On October 22nd at 1PM EST, I’ll be joining the Shakespeare Online Repertory Theatre on Discord for an online dramatic reading of “The Tragedy of King Lear.” I’ll be playing The Earl Of Kent! Check it out on Discord.com! Below is also a link to a YouTube live stream of the show as well.
Shakespeare Week Is Coming at Outschool.com
Outschool.com will be honoring the contributions of Shakespeare during the very first Shakespeare Week on March 21-27th.
I’m honored to take part in this celebration, and I’m offering several aclasses which relate to Shakespeare in an engaging way. Here’s the schedule below:
If you want to sign up for one of my classes, please visit my Outschool page:
Hope to see you during Shakespeare Week!
Denzel Washington talks Shakespeare. Mourns the loss of Sidney Poitier
If you’re like me, you are probably saddened by the loss of the great American actor, Sidney Poitier. He was part of the original cast of the great American play A Raisin In the Sun, and earned countless accolades for his roles on stage and screen like In the Heat Of the Night, Porgey and Bess, Guess Who’s Coming To Dinner? and The Greatest Story Ever Told.
In this interview, Poitier’s friend Denzel Washington talks about how Poitier was a beacon, not just for black actors but a gold standard for all actors.
Washington also discusses his role in the film Macbeth, in which he plays the title role. As I mentioned in my Much Ado About Nothing review, Denzel is a consummate performer of Shakespeare and I for one can’t wait to see him as Macbeth. This is nor just because he was an absolute joy in Much Ado, but because Denzel is famous for playing characters that start out as good men become violent and evil in films like Training Day, American Gangster, and Flight. I have high hopes that Denzel’s Macbeth will rank among his greatest performances.
Macbeth is now playing at selected theaters and streaming online on Apple+. I plan to see it and hope that you will too.
New OUtschool Class: Love Poetry, Shakespeare Style
Your child will learn how to write poetry like Shakespeare himself, through a mix of presentations, a printable guideline, and some fun quizzes to test your knowledge of Shakespeare’s sonnets! Designed for ages 13-18.
We will cover what a sonnet is, namely a type of poetry Shakespeare wrote in iambic pentameter with a particular rhyme scheme. Using a combination of Prezi video presentation and Google Slides, I will go in-depth to explain how he organized his poetic ideas into a very compact form.
Using primarily Google slides, we will then analyze Shakespeare's sonnets for their themes, literary devices, and the way he uses the poetry to enhance and heighten emotion and ideas. I will focus mainly on Sonnet 18, "Shall I compare thee to a summer's day?" I will cover Shakespeare's use of such literary devices as:
- Rhetorical Question
Analyzing this sonnet will allow the class to grasp the basics of how a sonnet is constructed, and begin to prepare to write their own. While the presentation is in play, students will be given an access code to an optional Nearpod presentation, that will allow them to construct an iambic pentameter line, quiz themselves on the vocabulary I cover, and provide visual aides to better understand Shakespeare's sonnets.
In the next part of the course, We will engage in a group brainstorming session. I will provide the students with potential topics (assuming they don't have one of their own), and then we will construct a short story using madlibs around that topic that will later be condensed into a sonnet. I will demonstrate to the students how to use imagery and poetic language to enhance the ideas and feelings in the poem. After this, I will use the nearpod and Google slide presentations to guide the students how to tell their own story using such devices as metaphor, personification, allusion, and sensory details. They can jot their ideas down on the provided handout to help organize their thoughts. In addition, the optional handout will have useful brainstorming activities such as a web link to websites like Rhymezone.com, (which helps poets find rhymes to words), and imagery boards that will allow the students to think of sensory details to include in the sonnet . The class will draw attention to the handout activities, and pause briefly to allow the students to do them.
In the last part of the class, I will give the students step-by-step instructions on how to transform their brainstorming ideas into a sonnet. I will begin by showing them how to construct an iambic pentameter line. I will engage the students by clapping out the beats for this line and allow them time to do the same, so they may internalize the rhythm. This will be accomplished via a Google Slides screen.
The final page of the handout has a page to write a draft of their final sonnet, with the line numbers conveniently provided. I will go over every section of the worksheet so the students know how to utilize it effectively.
After all this practice and training, the students will be able to create a basic 14 line sonnet which will give them practice not only writing poetry but also using and recognizing literary devices. It is my hope that this course will not only help the student(s) gain an appreciation for Shakespeare's poetry but also develop their own ability to speak and write eloquently and persuasively.
Link to the OUtschool Class:
Special Discounts on my Outschool Classes!
From now to January 13th, I’m offering a $5 discount for any class that is $10 or more! You can take my Shakespeare classes for as little as $4! Go to my Outschool.com class and enter the coupon code: HTHESNIF6B5 at checkout!
If you’re new to Outschool, use the referral code below when you sign up. You’ll automatically get $20 USD off as a thank you to use on future classes! My referral code is: MaRDyJ13
Hope to see you on my Outschool page!
Outschool classes for Cyber Monday!
Activities for Students and Teachers: Macbeth Escape Room
I made a digital escape room for Macbeth, as part of my Outschool.com class, “Macbeth: An Immersive Educational Experience,” which you can register for at a discount this week only. I’m presenting this digital escape room as an activity for teachers to teach their student’s knowledge of the plot of the play and use their observation and research skills to escape from a “cursed castle.”
What Is a digital escape room?
In a normal escape room, you are locked in a room and have to follow clues and solve puzzles in order to find a series of keys, codes, and combinations to unlock the door and get out of the room. In a digital escape room, you solve online puzzles and use passwords and key codes to unlock some kind of digital content.
My escape room is designed to test your knowledge of the play, give you a chance to learn about the history behind it. Most escape rooms use the a variety of locks such as:
- Standard combination locks
- Direction locks (where the lock has arrows taht you have to push in the correct direction, in the right order).
- Color locks (where we put different colors in a sequence.
A digital escape room uses these concepts and adapts them to work within the context of a website or other digital experience. For example, I made a direction lock based on the direction a dagger points and made a short animation of a dagger with the text of Macbeth’s famous dagger speech.
The student has to surf through five webpages to find the answers to the puzzles, then imputs the answer in a Google form. Once he or she unlocks all six puzzles, they are permitted to leave the witches’ castle. Here’s a preview of the puzzles:
Part I: The Gate
There’s a website called Flippity which allows you to make little online puzzles so I embedded it on one page of my website. In this case, it has six locks that you have to unlock by typing answers to trivia questions related to “Macbeth,” such as “What object appeared to Macbeth before he killed the king?” The final lock requires you to read a short article on the curse of Macbeth, so you can enter it on the website.
Part II: The Magic Mirror
There’s a website called a magic mirror, which if you click on the mirror, it hyperlinks to an image that spells out the next answer for the Google form.
Part III: Birnam Wood
I wanted to teach the students about verse scantion and what an iambic pentamer iine is. I wanted to get the class to learn the pattern of unaccented beats (which Shakespeare scholars mark with a U), and accented beats marked with a /, as in the couplet below:
To get the students to practice making an iambic pentameter line, I embedded a Google Slides presentation in the website which has pictures of unarmed and armed soldiers. A key indicates that you are to count the soldiers and input the U/U/ pattern into the Google Form:
So, there’s a preview of the Digital Escape Room I hope this inspires you to try this type of activity in your class. If you want to use this activity, shoot me an email and I’ll give you a teacher’s guide. Please also consider signing up for my Outschool.com class!
Special Discount for my “Macbeth” course
For THIS WEEK ONLY, I’m offering a $5 discount for my “Macbeth” course: Get $5 off my class “Macbeth: An Immersive Learning Experience” with coupon code HTHESUEQUG5 until Nov 5, 2021. Get started at https://outschool.com/classes/macbeth-an-immersive-learning-experience-xGKHeHgH and enter the coupon code at checkout.
Review: A Midsummer Night’s Dream, (2021)
What do you think of when you think of “Shakespeare?” What do you think of when you think of “A Midsummer Night’s Dream?”
Ruffs and Tights?
Mostly white dudes?
Dark night and moon?
This production, directed by Michelle Terry, is gleefully throwing out every preconceived notion of what A Midsummer Night’s Dream can or should be. In terms of design, casting, music, and interpretation, it breaks all the rules, while still remaining true to the text. This allows the production to appeal to not only hard-core Shakespeare fans, but first time audiences and children too!
I got to see this production thanks to the Globe’s online streaming library. My mother kindly shared me a link to this recording from the summer of 2021. You can watch it yourself on: https://www.shakespearesglobe.com/watch/#full-length-productions
I would describe the concept behind the show as “Suggestive,” that is, it doesn’t belong to a literal time and place. Even though the play is set in Ancient Greece, the play refuses to be constrained by historical accuracy, which arguably, fits nicely with Shakespeare in particular, and the Globe itself; a modern building in a modern city, based on a 400-year-old building.
The music and costumes evoke a New Orleans Mardis Gras, a Pride parade, or a Spanish pinata with its bright colors, heavy use of fringes, and bright, energetic jazz music. The only people who don’t wear bright colors are the four lovers, which reflects their continuous frustration with being unable to marry the person they really want.
The show is also Color blind and gender blind, with women playing men’s parts and a cast with black, white, and mixed race actors. Terry’s direction also calls attention to the patriarchial, racist, and sexist elements of Athens which are often overlooked in other interpretations of Dream that I’ve seen or read about. Rather than being a hero, Theseus is a horny old man in a ludicrous pink uniform, looking like a cross between M. Bison and a Christmas nutcracker. To reinforce this point, the actor chose to perform one of Theseus’ most patriarchial speeches as a joke:
Theseus. What say you, Hermia? be advised fair maid:50
To you your father should be as a god;
One that composed your beauties, yea, and one
To whom you are but as a form in wax
By him imprinted and within his power
To leave the figure or disfigure it. -Midsummer Night's Dream, Act I, Scene i.
I’ve seen this speech heavily cut and played seriously, but never till now did I see it played to ridicule the ludicrous notion that women are in any way bound to worship their fathers.
In another nod to contemporary gender politics, the actress who plays Hippolyta and Titania chose to perform her role on crutches. As far as I can tell, this was a deliberate choice and not a result of real injury. There is a precedent for this: In 1984, Sir Antony Sher performed Richard iii on crutches because it highlighted the cruelty people with disabilities often suffer.
I could be wrong, but I think that the reason the actress was on crutches was a symbolic way of confronting the way gender politics can cripple women.
Many scholars have pointed out how Hippolyta rarely speaks despite the fact that she is supposed to be the powerful Queen of the Amazons, and Theseus’ fiance besides. Shakespeare makes it clear that their marriage was arranged as a political alliance after the Amazons lost to Athens in a war:
Hippolyta, I woo'd thee with my sword,
And won thy love, doing thee injuries;20
But I will wed thee in another key,
With pomp, with triumph and with revelling.
With this in mind, it makes sense to have Hippolyta on crutches as a result of her injuries. Those injuries might also explain her silence; she has lost her agency now that she is essentially Theseus’ prisoner. One might think of any number of war atrocious where women have been sold to powerful men over the centuries. In short, by putting Hippolyta on crutches, we see a glimpse into her tragic story that most productions just gloss over- that she has lost a war, been separated from her people, and is now her enemies’ prisoner through marriage.
I’ve come to expect high quality acting from The Globe Theater Company and this cast did not disappoint. As we watched it together, my family concluded that this was one of the best acted productions of Dream that we’ve ever seen, which between us has to be over 30 plus productions.
The delivery is crisp and fast paced. Every actor has taken these words and made them their own. They speak them as if they were written yesterday. One thing I love about the Globe is that the directors encourage this kind of fast paced delivery; with no distracting special effects or sets, the actors have to captivate the audience with their delivery of Shakespeare’s text, without being melodramatic or self-indulgent. I’m pleased to say that this cast does a fantastic job of telling this magical story in a compelling and very modern way.
I’ve shown my recording to kids, teens, adults, and my family, and everyone has a different reaction to the show. Maybe this isn’t quite your cup of tea, but the concept is sound, the acting is high caliber, and it utilizes the Globe’s unique qualities extremely well.
I personally didn’t care for Bottom just because I felt the actress was playing a very energetic part with too much sarcasm and tongue in cheek, but that’s mostly personal preference. I did however love Peter Quince, Snout, Snug, and the rest of the Mechanicals. Peter Quince is a rather thankless part but it’s great to see someone balance being a straight man trying to reign in Bottom’s antics. and an idiot who has no idea how to direct a company of actors, which the actress playing Quince did very well.