How Accurate Is Hamnet?

“She’s got…it, hasn’t she? The pestilence?” (O’Farrell, 105).
As this quote, (and the subtitle) suggests, Maggie O’Farrell’s novel Hamnet: A Novel About the Plague, focuses on the terror surrounding the plague and its devastating consequences on families. I really respect this book for its historical authenticity, it’s clever prose, and O’Farrell’s command of style, but I should warn you that this novel is definitely not for breezy summer reading.

If you are looking for a novel about William Shakespeare, this isn’t it; the Bard only appears in flashbacks. The action mainly concerns his wife and children. While Will was living and working in London for most of the year, his family lived in Stratford Upon Avon, along with the playwright’s mother and father. The novel has follows the characters across two times: 1582, when Shakespeare and his wife first met, courted and married, and around 1595, during an outbreak of plague that would (Spoiler Alert) eventually claim the life of Shakespeare’s son, Hamnet.

Drawing of Shakespeare and his family. Hamlet and Judith are on his right, his other daughter Susanna and his wife Anne are on his left.

The novel has a very dour tone, but that is by design. The author herself writes that the premise of the book was to create a realistic (albeit fictional) account of the Shakespeare family as their only son fell sick and died.

Burial records for the town of Stratford Upon Avon for 1596. On August 11, it records the death of Hamnet Shakespeare, William’s only son

The premise is intriguing from a historical point of view. We have no diaries or correspondence that express how the Shakespeares dealt with this catastrophic loss, but many scholars believe that Shakespeare’s play Hamlet was a direct homage to his son, since in Elizabethan England the names Hamlet and Hamnet were used interchangeably. Still, it must have effected Will in other ways, and it had to have had an effect on Hamnet’s mother and sisters, and that was O’Farrell’s focus when adapting this story as a novel.

I would describe the novel’s tone as ‘haunting,’ which is appropriate since it’s based around how a child’s death effected his family. It reminds me of a passage Shakespeare himself wrote about the death of a young boy in his play King John:

Grief fills the room up of my absent child,
Lies in his bed, walks up and down with me,
Puts on his pretty looks, repeats his words,
Remembers me of all his gracious parts,
Stuffs out his vacant garments with his form;
Then, have I reason to be fond of grief?
Fare you well: had you such a loss as I,
I could give better comfort than you do.
I will not keep this form upon my head,
When there is such disorder in my wit.
O Lord! my boy, my Arthur, my fair son!
My life, my joy, my food, my all the world!
My widow-comfort, and my sorrows' cure! King John Act III, Scene iv.



Like Constance in the quote above,, All the characters in Hamnet are haunted.
[Hamnet is pursued by plague. Will Shakespeare and Anne Hathaway are haunted by their abusive parents. Will’s father John by the loss of his business and social standing, and of course, everyone is haunted by Hamnet’s death.

https://youtu.be/kj240pJPpB8

Artist’s restored version of a Elizabethan woman, believed to be Anne Hathaway.
Lucentio and Bianca (The Taming of the Shrew, Oregon Shakespeare Festival, 2007)

Although the novel is mainly about Hamnet’s decline and death, my favorite parts of the book are flashbacks to the courtship and marriage of Will Shakespeare and Anne Hathaway. We know nothing about their real courtship, so O’Farrell borrows the plot from Shakespeare’s Taming Of the Shrew. Like Lucentio in Shrew,
The 18 year old William Shakespeare is a Latin tutor, (having not yet become a writer), who woos a misunderstood woman whom the town calls a shrew. In the book, Anne Hathaway is known as Agnes and (like many unmarried women of the period), is looked on as odd and somewhat wild. Many single women of this period would likely face discrimination, and sometimes. In this video, you can see how cunning women like Anne had an uneasy relationship with the local community; some saw them as an asset to the community, but others believed their abilities came from The Devil. For more information on Anne’s life, click here.

The History Guy- Witch Trials in the 16th and 17th centuries.

Anne is further isolated because of her strange abilities- in the book she owns a falcon, not a ladylike hobby for 1580s England. She is also skilled with medicinal plants and knows how to read palms. In essence, though the town ostracizes Anne, Shakespeare admires her cleverness, and the book implies that Shakespeare would later use her skills in characters like Kate from Shrew, Friar Lawrence (the skilled potion master), and maybe even the witches from Macbeth.

The reusing of Shakespeare’s plots doesn’t stop there- Before Anne and Will get married they are handfasted- that is they make a mutual promise to get married in front of witnesses. Anne knows that her family will not consent to their marriage given Shakespeare’s low economic prospects, so she convinces Will to get her pregnant. This mirrors Claudio and Juliet in Shakespeare’s Measure For Measure, who are publicly shamed and arrested for fornication, even though their only crime was not waiting until they had given a dowry to the groom’s parents before consumating the marriage.


One final master stroke of O’Farrel’s historical fictive tapestry is how she engineers the father son conflict between Will Shakespeare and his father John. Shakespeare loves to explore the power dynamic between boys on the cusp of manhood, and their already powerful fathers. In the case of John Shakespeare, O’ Farrell depicts him as a man who has worked, schemed, scammed, and clawed his way to the highest wealth his birth can allow him, but is now falling from grace, who has nothing but contempt for his son who seems like a worthless dreamer, incapable of hard work. This most closely echoes Shakespeare’s Prince Hal and King Henry, a son who must prove his fitness to be king to his father and to his nation. Watch this exchange from “The Hollow Crown” where the sick and aging John of Gaunt (Patrick Stuart), chastises his weak, effeminate nephew, King Richard II:

Historical Notes:

Infant mortality in Elizabethan England:

Even before Hamnet is born, his mother and mother in law are painfully aware that he might die young. Sadly this is very historically accurate. Infant mortality rates were high in Elizabethan England. According to Ian Mortimer in his book The Time Traveler’s Guide To Elizabethan England, mothers had to keep their children at arms length and not get too attached. Being a mother in this time meant dealing with the constant knowledge that your child might not survive:

In Stratford in the 1560s, there are on average, sixty-three children baptized every year- and forty-three children buried.

Mortimer, 27.

John Shakespeare’s fall John Shakespeare was more than a glover- he held a position in the Stratford Guild Hall- basically a city council position. He was in charge of hiring constables, keeping the peace, overseeing the brewing of ale, and approving theatrical entertainments for civic events. Probably John got his son interested in theater by letting him tag along to the sort of private performances he would have watched to determine whether a play or troupe was good enough for, for instance, the visit of a peer. However, by the 1580s, John was losing his business and selling off his land assets. Scholars suspect that either John was a closet Catholic, forced to pay fines every time he failed to attend protestant church, or he was avoiding church and his alderman council meetings because he knew his creditors would be there. In any case, O Farell takes this historical tidbit and turns John Shakespeare into a bitter, broken, abusive man whom Shakespeare can’t wait to get away from. Shakespeare and his wife bond over their abusive parents and dream of succeeding financially so they can get away from their parent’s influence.
Malt and wool The novel hints at John Shakespeare’s secret side business selling wool and malt, but never explicitly states that this practice was illegal. All wool was controlled by the Elizabethan government so it was illegal to sell it without special permission, and in 1570, John Shakespeare was caught selling wool illegally. He was also found guilty of money-lending, hoarding grain, and selling malt. This is why he tells his son to forget the wool he saw in the attic.

An Alderman in his official robe, the same kind John Shakespeare would have worn.

Historical Events Mentioned in Hamnet

  1. 1556 Anne Hathaway born. She’s referred to as Agnes in other court documents. Her father Richard owned a sheep farm in Hewland. At some point, her mother died and her father Richard married a woman named Joan, whom the novel portays as a bitter, controlling witch.

1564– Will Shakespeare born, third of 8 children. His father started out as a local glover, who quickly rose through the ranks of local government to become the mayor of the town. They owned a house in Henley street, which also doubled as the glove workshop. For more informaition on this fascinating building, visit the Shakespeare Birthplace trust: https://www.shakespeare.org.uk/visit/shakespeares-birthplace/

The Shakespeare’s house on Henley Street in Stratford Upon Avon, where Will, his wife, children, and parents lived until 1597.
Recreation of the Shakespeare’s dinner table.


1581– Anne’s father Richard dies,  bequeathing her “£6 13s 4d ‘atte the day of her maryage’.” Richard Hathaway owned a farmhouse in Shottery that still stands today! For more info, please visit the Shakespeare Birthplace Trust: https://www.shakespeare.org.uk/visit/shakespeares-birthplace/

Anne Hathaway’s Cottage and Gardens, Stratford-upon-Avon, UK. June 2014.
Interior and exterior images of Ann Hathaways cottage, Shottery, Stratford upon Avon, Warwickshire.


1582– On November 27th, 1582, William married Anne Hathaway. He was 18, she was 26. It must have been a hasty and stressful situation. Shakespeare had no job, and based on the timeline, Anne was already pregnant with their daughter Susanna. For more information on marriage in the period, please visit my website on Elizabethan society:

The Shakespeares were granted a marriage licence by the Bishop of Worcester. They were married at Temple Grafton, a village approximately five miles (8 km) from Stratford.

Notes On Shakespeare’s Wedding Day:

  • We know that Anne’s family paid a dowry to Shakespeare’s family, which annoys Shakespeare in the book. He feels furious that his father uses the marriage to help his business interests.
  • According to Michael Wood, the priest left out the reading of the banns, and suspected the marriage was intentionally catholic. The book also makes it clear that this was a catholic ceremony, deep into the reign of the Protestant Queen Elizabeth I.
Robert Bearman, “The Shakespeare marriage bond,” Shakespeare Documented, https://shakespearedocumented.folger.edu/resource/document/shakespeare-marriage-bond

May 26, 1583– Susanna Shakespeare is baptized, which means she was probably born three days earlier.

February 2nd, 1585– Hamnet and Judith are baptized.The twins were named after two very close friends of William and Anne, the baker Hamnet Sadler and his wife, Judith. The Sadlers became the godparents of the twins and, in 1589, they in turn named their own son William.

1586– John Shakespeare is booted off the Stratford board of Aldermen for not attending meetings. Michael Wood suggests that John might have been avoiding the meetings because he was in debt, and the creditors knew where to find him. The novel seems to agree with this theory- the first time that we meet John Shakespeare, he is on the verge of beating his own grandson for sneaking up on him. If he was hiding from his creditors, he’d have a reason to be jumpy.
1592 – Shakespeare makes it in London?
1593 Outbreak of Bubonic Plague- 15,000 people died in London alone. O Farrell does a great job of portraying the visceral terror people must have felt during an outbreak, the same terrified panic that gripped our world in 2020. As I’ve written before, not only did the disease itself instill fear, but also the Draconian measures of quarantines, and the grotesque and ineffective methods for treating the plague. To see how you might be treated for plague in the 1590s, take my quiz: https://sites.google.com/d/1iLSGjbllxU-ZwyrUya_xHtjojSCg9pd6/p/1xzNm37sGbHsQJgsnx4irZHJVp9YscVVJ/edit?authuser=2

Because of the contagious nature of the disease, the theatres were closed, which forced Shakespeare to write poems instead of plays. Around this time he also probably wrote Romeo and Juliet, Richard III, and A Midsummer Night’s Dream.
Shakespeare published Venus and Adonis

1596 Hamnet dies

C. 1599– William Shakespeare writes Hamlet, his longest play, widely regarded as the greatest play ever written in the English language.

I hope this post helped increase your understanding and enjoyment of the book, and Elizabethan History in general.

For a fascinating look at the life of an Elizabethan woman, check out this documentary about Shakespeare’s mother Mary Arden, created by scholar Michael Wood:

New Outschool Lesson: Basics Of Stage Combat!

I’m teaching a series of online summer classes and I am very excited about this one in particular. I will teach a short class for kids ages 10-18, about duelling and swords. I will then explain basic stage combat moves, and finally choreograph a short fight for the students to do at home!

Registration starts now! Space is limited so go to Outschool.com, ASAP. Cost is $5 per child.

Summer Shakespeare Academy!

I’m working this summer with the good people at Outschool, an online learning platform for kids ages 3-18. I’m designing a series of Shakespeare classes that you can sign up for. We’ll be doing acting exercises, reading Shakespeare’s text, and making Shakespeare props Cost is $3 per child.

The course is ala carte, that is, you can sign up for as many courses as you like. Each course builds on the last one, but you don’t have to have taken the previous ones to enjoy any one particular course Let me know in the comments which class(es) you are interested in, and/or what suggestions you might have. I can’t wait to hear what you think about these summer Shakespeare courses, and I hope to see you online soon!

1. Introduction to Shakespeare- (enrollment here: https://outschool.com/classes/introduction-to-shakespeare-or-how-i-learned-to-love-the-bard-UoHH5fes?sectionUid=973060db-f857-461a-a23a-f1476203a544&showDetails=true) We’ll talk about why Shakespeare is so famous and learn about his life and career. Then we’ll do some fun quizzes that you can earn prizes based on how well you pay attention!
2. How to write ✍ like Shakespeare (Enrollment here: https://outschool.com/classes/how-to-write-like-shakespeare-0HuPq1Cg?sectionUid=4243af25-ba41-4724-82a2-61bd7c7d862e&showDetails=true) Have you ever wanted to woo your sweetheart or write the next bestselling play? Well, this course will cover the secrets of Shakespeare’s writing. We’ll cover how to write romantic poems, the structure of Shakespeare’s plays, and you’ll get to write your own Shakespearean speeches!
3. Intro to Shakespearean acting Practical tips and tricks for your next Shakespeare audition.
4. Shakespeare’s villains
We’ll look at the darkest and creepiest Shakespearean characters and see why they still fascinate us today!
5. The Violent Rhetoric Of Shakespeare’s Julius Caesar (Registration Here: https://outschool.com/classes/the-violent-rhetoric-of-julius-caesar-fkMLbAtA?sectionUid=1f9220cd-8c28-438d-9799-8479494353a4&showDetails=true#usMaRDyJ13) In this one-time course, students will analyze the rhetoric and persuasive power in two speeches from Shakespeare’s “Julius Caesar”
6. Intro to Romeo and Juliet – Get a leg up on your next English class with this fun, frenetic look through the characters, themes, and story of Shakespeare’s most popular, and most-taught play.
7. Basics Of Stage Combat (Registration here: https://outschool.com/classes/1120ada2-047d-4b0f-84f6-5eb4b0f7dc66/schedule#usMaRDyJ13 I’ll teach the kids about Elizabethan street fighting, and the basics of stage combat.
8. The Balcony Scene of Romeo and Juliet– It’s been called the greatest love scene of all time, but why? I’ll explain the imagery, the poetic language, and give you a chance to make your own love poetry!
9. Insults and Shakespeare You’ll craft your own Shakespeare insults and engage in a (respectful), beat down with your classmates! Along the way, we’ll talk about how insults escalate to violence in Shakespeare’s Romeo and Juliet.
10. The Iconic imagery of Romeo and Juliet We’ll look at some beautiful paintings, songs, and other works of art that build on Shakespeare’s poetic imagery.
11. Romeo and Juliet and pedagogy Shakespeare is uniquely challenging to get kids to engage with. I’ll give you some of my resources, games, and activities to help you delve into the play in your next class.

If you like these courses, let me know by leaving a comment below. If you’re interested in signing up, visit my teacher profile page: https://outschool.com/teachers/The-Shakespearean-Student. New classes will be added every week, and I’ll work around your schedule when planning the dates and times. Hopefully this will be a great chance for me to share my expertise with a young group of future Shakespearean students!

Crafting a Character: Friar Lawrence

Me as Friar Laurence. Ashland University, 2010.

I played this character back in 2010 as a college production and not to brag, but I want award both for my performance and also my role as dramaturg for that particular production, so I did a lot of research in into the character and I tried to bring my own spin on the part. So unlike my other Crafting a Character posts, I am going approach explaining the character as a series of questions instead of talking about it https://youtu.be/-ocOfP16tdw

Who Is Friar Lawrence?

Concept art for Friar Lawrence, including a photo of Pete Postelwhite in the 1996 movie

A friar is a monk who belongs to a local monestary. Francis belongs to the Franciscan orders created by Saint Francis of Assisi. It was known for its naturalist philosophy, and St Francis himself is often depicted in paintings as being friends with birds and rabbits and things like that. He was also a strict vegetarian and believed the spirit of God is in all creatures.

Francis’ work was a reaction to the other orders of Catholic monks who, the Franciscans believed, had gotten corrupt and lustful. So the Franciscans in reaction to that corruption, tried to embrace poverty, plain living, and duty to the poor.

The Franciscans were also famous for not wearing shoes; Shakespeare calls one of them “[our] barefoot brother.” Again, the Franciscans value humility before God, and because of that, they shaved off part of their heads, (known as a tonsure hairstyle); it was way of stating that they were not concerned with their appearance, (so yes, it’s supposed to look stupid).

Why does Romeo hang around him? Friar Lawrence is supposed to be Romeo’s tutor, but really he is in the play because Shakespeare needed a convenient way to get Romeo married to Juliet without his parents finding out. He is also a neutral party who can be sympathetic to both Romeo and Juliet, without being tangled in the politics of the Capulet/ Montegue fued.

Romeo persuades Friar Lawrence to help him marry Juliet in Act II, Scene iii.

Friar Lawrence also acts as a character foil to Romeo. While Romeo is rash, passionate, and impulsive, Friar Lawrence is calm, slow, and contemplative, (appropriate qualities for a monk). During my production of Romeo and Juliet, the director beautifully explained their relationship by having Romeo trip and fall when he is excited about his impending marriage. I as Friar Laurence turned around and said calmly: “Wisely and slow, they stumble that run fast.”

My Interpretation Shakespeare makes references again and again to the character being old, yet the director and I made a conscious choice not to portray him as such. I portrayed him as just a few years older than Romeo, who is supposed to be a teenager. I played him as sort of about 25-26, the same age that I was when I played the part.

We did this because even though Friar Laurence acts as the voice of age and experience, he also seems very naive. He seriously believes that he can singlehandedly stop the feud between the Montegues and Capulets with one marriage. he never consults anybody else, and he leaves Friar John in charge of sending the all important letter to Romeo that Juliet is not dead, and never checks up with him on that.

Rather than being an old priest who is aged and experienced, I portrayed him as a young idealistic priest who doesn’t know better. In some ways, his love of God  has blinded him as much as Romeo’s love for Juliet. The Friar  thinks that being a peacemaker is something that God wants him to do. He thinks that bringing together souls is part of his heavenly mandate and he doesn’t think about the practical consequences of his religious fervour.

What is his role in the play?

Friar Laurence engineers the plots to get Romeo married to Juliet and hopefully settle the feud. When we first meet him, Romeo convinces Friar Lawrence to perform a secret wedding between Romeo and Juliet (Act II, Scene iii).

“Romeo shall thank thee daughter, for us both,” Romeo and Juliet, Act II, Scene v.

In Act II, Scene vi, Friar Lawrence secretly marries Romeo and Juliet, but first warns them to “Love moderately,” because he believes that an over abundance of passion can have disastrous consequences. He even compares Romeo and Juliet’s love to gunpowder.

In Act IV, Friar Lawrence has two scenes where he stops Romeo and then Juliet from killing themselves. First he stops Romeo, filled, with grief and remorse after murdering Tybalt, and being banished.

“What, rouse thee man, thy Juliet is alive!”
“Juliet, I already know thy grief…”
“Come you to make confession to this father?” Paris (Matt Bugay) meets Juliet (Alesia Lawson) outside of Friar Lawrence’s cell, Act IV, Scene 1.

In Act IV, Scene iii, Friar Lawrence concocts his plan to give Juliet a secret potion with which to fake her death. Juliet demands that he find a way to prevent her marriage to Paris or she will kill herself.

“The heavens do lour upon you for some ill.”
In Act V, Scene ii, Friar Lawrence learns from Friar John that his message that Juliet is alive, never reached Romeo.
“A greater power than we can prevent…” Friar Lawrence delivers the bad news that Romeo is dead, Act V, Scene iii.

Is Friar Lawrence To Blame For Romeo and Juliet’s Death?

A lot of scholars, teachers, and classrooms have pondered this question. In addition, even the Supreme Court of the United States put Friar Lawrence on trial in 2016 as part of a mock trial sponsored by the Shakespeare Theater in Washington DC. https://www.c-span.org/video/?419930-1/federal-judges-discuss-romeo-juliet

I am actually working on my own mock trial activity which I will share by the end of this month, but for right now I will summarize the major arguments:

The Defendant (Friar Lawrence) tried repeatedly to prevent Juliet and Romeo from committing suicide. In Act III, when Romeo tries to stab himself, Friar Lawrence stops him and convinces him to go to Mantua:

Romeo. O, tell me, friar, tell me,
In what vile part of this anatomy1985
Doth my name lodge? tell me, that I may sack
The hateful mansion.
[Drawing his sword]

Friar Laurence. Hold thy desperate hand:
Art thou a man? thy form cries out thou art:1990
Thy tears are womanish; thy wild acts denote
The unreasonable fury of a beast:
Thou hast amazed me: by my holy order,1995
I thought thy disposition better temper'd.
Hast thou slain Tybalt? wilt thou slay thyself?
And stay thy lady too that lives in thee,
By doing damned hate upon thyself?

Likewise in Act IV, Friar Lawrence stops Juliet from killing herself and gives her the vial of sleeping potion.

“Be not so long to speak, I long to die!” Juliet (Claire Danes), begs Friar Lawrence to divise a plan to prevent her marriage to Paris in the 1996 movie.

Throughout the play, Friar Lawrence attempted to keep Romeo and Juliet alive and together, but was thwarted by what could legally be interpreted as and ‘Act of God’:

Passage from Act V, Scene ii.
As this slide shows, the reason Friar John was unable to deliver the message to Romeo is that he was in quarantine. A literal “Plague on both your houses,” has indirectly killed Romeo and Juliet

What the prosecutor might say-

Friar Lawrence performed a marriage illegally, without consulting the parents of two minors. He also harbored a fugitive (Romeo), right after he was found guilty of murder. Finally, he tried to deceive Juliet’s parents by giving her a dangerous drug. On paper, though Friar Lawrence was certainly acting out of compassion for Romeo and Juliet, his actions were highly suspicious and could be considered criminal.

An English class can learn a lot putting Friar Lawrence on trial for his role in Romeo and Juliet’s deaths, as long as they are responsible in the way they portray teenage suicide.

Who Originally Played Friar Laurence?

I don’t have any substantial evidence to prove this but I do of have a theory: some of Shakespeare’s parts require a great amount of stage business; singing, dancing, swordfighting, improvising that kind of thing. Hamlet for example has to sing, dance, sword fight, and remember copious amounts of speeches and dialogue. Will Kempe had to dance and dance and sing. Robert Armin had to improvise and dance with the audience.

My theory is Shakespeare didn’t have time to learn extravagant stage business, since he was also writing the plays and helping with the company’s business dealings. With this in mind, he probably gave himself the parts that had long speeches. That’s why I think that Shakespeare himself might have played friar Laurence.

Plus Shakespeare had an edge playing the role over other actors. Since friars are supposed to shave their heads, and since we know that Shakespeare had thinning hair, he could have easily played the part himself.

So those of you who get cast as Friar Laurence and wish that you were cast is somebody young like Romeo or Tybalt, at least your consolation prize is that you might be playing the part that Shakespeare himself once played.

I hope you found this insightful and maybe helpful if you find yourself cast in Romeo and Juliet. I’ll be sure to post about the Friar Lawrence mock trial I’m currently working on. At the very least, I hope this information helps you see Friar Lawrence as more than an old guy who hangs around teenagers.

https://youtu.be/AMLRwqPm_gk snl

Amazon To Stream National Theatre Shows ‘Fleabag’ & ‘Frankenstein’ – Deadline

Benedick Cumberbatch morphing between Richard III and the Frankenstein monster.

https://deadline.com/2021/05/amazon-to-stream-national-theatre-shows-fleabag-benedict-cumberbatch-frankenstein-1234763611/

I’m so excited to watch Benedick Cumberbatch and Jonny Lee Miller in the 2011 recording of Frankenstein at the National Theater. Not only are these actors terrific, but, (as you might expect), I noticed some Shakespearean tropes in Mary Shelly’s novel.

“Graves, at my command, Hath waked their sleepers”

One big trope in Frankenstein is the danger of man crossing over into God’s domain- that from the beginning of time there has been a knowledge that God deliberately kept from humankind. In Frankenstein, this takes the form of scientific knowledge, but in Shakespeare, it is magic. In Macbeth, the title character is tempted by witches to know his destiny and is punished severely for it. Remember that when Shakespeare wrote the play, King James presided over hundreds of witch hunts and wrote a book on how to identify witches.

In The Tempest, Shakespeare gives us a more ambiguous look at magic where the magician Prospero has the power to create storms, conjure up spirits, and like Frankenstein, raise the dead:

 I have bedimm'd
The noontide sun, call'd forth the mutinous winds,
And 'twixt the green sea and the azured vault
Set roaring war: to the dread rattling thunder2065
Have I given fire and rifted Jove's stout oak
With his own bolt; the strong-based promontory
Have I made shake and by the spurs pluck'd up
The pine and cedar: graves at my command
Have waked their sleepers, oped, and let 'em forth
By my so potent art. The Tempest, Act V, Scene i.

Even though Prospero is the protagonist and he faces no consequences for his magic, for some reason he chooses to abandon it. It’s almost as if Shakespeare was anticipating Frankenstein by having a proto mad scientist character give up his art before it is too late:

 But this rough magic
I here abjure, and, when I have required
Some heavenly music, which even now I do,
To work mine end upon their senses that
This airy charm is for, I'll break my staff,2075
Bury it certain fathoms in the earth,
And deeper than did ever plummet sound
I'll drown my book.
Prospero, Act V, Scene i.

“This thing of Darkness”

“You taught me language, and my profit in’t is I know how to curse!”

“Cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed? I know not; despair had not yet taken possession of me; my feelings were those of rage and revenge. I could with pleasure have destroyed the cottage and its inhabitants and have glutted myself with their shrieks and misery.

Shelly, Chapter 16

If you’ve never read the book Frankenstein, you might be surprised to learn that unlike Boris Karloff’s grunting silent monster, in the novel the Monster is actually intelligent and well-spoken. He engages in intellectual debates with his creator and demands to know why Frankenstein chose to abandon him.

My abhorrence of this fiend cannot be conceived. When I thought of him I gnashed my teeth, my eyes became inflamed, and I ardently wished to extinguish that life which I had so thoughtlessly bestowed. When I reflected on his crimes and malice, my hatred and revenge burst all bounds of moderation.

Shelly, Chapter 9

So I’m really excited to see this play adaptation of the Shelly novel, and I hope you will check it out and see these Shakespearean tropes for yourself.