Yesterday a great Shakespearean actor died, Roger Reese, famous for his portrayal of Nicholas Nicollet, and beloved for his role of The Sheriff of Rottingham. To honor this great actor, I urge you to ‘re watch some of his work. I offer this clip from the RSC Comedy Of Errors.
As I said in my last post, I worked on Much Ado About Nothing before as a text coach and actor in 2012. I also served as what the Germans call a “dramaturg,” a theatre researcher who helps the cast understand the world of the play and the director develop his/her concept. For this production, director Sarah Wylie chose to set the play in the 1920s, so it was my job to research the fashion, the art, and the politics of the period. Below is a presentation I created for the cast and crew to help inspired them based on William Shakespeare’s text and the director’s concept.
If you click here, you can see some production photos and see the director’s concept come to life:
July 1st is the beginning of a new month, and you know what that means: A new play to talk about: Much Ado About Nothing! I’ve worked on this play professionally so I have a lot of content for you. The first thing I have is an entire website I created when I was working as a dramaturg (professional theater researcher) for Open Air Shakespeare NRV. It has pictures, games, and info on the characters and plot.
Screenshot of my website that I created to inform the actors in Open Air Shakespeare NRV’s production of “Much Ado About Nothing.”
I wanted to do something a bit special for the tenth cartoon in the series, so here is Zounds’ first sonnet, and the return of Will himself to centre stage.
I performed sonnet 29 as part of a Shakespeare’s birthday performance last year, and as the Zounds project developed, seized on the idea of doing an illustrated version. I just loved the idea that even Shakespeare needed someone to screw his courage to the sticking place now and again (although thankfully without the accompanying regicide). I know that I certainly do.
This was actually the first time I’d drawn Shakespeare for the series, although I’d already had the idea for his first appearance. (Which I sneakily inserted his lady friend into when the time came to draw it. I think we might see more of her in the future…) It definitely marked the point where I decided this was something worth making public.
Today, June 24rth, is the ancient Roman festival of Fortuna, the goddess of luck and worldly fortunes. I’ve chosen to use this opportunity to explain a little bit about the concept of Fortune, which Shakespeare uses frequently in his tragedies. But first, a short musical interlude:
Does this song sound familiar? You’ve probably heard it underscored in hundreds of commercials, TV shows, maybe even in concerts, it’s a song composed by composer Carl Orff called “O Fortuna.”
The Roman goddess Fortuna with her wheel and orb.
In Roman mythology, Fortuna was the goddess of luck, wealth, and fertility. If you listen to the lyrics of the song above, you can see that for centuries, people chose to represent Fortune as a fickle, changeable, and irresponsible goddess. Unfortunately, one of the reasons she’s personified as a woman is the long-held prejudice that women are weak, have frequent changes of mind and mood, and can’t commit to one person, (a view of women that I and Shakespeare believe to not be true). However, based on his writing he does seem to think Fortune fits these characteristics:
“I am Fortune’s fool” –Romeo and Juliet
O fortune, fortune! all men call thee fickle:If thou art fickle, what dost thou with him. That is renown’d for faith? Be fickle, fortune; For then, I hope, thou wilt not keep him long, But send him back. –Romeo and Juliet
“When Fortune means to men most good, She looks upon them with a threatening eye.” –King John
Out, out, thou strumpet, Fortune! All you gods,
In general synod ‘take away her power;
Break all the spokes and fellies from her wheel,
And bowl the round nave down the hill of heaven,
As low as to the fiends! -Hamlet
In Dante’s Inferno, Fortuna lives in the Underworld with Plutus the god of gold, helping to distribute the god’s wealth to people above ground. In the Middle ages she was an explanation for why some people have good luck, some have bad, and why luck frequently changes.
The Wheel of Fortune.
Fortuna’s most recognizable symbol is her wheel; the symbol of how luck can change; just when you think your life is perfect, the wheel turns and you find yourself on the bottom. Frequently in tragedy when things go wrong, the characters blame Fortune, such as when the Lord of Kent finds himself put in the stocks like a common thief and gripes: “Fortune good night, smile once more, turn thy wheel,” King Lear, Act II, Scene ii. And yes, the real game show was partially inspired by the goddess’ most famous symbol.
Fortuna In Tragedies
Shakespeare mentions fortune over 500 times in his plays and frequently in his tragedies. Characters in Shakespearean tragedy frequently single out Fortuna as the cause of their unhappiness and curse her as a liar and a strumpet. In a Christian society, it was a lot more appealing to blame a pagan goddess than a loving, Christian god, (which would probably be considered blasphemous). Now you see why she has become a popular scapegoat for misfortune in tragedy. At the same time, all tragedy raises questions about the nature of free will; how much of bad fortune is the result of fate, and how much is a direct result of the character’s bad choices? Edmund in King Lear laughs at the notion of any kind of fate, and accuses all of humanity of shirking responsibility in this speech:
EDMUND
This is the excellent foppery of the world, that, when we are sick in fortune,–often the surfeit of our own behavior,–we make guilty of our disasters the sun, the moon, and the stars: as if we were villains by necessity; fools by heavenly compulsion; knaves, thieves, and treachers, by spherical predominance; drunkards, liars, and adulterers, by an enforced obedience of planetary influence; and all that we are evil in, by a divine thrusting on: an admirable evasion of whoremaster man, to lay his goatish disposition to the charge of a star! (King Lear, Act I, Scene ii).
At the same time, the audience also knows that Edmund was cursed by Fortune from the beginning, since he is the illegitimate child of the Duke of Gloucester, which might prove exactly the opposite point of his speech. He may act like he is absolute in his free will, but his behavior and his violent end suggests otherwise. So when characters curse Fortune or Fortuna in Shakespeare’s plays, take a look at the language they use to characterize this abstract concept. The way we think about luck or fate helps shape our perspective of our own lives, and therefore how playwrights depict this mysterious goddess helps us see the possibilities of human choice, and maybe help us make better choices than the tragic men who slander her in these plays!
I realize Father’s day was last weekend, but I thought I’d like to cap off that week of posts with one final insight into Shakespearean fathers, only today they won’t be fictional! Today I’ll be sharing with you some details from the lives of William Shakespeare and his father, John Shakespeare. We’ve been talking about good, bad, and dad dads, so after reading this post, what do you think- were these men good fathers, or not?
-Bio of John Shakespeare c1530—to 1601
Ancestry-
Shakespeare Family Tree
John Shakespeare was born around the year 1530 (exact records no longer exist). He came from a long line of prominent farmers in Snitterfield, and moved to Stratford Upon Avon in Warwickshire, in the year 1557 John married Mary Arden, who also came from pretty posh country stock; records trace the Arden family back before the Norman conquest in 1066!
John and Mary’s children
Altogether, John and Mary had 8 children (see the family tree above.)
Sadly, their 2 eldest daughters Margaret and Anne died in infancy, making William the eldest child, and the son and heir of his father’s wealth.
William’s brother Edmund became an actor, while his sister Joan took over John’s old house.
Shakespeare was born in 1564 in a modest house on Henley Street, which still stands today!
The house on Henley Street, where Shakespeare was born in 1564. Click here to learn more about Shakespeare’s birthplace.
Mayor, Bailiff, Glover When John and Mary moved to Stratford, John established himself as a great fixture of the community- he started as the local glover, and rose to the highly respected office of town ale taster (no, I’m not kidding). At the height of his career, John became Mayor of Stratford, and an Alderman- a town counsilor who helped make decisions like whether or not to let local theater troupes come to town! Maybe John took his young son to watch the travelling players and helped inspire Will’s lifelong love of theater.
Teach Your Children Well Shakespeare got to go to one of the first ever public schools in England, where he learned English history, poetry, and the art of persuasive speech, everything he needed to become the great writer he would become.
Brogger not Blogger As I mentioned in my first post, Shakespeare’s dad had an illegal side business as a wool dealer. All wool was controlled by the English government, so selling it directly to people was a crime, and eventually John Shakespeare was caught. Fortunately, the fine he paid wasn’t enough to ruin him financially…yet.
Closet Catholic The biggest financial problem John Shakespeare faced was his religious beliefs. In 1757, archeologists unearthed a pamphlet where John confessed to be a secret Catholic in a society where the Church of England was the national religion. Scholar Michael Wood believes that John’s Catholicism led to financial ruin; he refused to go to Episcopal church and had to pay crippling fines every time he failed to appear.
John’s Descent At the same time, John’s debts kept mounting and he was afraid to go to the town council house for fear of more collectors, even though he was the mayor. The final blow came in 1576, when John was booted off the town council.
Son of Fortune John’s son William would eventually repair the family dignity when he became a success. In 1596, William made himself, and all the male members of his family gentlemen, by applying for a coat of arms. Below is a picture of Shakespeare’s family crest.
Shakespeare’s coat of arms, as depicted in the Folger Shakespeare Library window.
John Shakespeare died in 1601, shortly after his son’s play Hamlet was published. Willmight have honored his father’s memory by playing the Ghost of Hamlet’s father.
-Bio of William Shakespeare as a Father 1564-1616.
Oil reproduction by Roger Dunn of an alleged drawing of Anne Hathaway. Reproduced with Permission, Shakespeare’ Birthplace Trust. Click on the picture to find out more about this work of art!
Roger Dunn BA
Wedding Bells In 1582,Will married Anne Hathaway (not the Oscar winning actress from Les Miserables, although that one has shown some love for Shakespeare too. Based on the timeline, it’s very likely that Anne was already pregnant when William married her. Some claim that the Bard was basically in a “shotgun” marriage, but nobody has proven otherwise. We do know that he wrote a sonnet to her on their wedding day, click here to read it!
Shakespeare’s Children Shakespeare and Anne had three kids (Judith, Susanna, Hamnet) Susanna was born in 1583, while the twins were born 5 years later.
Hit the Road! Sometime around 1590, Shakespeare moved to London and must’ve gotten a job with a theater company. Unfortunately, no records survive between the birth of Shakespeare’s children, and his first success as a playwright in 1592, which is why scholars refer to this period as “The Lost Years.” It was probably a tough life for the Shakespeares, with the father away in the city while they were cooped up in Stratford with their grandparents.
RIP Hamnet. Shakespeare’s only son died August 9th He was away in London at the time, and undoubtedly the news was a terrible shock.
Will’s daughters Shakespeare had two girls, Judith and Susanna. Naturally, it’s hard to tell anything about Shakespeare’s personal feelings, but looking at his plays and his future actions, Shakespeare must have really loved his girls. Many of his later plays explore the relationships between fathers and daughters, and as you’ve probably noticed, most of the fathers on my previous countdowns have at least 1 girl. Shakespeare was preoccupied with his daughter’s futures and helped them find husbands, Susanna Shakespeare was arrested for refusing to take protestant communion Susannah married Dr. John Hall, a respected puritan physician. She also bore William his only grandchild, Elizabeth Barnard (pictured below).
Elizabeth Hall, 1608-1680. Shakespeare’s granddaughter.
Will clearly loved his daughters, especially his daughter Susanna. His last 5 plays were about fathers trying their best to improve their daughter’s lives. In his will he gave his daughter Susannah 100 pounds of English money, as well as a dowry To his other daughter Judith he left 30 pounds, all of his silver, and permitted her to live in one of his houses on Henley street.
FMI:
by Michael Wood: A fantastic documentary/ book/ website, which looks at the life of William Shakespeare and his work. On this website is an interactive timeline that shows pictures of the places Shakespeare lived and worked, and the documents with his name on them: http://www.pbs.org/shakespeare/events/
Will In the World by Steven Greenblatt: A great biography of Shakespeare by a celebrated Harvard scholar and editor of tne Norton Shakespeare edition. Click here for a review: http://books.wwnorton.com/books/Will-in-the-World/.
So that ends my posts on Shakespeare and Father’s Day. Stay tuned for another post about a very interesting holiday!
Illustration of the Shakespeare family, wife and children, 1890.
The good people at “Zounds, Alack, and By My Troth,” have posted this cartoon that perfectly portrays the relationship between two of Shakespeare’s most troubled fathers and sons, Henry IV, and Prince Hal. Enjoy and Happy Father’s Day!