
Methinks I hear The Armorer's voice 'cross space:
"This is the way of Mandalore, take heed."
This is MY WAY, MY QUEST, MY SACRIFICE
Behold my face, thou cold and lifeless sentry.
A few seconds shame should thee suffice
Open the gate! Let me have present entry!

Strange, up to now, my face hath been my mystery
My Grogu's life is far more dear to me.

Lots of Great classes are available on Outschool This Summer

With summer break approaching, why not give your kids the gift of learning Shakespeare in a low-key, no-pressure scenario? I have classes on Shakespeare’s life, Romeo and Juliet, and my celebrated Stage Combat class! Sign up now for all the fun on Outschool.com!

Shakespeare and Star Wars

Class Description: Using self-paced online activities, your child(ren) will compare the plot and characters of Star Wars to Shakespeare’s plays. We will also discuss Shakespeare’s writing by looking at “William Shakespeare’s Star Wars” by Ian Doescher.

Romeo and Juliet Murder Mystery

Course Description: A flexible schedule class that teaches kids the plot and characters of “Romeo and Juliet,” in the context of a detective story where you solve the mystery of the young lovers’ deaths.

Course Descriptions

How to Write Like Shakespeare: Learn the basics of iambic pentameter, sonnet form, and Shakespeare’s dramatic structure, and practice writing Shakespearean speeches.

Get $10 off my class “Shakespearean Stage Combat” with coupon code HTHES3IB1C10 until May 4, 2026. Get started at https://outschool.com/classes/shakespearean-stage-combat-TyjzafsK and enter the coupon code at checkout.

Lots of Great classes are available on Outschool This Winter

Scan the QR code to see my list of classes.

With the holidays approaching, why not give your kids the gift of learning Shakespeare in a low-key, no-pressure scenario? I have classes on Shakespeare’s life, Romeo and Juliet, and my celebrated Stage Combat class! Sign up now for all the fun on Outschool.com!

Shakespeare and Star Wars

Class Description: Using self-paced online activities, your child(ren) will compare the plot and characters of Star Wars to Shakespeare’s plays. We will also discuss Shakespeare’s writing by looking at “William Shakespeare’s Star Wars” by Ian Doescher.

Romeo and Juliet Murder Mystery

Course Description: A flexible schedule class that teaches kids the plot and characters of “Romeo and Juliet,” in the context of a detective story where you solve the mystery of the young lovers’ deaths.

Course Descriptions

How to Write Like Shakespeare: Learn the basics of iambic pentameter, sonnet form, and Shakespeare’s dramatic structure, and practice writing Shakespearean speeches.

Get $10 off my classes with coupon code HTHESJTOUQ10 until Dec 25, 2024. Look through my classes at https://outschool.com/teachers/The-Shakespearean-Student and enter the coupon code at checkout.

Close Reading: Henry V Wooing Scene

The Characters

Katharine of Valois

King Henry V

King Henry has just won a decisive victory at the Battle of Agincourt. He is now claiming the crown of France, and Katherine’s hand in marriage. Though he’s proven himself an able soldier and a wise king, he repeatedly stumbles when trying to win Katherine’s heart.

The Text:

Henry V: Fair Katharine, and most fair,
Will you agree to teach a soldier terms
Such as will enter at a lady’s ear
And plead his love-suit to her gentle heart?


Katharine: Your majesty shall mock at me; I cannot speak your England.

Henry V: O fair Katharine, if you will love me soundly with
your French heart, I will be glad to hear you
confess it brokenly with your English tongue. Do
you like me, Kate?

Katharine: Pardonnez-moi, I cannot tell vat is ‘like me.’

Henry V: An angel is like you, Kate, and you are like an angel.

Katharine: O bon Dieu! les langues des hommes sont pleines de
tromperies.

Henry V: What say you, fair one? that the tongues of men
are full of deceits?

Katherine: Oui, dat de tongues of de mans is be full of
deceits:


Henry V: Kate, my wooing is fit for thy understanding: I am
glad thou canst speak no better English; for, if
thou couldst, thou wouldst find me such a plain king that thou wouldst think I had sold my farm to buy my crown. I know no ways to mince it in love, but directly to say ‘I love you:’ I have no strength in measure, yet a reasonable
measure in strength. If I could win a lady at
leap-frog, or by vaulting into my saddle with my
armour on my back, I should quickly leap into a wife.
I speak to thee plain soldier: If thou canst
love me for this, take me: take
me; and take me, take a soldier; take a soldier,
take a king. And what sayest thou then to my love?
speak, my fair, and fairly, I pray thee.

Katharine: Is it possible dat I sould love de enemy of France?

Henry V: No; it is not possible you should love the enemy of
France, Kate: but, in loving me, you should love
the friend of France; for I love France so well that
I will not part with a village of it; I will have it
all mine: and, Kate, when France is mine and I am
yours, then yours is France and you are mine.

Katharine: I cannot tell vat is dat.

Henry V: No, Kate? I will tell thee in French; Je quand sur le possession de France, et quand
vous avez le possession de moi,—let me see, what
then? Saint Denis be my speed!—donc votre est
France et vous etes mienne. It is as easy for me,
Kate, to conquer the kingdom as to speak so much
more French: I shall never move thee in French,
unless it be to laugh at me!

Katharine: Sauf votre honneur, le Francois que vous parlez, il
est meilleur que l’Anglois lequel je parle.

Henry V: No, faith, is’t not, Kate: But, Kate, dost thou
understand thus much English: canst thou love me?

Katharine: I cannot tell.

Henry V: How answer you, la plus belle Katharine du monde, mon tres cher
et devin deesse?

Katharine: Your majestee ave fausse French enough to deceive de
most sage demoiselle dat is en France.

Henry V: Now, fie upon my false French! By mine honour, in true English, I love thee, Kate: by which honour I dare not swear thou lovest me; yet my blood begins to flatter me that thou dost, Put off your maiden blushes; avouch the
thoughts of your heart with the looks of an empress;
take me by the hand, and say ‘Harry of England I am thine:’ I will tell thee ‘England is
thine, Ireland is thine, France is thine, and Harry
Plantagenet is thine;’
Come, your answer in broken music; for thy voice is music and thy English broken; therefore, queen of all, Katharine, break thy mind to me in broken
English; wilt thou have me?

Katharine: Dat is as it sall please de roi mon pere.

Henry V: Nay, it will please him well, Kate it shall please
him, Kate.

Katharine: Den it sall also content me.

Henry V: Upon that I kiss your hand, and I call you my queen. [she shakes her head ‘no’ and kisses him on the lips]
You have witchcraft in your lips, Kate: there is
more eloquence in a sugar touch of them than in the
tongues of the French council; Here comes your father.

Context

The initial awkwardness between Henry and Katherine is what makes the scene endearing; the notion that to Henry, conquering France is easier than wooing Kate. He’s repeatedly at a loss for words, and refuses to flatter or flirt with Katherine. He either is incapable of wooing in “festival terms,” or he wants Katherine to love him for who he is.

For Katherine’s part, at first, she seems indifferent to Henry, if not outright resistant to his love suit. As she says, “Is it possible that I should love the enemy of France?” Henry’s awkward wooing is not the only barrier to Katherine’s heart – he also killed hundreds of her countrymen and aims to take her father’s crown. It’s entirely possible that Katherine sees Henry as her enemy. The biggest question is- does she actually fall in love with him? Henry is charming, so it’s not impossible that Katherine’s feelings are genuine. It’s also possible that Katherine is actually interested in becoming queen to keep her father’s lands and titles in the family through marriage.

Interpretations

Questions To Ask:

  1. Is Henry really being awkward, or is this a front?
  2. Does Henry love Kate, or is he being political?
  3. Is Kate in love with him? If so, when and why does she fall for him?
  4. If Kate never falls for Henry, why does she agree to marry him?

Shakespeare’s Awesome Heroines: Joan of Arc

I’m coaching a young actress who is performing a monologue from one of Shakespeare’s histories, his play Henry VI, Part I. It’s likely you know the character, even if you don’t know the play- Joan LaPucelle, aka Joan of Arc. In this post, I will compare and contrast the historical Joan from Shakespeare’s version, and further attempt to separate the real woman from her legendary status as the patron Saint of France.

Shakespeare’s Joan

Shakespeare’s younger sister was also named Joan, and it’s possible she might have inspired Shakespeare’s decision to write about Joan the Maid. Recently, a document called A Spiritual Testimony, (long attributed to Shakespeare’s father), is now believed to be proof that Shakespeare’s little sister was a devout Catholic, at a time when doing so could incur ruinous fines and the risk of arrest for sedition and heresy. Given the courage of Joan’s convictions, perhaps her elder brother infused some of her zeal when writing the character of Joan in Henry VI, part I.

The Life of Joan

One life is all we have, and we live it as we believe in living it. But to sacrifice what you are and to live without belief, that is a fate more terrible than dying. -Joan of Arc

Joan LaPucelle, (Joan the Maid) was a controversial figure even in the 15th century. To the English, (and even some of the French), she was a witch, and a cruel warrior who took away rightful English territory. To others, she was a hero and a saint.

What I hope to do in this post is provide you with details about the life of Joan of Arc. Next I will  compare and contrast the most iconic portrayals. I would argue that the success of each interpretation depends on how the writer, director, and of course, the actress playing Joan, answer these questions.

Shakespeare’s Version of Joan La Pucelle

Charles, King of France. Go, call her in.
[Exit BASTARD OF ORLEANS]255
But first, to try her skill,
Reignier, stand thou as Dauphin in my place:
Question her proudly; let thy looks be stern:
By this means shall we sound what skill she hath.
[Re-enter the BASTARD OF ORLEANS, with JOAN LA PUCELLE]

Reignier. Fair maid, is't thou wilt do these wondrous feats?
Joan la Pucelle. Reignier, is't thou that thinkest to beguile me?
Where is the Dauphin? Come, come from behind;
I know thee well, though never seen before.
Be not amazed, there's nothing hid from me:265
In private will I talk with thee apart.
Stand back, you lords, and give us leave awhile.
Reignier. She takes upon her bravely at first dash.

Joan appears in the first part of Shakespeare’s epic saga of  four plays about the Wars of the Roses. It is King Henry’s inability to defend his lands in France against Joan’s valiant attacks that  helped trigger the Civil War, where the House of York fight to take the crown away from the incompetent King Henry VI.

Joan la Pucelle. Dauphin, I am by birth a shepherd's daughter,
My wit untrain'd in any kind of art.270
Heaven and our Lady gracious hath it pleased
To shine on my contemptible estate:
Lo, whilst I waited on my tender lambs,
And to sun's parching heat display'd my cheeks,
God's mother deigned to appear to me275
And in a vision full of majesty
Will'd me to leave my base vocation
And free my country from calamity:
Her aid she promised and assured success:
In complete glory she reveal'd herself;280
And, whereas I was black and swart before,
With those clear rays which she infused on me
That beauty am I bless'd with which you see.
Ask me what question thou canst possible,
And I will answer unpremeditated:285
My courage try by combat, if thou darest,
And thou shalt find that I exceed my sex.
Resolve on this, thou shalt be fortunate,
If thou receive me for thy warlike mate. Act 1, Scene ii

In the play, Joan is a strong warrior, a clever tactician, and a gifted orator, yet her main function in the play is as the antagonist who goes toe to toe against the English warrior, Lord Talbott.

Naturally, since Shakespeare was trying to write for an English audience, Joan is portrayed as the antagonist, not the hero. The English make many snide comments that suggest Joan might not be as virtuous or as righteous as she appears. However, Shakespeare never outright calls Joan a witch or portrays her doing anything other than trying to fight for her country, by any means necessary.

Once Charles is crowned and Joan gets back Orléans for the French, the tide of battle turns against her. In Shakespeare’s version, this is because the English are united around John of Bedford, (King Henry’s uncle and Regent of France), as well as Lord Talbot, the great knight and “Terror of the French”. In Act V, scene iii, Joan calls upon spirits to fight the English:

The regent conquers, and the Frenchmen fly.
Now help, ye charming spells and periapts;
And ye choice spirits that admonish me
And give me signs of future accidents.
[Thunder]
You speedy helpers, that are substitutes
Under the lordly monarch of the north,
Appear and aid me in this enterprise.
[Enter Fiends]
This speedy and quick appearance argues proof
Of your accustom'd diligence to me.
Now, ye familiar spirits, that are cull'd
Out of the powerful regions under earth,
Help me this once, that France may get the field.
[They walk, and speak not]
O, hold me not with silence over-long!
Where I was wont to feed you with my blood,
I'll lop a member off and give it you
In earnest of further benefit,
So you do condescend to help me now.
[They hang their heads]
No hope to have redress? My body shall
Pay recompense, if you will grant my suit.
[They shake their heads]
Cannot my body nor blood-sacrifice
Entreat you to your wonted furtherance?
Then take my soul, my body, soul and all,
Before that England give the French the foil.
[They depart]
See, they forsake me! Now the time is come
That France must vail her lofty-plumed crest
And let her head fall into England's lap.
My ancient incantations are too weak,
And hell too strong for me to buckle with:
Now, France, thy glory droopeth to the dust.
[Exit]
Joan LaPucelle in the 2010 RSC production of “Henry VI, Part 1

At first glance this passage seems shocking- Shakespeare appears to be accusing the patron saint of France of witchcraft. Even more bizarre, later when Joan is arrested by the English lords, she claims to be pregnant with King Charles’ child! And to confound the audience even further, Joan contradicts her own confession by denying any witchcraft or any relationship with any man:

Joan la Pucelle: First, let me tell you whom you have condemn'd:
Not me begotten of a shepherd swain,
But issued from the progeny of kings;
Virtuous and holy; chosen from above,
By inspiration of celestial grace,
To work exceeding miracles on earth.
I never had to do with wicked spirits:
But you, that are polluted with your lusts,
Stain'd with the guiltless blood of innocents,
Corrupt and tainted with a thousand vices,
Because you want the grace that others have,
You judge it straight a thing impossible
To compass wonders but by help of devils.
No, misconceived! Joan of Arc hath been
A virgin from her tender infancy,
Chaste and immaculate in very thought;
Whose maiden blood, thus rigorously effused, Will cry for vengeance at the gates of heaven.
Henry VI, Part I, Act V, Scene iv

I get the sense that Shakespeare is trying to make Joan’s character ambiguous- if you are an English patriot, you can see her as a witch, a liar, and a manipulative harlot. If you are French, you see these accusations as filthy lies, and Joan’s “confession,” as merely a desperate attempt to spare her own life, one that tragically backfires.

The Real Joan of Arc

Born: circa 1412 in Domrémy, France

Died: May 30  1431 (executed by burning)

Birth/ Childhood

Joan was born January 6th, 1412 to Isabelle and Jacques D’Arc, the mayor of the town of Domr’emy France. At the time, Domremy was right on the border between the Armeniacs (who supported Charles the Dauphin) and the Burgundians, who supported King Henry V of England as rightful king of all Frence. Because of this, Joan’s home was subject to English raids and she might have been raised to support Charles as her lawful king. In any case, the accounts we have describe her as very pious, intelligent, generous, and a lover of justice.She had no formal education nor any experience on the Battlefield. Yet, by all accounts, Joan was an extremely devout youth, devoted to God, and her lawful king.

Call to Arms

When she was 13, Joan went to pray in her father’s garden and believed that she saw the Archangel Michael, who prophesied that she would be the one to save France. In 1428, Joan approached Robert Baudricourt, Lord of Vaucouleurs. She demanded to join the French army and to bring Charles to Reims to be officially crowned king. Though she was turned away three times, Joan’s faith and courage attracted followers from the surrounding countryside, and Baudricourt eventually agreed to train Joan to fight, and allowed her and her enterage to talk to Charles the Dauphin about joining the troops defending the city of Orléans.

Once he met Joan at his palace in Chinon, the Dauphin agreed to let her take weapons and supplies to the troops who were already laying siege to the French town of Orléans. However, Joan insisted on leading the troops into battle, and quickly became a symbol of French resistance.

The Siege of Orléans

The city of Orléans was a vital town that the English had garrison. For six months, the French had attempted to starve out the English, destroy their defenses, and retake the city.

Joan la Pucelle. Advance our waving colours on the walls;
Rescued is Orleans from the English
Thus Joan la Pucelle hath perform’d her word.- Henry the Sixth, Part I

Joan’s Fall From Grace

Henry, by the grace of God, king of France and England, greeting. It is well known how for some time a woman calling herself Jeanne the Maid, putting off the habit and dress of the female sex (which is contrary to divine law, abominable to God, condemned and prohibited by every law), has dressed and armed herself in the state and habit of man, has wrought and occasioned cruel murders, and it is said, to seduce and deceive the simple people, has given them to understand that she was sent from God and that she had knowledge of His divine secrets, with many other dangerous dogmatizations most prejudicial and scandalous to our holy faith. Whilst pursuing these abuses and exercising hostilities against us and our people, she was captured in arms before Compiègne by certain of our loyal subjects and has subsequently been led prisoner towards us. And because she has been reputed, charged and defamed by many people on the subject of superstitions, false dogmas and other crimes of divine treason, we have been most urgently required by our well beloved and loyal counselor the bishop of Beauvais, the ecclesiastical and ordinary judge of the said Jeanne, who was taken and apprehended in the boundaries and limits of his diocese

  • Letter from King Henry VI to the Bishop of Beauvais (Joan’s captor), January 3rd, 1431

Joan was captured in 1430, when King Henry of England was only 10 years old. Even though now France is united with pride for Joan and her defense of her country, back then there were plenty of factions that actually supported the English, and those French factions captured, and arrested her for heresy during the siege of Compiègne.

The Trial- January 9th, 1431

It has pleased divine Providence that a woman of the name of Jeanne, commonly called The Maid, should be taken and apprehended by famous warriors within the boundaries and limits of our diocese and jurisdiction. The reputation of this woman had already gone forth into many parts: how, wholly forgetful of womanly honesty, and having thrown off the bonds of shame, careless of all the modesty of womankind, she wore with an astonishing and monstrous brazenness, immodest garments belonging to the male sex.

As this excerpt from the trial transcripts demonstrates, Joan’s trial focused much more on her alleged heresy and witchcraft, rather than her defying British rule. In reality, Joan’s arrest and martyrdom was a political sacrifice for the French- they wanted to show political support for their English overlords, without alienating Joan’s supporters. Discrediting Joan by calling her a heretic was a calculated political move, and Joan probably knew it.

Execution

Joan was executed by burning on May 30th, 1431, six months before King Henry was formally crowned King of England. After her death, Henry was unable to maintain control of France and his incomplete, combined with a congenital mental illness, is why he later lost

Iconic portrayals:

Trailer for Carl Dryer’s Passion of Joan of Arc (1928)
Mila Jovavich in Luc Besson’s “The Messanger”, 1999

Sources:

Books

  1. You Wouldn’t Want To Be Joan of Arc
  1. Joan of Arc by Josephine Poole
Title Page of Joan of Arc by Josephine Poole, illustrated by Angela Barrett

Medieval Manuscripts: The Trial of Joan of Arc:

https://origin.web.fordham.edu/Halsall/basis/joanofarc-trial.asp

https://dailygalaxy.com/2025/09/shakespeare-a-rediscovered-manuscript-flips-the-familys-legacy-on-its-head-more-than-400-years-after-it-was-written/

Activities For Teachers and Students: Shakespeare Gingerbread Men (and Women)

Every holiday season, my school likes to decorate the classroom doors in a festive way. I wanted to celebrate my Shakespeare Club and also teach the club members about Shakespearean fashion, Shakespearean characters, and maybe a little bit about engineering too. I’m very proud of the results, and I wanted to share this idea with you to maybe inspire you next holiday season!

The Concept

Hath I but one penny in the world, thou should’st have it to buy gingerbread. – Love’s Labors Lost

Since the theme had to be holiday-related, I looked at the above quote and decided to make Shakespearean gingerbread men! I knew I wanted to make the kids design a bunch of gingerbread men that would look like Shakespearean characters. While we were at it, I wanted gingerbread houses and maybe even a 3D element to go along with it. I knew it wouldn’t be easy, but I also knew my group was up to the task!

The plan

My concept drawing of how the door should look

I knew I couldn’t use real gingerbread, so I chose the next best thing- cardboard! I made a cardboard plan of the door to show to my group. I then found a wooden gingerbread man at the local dollar store and used that as a template for the cardboard characters. Finally, I explained the concept to the group, and divided my group up into teams- one group would draw and color the gingerbread houses, one group would color the gingerbread men based on pictures of Shakespearean characters:

Gingerbread Hamlet
Gingerbread Henry V
Gingerbread Juliet

My final group created a 3D gingerbread house with a light in it to make the gingerbread village come to life. They even put my little puppet Shakespeare pal in there (I guess it’s his winter home).

Review: Kenneth Branaugh’s As You Like It

The Concept

According to Branaugh, the idea behind the film was to emphasize beautiful things like tranquility and love, but preserve and heighten the danger of being hunted by a powerful warlord like the Duke

Interview with the director and cast at the Barbican

The Plot Of the Play

Historical Context

Branaugh set the film in 19th century Japan, at a time when English people came to Japan for the first time, and created small English communities in the country. I’ll discuss later that I have very conflicting feelings with this choice, but I will give Branaugh this- it does highlight the fish out of water journey that Rosalind and the other characters go through leaving their homes at court, and becoming enamored with a new country.

The Cast

The cast is full of veteran Shakespeareans and gifted Hollywood stars. Bryce Dallas Howard is charming as Rosalind, and has good chemistry with RSC actor David Oyelowo. I also enjoyed Brian Blessed’s dual role as Duke Senior and Duke Frederick. Kevin Klein is very sincere as Jaques but I wish he had a bit more fun with the over exaggerated melancholy that Jaques puts on. The overall effect of the performances is a sentimental, charming, beautiful, witty group of people who are having a fun time.

My Reaction

The cast is great, the cinematography is stunning, and the music is charming. Overall, Branaugh has done a great job of bringing the spirit of the play alive- that of a sweet, pastoral comedy about love, unrestrained by wealth or status. What I worry about though, is that Branaugh might inadvertently be celebrating colonialism. Yes, Japan is a beautiful country with a  highly sophisticated and rich culture, so it makes sense that English people would be drawn to it. That does not justify the cruel way the English and Americans colonized parts of Japan, made the people mine for gold, and forced them to trade with the west. I worry that, like The Mikado, Branaugh celebrates Japan in a way that makes it seem like westerners were justified in taking so much away from it. I wish the plot had more of a “look but don’t touch” attitude to Japanese culture.

I also question the decision to cast barely any Asian actors. Given the story Branaugh wants to tell, it makes sense to cast non-asian actors as The Duke, Rosalind, Celia, and even Orlando, since they come to the forest from an English-style court. But the roles of Corin, Silvius, Audry, Phoebe, and even Old Adam are people who are supposed to be familiar with the country, meaning it would make perfect sense to cast Asian actors in these roles. Frankly, there are very few well known Asian actors in Hollywood and I would love to give some of them a chance to shine, especially since Shakespeare has long been a way for actors of all cultures and races to show their skills.

In conclusion, I can see why people like this movie and I too enjoy it, despite its questionable subtext. I don’t want to take away anyone’s enjoyment of the film, just to remind people not to be too seduced by the historical practice of taking something “As You Like It”

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