Duels in Hamlet

Hamlet Duel (1996)

Though Shakespeare’s Hamlet is very much the story of a renaissance prince, it’s important to remember that the play’s sources date back to the Dark Ages. The anonymous “UR-Hamlet,” (later published in the early 1590s ), is based on an ancient legend about a prince who fights to the death to revenge his father’s murder. Shakespeare’s adaptation still contains a nod to this ancient culture that praised and highly ritualized the concept of judicial combat.


Back in Anglo-Saxon times, private disputes, (such as the murder of one’s father) could be settled through means of a duel. In this period, England was occupied by the Danes, (which we would now call Vikings), and several Viking practices of judicial combat survive. For example, the Hólmgangan, an elaborate duel between two people who fight within the perimeter of a cloak.

At the end of Shakespeare’s Hamlet, the revenge cycle between Hamlet, Leartes, and Fortinbras, comes to a close using a duel. Hamlet has murdered Leartes’ father but Hamlet did not intentionally kill him. This kind of legal dispute would certainly have been settled with a duel in Saxon times. This is one reason why Leartes scorns Hamlet’s offer of forgiveness at the beginning of the scene, and instead trusts in the outcome of the fight to prove his cause. Hamlet and Leartes begin fighting officially under the terms of a friendly fencing match, but it becomes clear early on that at least in the mind of Leartes, this is actually a blood-combat. He is demanding blood for the death of his father, as the Danes would have done during the Anglo Saxon times when Shakespeare’s source play of Hamlet was written.

What happens in the fight

Olivier’s Sword Fight in Act V, Scene iii (1948).

The sword fight at the end of Hamlet is surprising in many ways. First of all, it is much more choreographed than many of Shakespeare’s other fights which are usually dramatized on the page very simply with two words: “They fight.” In Hamlet by contrast, Shakespeare has a series of important and descriptive stage directions. Furthermore, the fight is divided into three distinct bouts or phrases, or if you like “mini fights.” Below is the full text of the fight. I shall then explain what happens in each phrase.

PHrase One


Shakespeare it very clear that Hamlet gets a normal fencing rapier, while Leartes gets a sharp one, they fight one fencing bout where Hamlet scores a point. This is the most “sportsman like” part of the fight:

Enter King, Queen, Laertes, Osric, and Lords, with other

Attendants with foils and gauntlets.

A table and flagons of wine on it.

Claudius. Come, Hamlet, come, and take this hand from me.
[The King puts Laertes' hand into Hamlet's.]

Hamlet. Give me your pardon, sir. I have done you wrong;
But pardon't, as you are a gentleman.
Laertes. I am satisfied in nature,
Whose motive in this case should stir me most
To my revenge. But till that time
I do receive your offer'd love like love,
And will not wrong it.3890
Hamlet. I embrace it freely,
And will this brother's wager frankly play.
Give us the foils. Come on.
Laertes. Come, one for me.
Hamlet. I'll be your foil, Laertes. In mine ignorance3895
Your skill shall, like a star i' th' darkest night,
Stick fiery off indeed.
Laertes. You mock me, sir.
Hamlet. No, by this hand.
Claudius. Give them the foils, young Osric. Cousin Hamlet,3900
You know the wager?
Hamlet. Very well, my lord.
Your Grace has laid the odds o' th' weaker side.
Claudius. I do not fear it, I have seen you both;
But since he is better'd, we have therefore odds.3905
Laertes. This is too heavy; let me see another.
Hamlet. This likes me well. These foils have all a length?
They Prepare to play.

Osric. Ay, my good lord.
Claudius. Set me the stoups of wine upon that table.3910
If Hamlet give the first or second hit,
Or quit in answer of the third exchange,
Let all the battlements their ordnance fire;
The King shall drink to Hamlet's better breath,
And in the cup an union shall he throw3915
Richer than that which four successive kings
In Denmark's crown have worn. Give me the cups;
And let the kettle to the trumpet speak,
The trumpet to the cannoneer without,
The cannons to the heavens, the heaven to earth,3920
'Now the King drinks to Hamlet.' Come, begin.
And you the judges, bear a wary eye.
Hamlet. Come on, sir.
Laertes. Come, my lord. They play.
Hamlet. One.3925
Laertes. No.
Hamlet. Judgment!
Osric. A hit, a very palpable hit.
Laertes. Well, again!
Claudius. Stay, give me drink. Hamlet, this pearl is thine;3930
Here's to thy health.
[Drum; trumpets sound; a piece goes off [within].]
Give him the cup.
Hamlet. I'll play this bout first; set it by awhile.

Phrase Two

Mel Gibson in “Hamlet” (1990)
  • Claudius. Come. [They play.] Another hit. What say you?3935
  • LaertesA touch, a touch; I do confess’t.
  • ClaudiusOur son shall win.
  • GertrudeHe’s fat, and scant of breath.
    Here, Hamlet, take my napkin, rub thy brows.
    The Queen carouses to thy fortune, Hamlet.3940
  • HamletGood madam!
  • ClaudiusGertrude, do not drink.
  • GertrudeI will, my lord; I pray you pardon me. Drinks.
  • Claudius[aside] It is the poison’d cup; it is too late.
  • HamletI dare not drink yet, madam; by-and-by.3945
  • GertrudeCome, let me wipe thy face.
  • LaertesMy lord, I’ll hit him now.
  • ClaudiusI do not think’t.
  • Laertes[aside] And yet it is almost against my conscience.

Again, Hamlet gets the upper hand and scores a point. While his mother is celebrating his victory, she accidently drinks the poisoned cup that Claudius meant for Hamlet. Now Claudius is enraged, Laertes is angry because of losing the first two bouts, and Hamlet is blissfully unaware that he is in mortal danger.

Phrase Three

When Hamlet isn’t expecting it, Leartes wounds him with the poisoned sword. From there, the fight degenerates into a violent, bloody mess where Hamlet disarms Laertes, then stabs Leartes. After this, the Queen dies, and Hamlet kills Claudius:

  • HamletCome for the third, Laertes! You but dally.3950
    Pray you pass with your best violence;
    I am afeard you make a wanton of me.
  • LaertesSay you so? Come on. Play.
  • OsricNothing neither way.
  • LaertesHave at you now!3955

[Laertes wounds Hamlet; then] in scuffling, they change rapiers, [and Hamlet wounds Laertes].

  • ClaudiusPart them! They are incens’d.
  • HamletNay come! again! The Queen falls.
  • OsricLook to the Queen there, ho!
  • HoratioThey bleed on both sides. How is it, my lord?3960
  • OsricHow is’t, Laertes?
  • LaertesWhy, as a woodcock to mine own springe, Osric.I am justly kill’d with mine own treachery.
  • HamletHow does the Queen?
  • ClaudiusShe sounds to see them bleed.
  • GertrudeNo, no! the drink, the drink! O my dear Hamlet!3965
    The drink, the drink! I am poison’d. [Dies.]
  • HamletO villany! Ho! let the door be lock’d.
    Treachery! Seek it out.

[Laertes falls.]

  • LaertesIt is here, Hamlet. Hamlet, thou art slain;3970
    No medicine in the world can do thee good.
    In thee there is not half an hour of life.
    The treacherous instrument is in thy hand,
    Unbated and envenom’d. The foul practice
    Hath turn’d itself on me. Lo, here I lie,3975
    Never to rise again. Thy mother’s poison’d.
    I can no more. The King, the King’s to blame.
  • HamletThe point envenom’d too?
    Then, venom, to thy work. Hurts the King.
  • AllTreason! treason!3980
  • ClaudiusO, yet defend me, friends! I am but hurt.
  • HamletHere, thou incestuous, murd’rous, damned Dane,
    Drink off this potion! Is thy union here?
    Follow my mother. King dies.

God’s providence in Hamlet (or lack therEof)

It is telling that everyone dies in this scene, which indicates that the concept of providence seems somewhat ambiguous in this scene- yes, Claudius dies but so does Hamlet. In addition, Leartes dies justly for his own treachery as he claims, but he also tries to avoid damnation. Leartes is guilty of treason for killing Hamlet, but Hamlet is guilty of killing an old man and a young maid, so Leartes asks God to forgive Hamlet for two murders, while he has only committed one. Providence doesn’t seem clear which crimes are worse. Further, Providence fails to reveal the guilt or innocence of Queen Gertrude- did she know her second husband murdered her first? Did she support Hamlet’s banishment? Did she know the cup was poisoned, and is therefore guilty of suicide, or was she ignorant and punished by fate for her adultery and incest? Knowing the conventions of judicial combat help the reader understand the compex world of Hamlet, a world devoid of easy answers.

How Would I Stage the Fight?

Phrase 1
I want the two combatants to start en guarde, their blades touching, then there will be a series of attacks on the blade.
Hamlet will advance and attack the low line of Leartes’ sword
Hamlet will advance and attack the high line of Leartes’ sword
Leartes will advance and beat attack the high line of Hamlet’s sword
Leartes will advance and attack the low line of Hamlet’s sword

Hamlet performs a bind on Leartes’ sword, sending it off on a diagonal high line.
Hamlet attacks Leartes leg and Leartes will react in mild pain.

Phrase 2
Leartes is no longer fighting in polite manner, so this will be the real fight where he’s actually going for targets
Hamlet and Leartes come together and bow,
Both go into en guarde and Osric signals the start of the fight.
Hamlet attacks Leartes’ blade high
Leartes attacks Hamlet’s blade low
Leartes suddenly does a moulinet and attacks Hamlet’s right arm. Hamlet does a pass back and parries 3
Leartes attacks Hamlet’s Left Arm. Hamlet does another pass back and parries 4
Leartes cuts for Hamlet’s head. Hamlet passes back and does a hanging parry 6, which causes the sword to slide off.
Hamlet ripostes, slips around Leartes’ ________side, and thrusts offline in suppination. He then flicks the sword, hiting the back of Leartes’ knee.
Phrase 3
Concern- you need to have enough space for Hamlet to chase Leartes DS, and for Leartes to slice Hamlet with the forte of his sword.
Before the bout is supposed to start, Hamlet walks toward the sword, point down to Leartes US L or USR
“I am afeard you make a wanton of me”
Leartes: “You mock me sir!”
Hamlet: “No, by this hand”
Hamlet presents his hand. Leartes places his sword on it, and slices it
Leartes gives Hamlet a stomach punch
Hamlet falls to his knees dropping the sword. If necessary, Hamlet can pull out a blood pack to put on his hand.

Leartes points his blade above Hamlet’s head, then brings it back, preparing to strike off Hamlet’s head.
Leartes: “Have at you now”
Hamlet ducks to the right, with his leg extended.
Leartes Passes forward, trips on Hamlet’s leg. Hamlet does a slip and goes behind Leartes’ back.
Hamlet rabbit punches Leartes on the back, picks up Leartes’ sword, noticing the blood on it
Leartes slowly rises, then notices Hamlet with his sword, he quickly grabs Hamlet’s weapon
Hamlet shoves Leartes DS into a corp a corp, then traps Leartes’ blade
The two push each other for a while

Osric: “Nothing Neither way”
Hamlet pushes Leartes downstage, then slices him across the back.
Leartes stops DS, and falls to the ground

Murder of Claudius
If Claudius is standing, we can have Horatio grab the king around the neck, Hamlet places the sword across Claudius’ stomach, and slices him.
If Claudius is seated, Hamlet picks up the goblet with one hand, slices the king’s leg, then, (after establishing a good distance), Hamlet points the blade off line, just left of Claudius’ neck. Hamlet is giving Claudius a choice- drink or be stabbed. When Claudius chooses to drink, either Hamlet or Horatio can give him the cup. If Horatio gives it to Claudius, it might give him the idea to die later.

Sources:

Sources-

  1. Ur- Hamlet
  2. Lear source- Hollinshed’s Chronicles
  3. Holm ganner
  4. JSTOR
  5. Dr. Cole
  6. Bf paper on duels
  7. Tony Robinson’s Crime and Punishment: http://www.youtube.com/watch?v=2yz9VLkNHJU&feature=youtu.be
  8. Truth Of the Swordhttps://www.youtube.com/watch?v=vFL2ghH0RLs
  9. Secrets Of the VIking Sword http://youtu.be/nXbLyVpWsVM
  10. Ancient Inventions- War and Conflict http://youtu.be/IuyztjReB6A
  11. Terry Jones- Barbarians (the Savage Celts) https://www.youtube.com/watch?v=PSuizSkHpxI
  12.  Joe Martinez book

If you enjoyed this post, and would like to do some stage combat of your own, sign up for one of my stage combat classes on Outschool.com!

Title image for my Stage Combat Course

Shakespeare Week Is Coming at Outschool.com

Outschool.com will be honoring the contributions of Shakespeare during the very first Shakespeare Week on March 21-27th.

I’m honored to take part in this celebration, and I’m offering several aclasses which relate to Shakespeare in an engaging way. Here’s the schedule below:

If you want to sign up for one of my classes, please visit my Outschool page:

https://outschool.com/teachers/The-Shakespearean-Student

https://outschool.com/teachers/The-Shakespearean-Student

Hope to see you during Shakespeare Week!

Watch “New Outschool Course: Shakespearean Stage Combat” on YouTube

Class Experience

This 7 part class is geared towards students who have taken my class or some other combat class in the past. We will go in-depth into how to train for, rehearse, and perform a fight from a Shakespeare play. We'll cover fight safety, footwork, proper cuing, and selling the fight. I will also contextualize the fights in "Romeo and Juliet," (the play with more fights than any other in Shakespeare), to explain how the Elizabethans felt about violence, and what this play says about violence in our own time. 

The class will mostly be up-on- your feet demonstrations with me in front of the camera and the students mirroring my movements, but there will also be handouts, websites, and video presentations to help supplement what I say.

Class Structure:
Week of March 5th: Background on swords/ sword crafts
-We will learn about the history of swords from ancient military weapons, to the instrument of private dueling. We’ll also cover the culture of duelling that permeated 17th century Europe, as well as the text of Shakespeare’s Romeo and Juliet. The class will conclude with me instructing the kids how to make a practice sword themselves!

Week of March 12: Proper Footwork/ Stances For Sword Combat-
We’ll cover proper stance and en guard positions
We’ll practice advances and retreats
We’ll show you how to do a lunge and the footwork involved.
We’ll incorporate advances and retreats with simple high-low parries and cuts.

Week of March 19th : Cuts, Swipes, and Thrusts
You’ll learn the lines of attack and defense
You’ll learn the proper way to hold a blade and deliver realistic-looking cuts.
Learn how to thrust (online and offline)

Week of March 26th: Parries and other defensive moves
We’ll cover the 6 basic parries to stop an attacker’s blade.
We’ll also cover ducking, avoidances, and

Week April 2nd: Fight Rehearsal 1
We’ll assign roles for the fight between Mercutio, Tybalt and Romeo in Act III I of "Romeo and Juliet." The students will then get a fight
script, and you can practice the fight at ½ speed. We will also explain the concept of Cue-Reaction-Action: A basic stage combat principle/process used to achieve a safe and dramatically effective sequence of events.
We will discuss the importance of eye contact and cuing to ensure that the combatants know what to expect at all times.

Week of April 9th: Fight practice 2
- We'll go through a warm-up fight drill
- We'll rehearse the fight at 3/4 speed to make sure you understand all the moves.
- We'll Incorporate acting into the fight- selling pain, anger, and fear. Use distance to show character relationships.

Week of April 16th: Final Fight performance
- We'll go through a warm-up fight drill again
- We'll rehearse the fight at 3/4 speed again to make sure you understand all the moves.
-We’ll pretend we’re doing this fight for an audience at ¾ speed. If need be, I’ll play one of the aggressors and you can do the fight pretending I’m in the room with you.
At the end of class, I’ll show you a similar fight from my production of Romeo and Juliet and we’ll discuss the differences between our fight and the one I showed the students. Finally, we will discuss the way Shakespeare portrays violence in the play and its relevance in our world.

Click here to register for this course:

https://outschool.com/classes/shakespearean-stage-combat-TyjzafsK?usid=MaRDyJ13&signup=true&utm_campaign=share_activity_link

Get $10 off my class "Shakespearean Stage Combat" with coupon code HTHES13UPF10 until Apr 24, 2022. Get started at https://outschool.com/classes/shakespearean-stage-combat-TyjzafsK and enter the coupon code at checkout.

New Outschool Lesson: Basics Of Stage Combat!

I’m teaching a series of online summer classes and I am very excited about this one in particular. I will teach a short class for kids ages 10-18, about duelling and swords. I will then explain basic stage combat moves, and finally choreograph a short fight for the students to do at home!

Registration starts now! Space is limited so go to Outschool.com, ASAP. Cost is $5 per child.