Disney’s “Elemental” and “Romeo and Juliet”

Happy Valentine’s Day everyone!

Every couple of years or so, there’s a new retelling of the tale of star-crossed lovers. I’ve written before that Shakespeare didn’t invent this story, but his version is definitely the template for every subsequent retelling.

The big challenge in telling the story for children is how to get around the sexual and violent elements of the story. Some versions like “Gnomio and Juliet,” make the violence comic and kid-friendly, while others like the WIshbone version call attention to the fact that it’s only a play, by presenting it as a story-within-a story.

What I find unique about Disney’s Elemental is that it ignores the violence and explores a side of the story that is often downplayed: family loyalty vs. personal choice. Is this version a complete adaptation- no. But it’s interesting to compare to “Romeo and Juliet” to see how it modernizes and diversifies elements of Shakespeare’s story.

Part I- The World of “Elemental”

One trope that both Elemental and Romeo and Juliet emphasize is the ancient notion of comparing human temperaments to the four elements.

In this world, all people are made of one basic element and it corresponds to their personality- dull, cold earth, flighty air, emotional water, and driven and temperamental fire. Our heroine Ember not only has a fiery temper, but a burning desire to repay her family for all that they’ve given her. She is also full of family anger for the prejudice she suffered at being an immigrant and a fire person. In the world of Elemental, fire people are looked upon with distrust because.. well fire burns!

This concept of elemental temperaments is explored in very creative ways in the film, but it is by no means a new idea. The idea that humans are made of four elements goes back to ancient Greece and China. The Greek philosopher Aristotle helped popularize the theory that not only is everything made of four elements but there are four liquids called humours that control human health and human behavior.

This is a presentation I created back in 2006 that explores the imagery and worldview of Romeo and Juliet. I explore what it means to be “Star Crossed Lovers,” and the relation that this play has to Astrology, religion, and even the Black Death. I hope you find it interesting!

Aristotle believed that to be physically and emotionally healthy, a person’s humours needed to be balanced which would prevent sickness and also control their temperament. A “humorous” person was someone who was either too angry or too melancholy and therefore worthy of scorn. This eventually twisted into our notion that humorous means to be funny.

In Romeo and Juliet, all of the characters are dominated by a particular humor and sometimes they even say how they are dominated by Choler (fire), Melancholy (Earth), Blood (Air), and Phlegm (Water)

Patience perforce with wilful choler meeting
Makes my flesh tremble in their different greeting.
I will withdraw: but this intrusion shall
Now seeming sweet convert to bitter gall.

Tybalt, Act I, Scene v

All things that we ordained festival,
Turn from their office to black funeral;
Our instruments to melancholy bells,
Our wedding cheer to a sad burial feast,

Lord Capulet, Act IV, Scene v

Then hie you hence to Friar Laurence’ cell;
There stays a husband to make you a wife:
Now comes the wanton blood up in your cheeks,
They’ll be in scarlet straight at any news.

The Nurse (to Juliet), Act II, Scene v

What’s unique about Elemental is that, while characters in Renaissance dramas have all four elements within them, in this movie, they are literally embodying one. Therefore to be in balance as Aristotle says they should be, they need a partner with an opposite humor to form a harmonious union. This is a nice way of visually showing the age-old adage that opposites attract in a very literal and easy-to-grasp way.

Wade- A more Temperate Romeo

As much as I love “Romeo and Juliet,” I’m well aware that Romeo is not an ideal lover. His attraction to Juliet is very much based on sight alone and though he is courageous and persistent to win her love, he does little to support or help her. Many people have pointed out that, had Romeo lived, it seems unlikely that his relationship with Juliet would last, especially considering that he just got over another girl five minutes before meeting her:

SCUMBAG ROMEO memes | quickmeme

So as a character, Romeo is iconic, but as a lover, he’s not exactly ideal. What Elemental does is keep his love of romance and his persistence, and give him the ability to empathize, a desire to help, and above all, the ability to LISTEN to Ember, (the Juliet analog). Enter… Wade:

Wade is a great addition to the Romeo trope and though he doesn’t kill anyone for Ember’s honor, he does fight many figurative battles for her- he helps her fight her guilt and find her purpose in life, he tries to help her family multiple times, and he fights her father’s prejudice against water people by being kind and respectful to her family.

I think it’s telling that Wade is dominated by water. First of all, it makes it clear to audiences that he has significant challenges in dating Ember (since he might literally extinguish her), but also because of what it says about his character.

Romeo is dominated by the humor of blood, which according to Hippocrates and Galen:

A person who is sanguine is generally optimistic, cheerful, even-tempered, confident, rational, popular, and fun-loving. He or she can be daydreamy to the point of not accomplishing anything and impulsive, acting on whims in an unpredictable fashion. Sanguines usually have a lot of energy, but have a problem finding a way to direct the energy. This also describes the manic phase of a bipolar disorder.

https://www.thecolourworks.com/hippocrates-galen-the-four-humours/

While Wade is literally made of water, which according to Galen:

phlegmatic  person is calm and unemotional. Phlegmatic means “Pertaining to phlegm” and corresponds to the season of winter (wet and cold), and connotes the element of water. While phlegmatics are generally self-content and kind, their shy personality can often inhibit enthusiasm in others and make themselves lazy and resistant to change. They are very consistent, relaxed, and observant, making them good administrators and diplomats. Like the sanguine personality, the phlegmatic has many friends. But the phlegmatic is more reliable and compassionate; these characteristics typically make the phlegmatic a more dependable friend.

https://www.thecolourworks.com/hippocrates-galen-the-four-humours/

So by his very nature, Wade is more active and a better friend than Romeo, which makes his relationship with Ember a more equal partnership. Wade is thus a more modern take on the age-old sanguine lover like Romeo.

Many have argued that Romeo and Juliet’s relationship was never designed to last; it was designed to be much like fire or even like a poison that tastes good at first, but kills at last:

https://www.thetelegraph.com/news/article/wherefore-art-thou-romeo-beautiful-elemental-18206334.php#taboola-1

Ember- the Conflicted Juliet

Much like Shakespeare’s version, the Juliet character in Elemental is more interesting than the Romeo character, and the writers know it. In Shakespeare’s version, Romeo is absent for most of Act IV, and in Elemental, Wade is not there for most of Act I and parts of Act II in the movie. The focus of both stories and the best feature is how the heroine handles the conflict between her family and her romance.

In Shakespeare’s version, Juliet doesn’t immediately fall head-over-heels in love with Romeo and uses an elemental image to describe how it would be foolish to try and rush into love too fast:

Although I joy in thee,
I have no joy of this contract to-night:
It is too rash, too unadvised, too sudden;
Too like the lightning, which doth cease to be
Ere one can say ‘It lightens.’ Sweet, good night!

Juliet, Act II, Scene ii

But, once the two of them are married, she is very passionate and will do anything to avoid getting married to Lord Paris, even though her parents are pressuring her:

It’s also interesting that Lord Capulet is described in this scene as “Too hot.” I’ve mentioned before that in many productions, the Capulets are dressed in fiery colors like reds, yellows, and orange.

Collage of images of Tybalt. Notice the reds and yellows.

Juliet herself can also be very fiery and willful. At one point, Friar Laurence even compares Romeo’s infatuation with Juliet to fire and gunpowder!

Visual Accompaniment for Romeo and Juliet

These violent delights have violent ends
And in their triumph die, like fire and powder,
Which as they kiss consume: the sweetest honey
Is loathsome in his own deliciousness
And in the taste confounds the appetite:
Therefore love moderately; long love doth so;
Too swift arrives as tardy as too slow.
[Enter JULIET]

So there is precedent for portraying Juliet as a fiery character. What Elemental adds, is a sympathetic portrayal of race and culture wrapped up in her fiery nature. As I said before, Ember is the child of immigrants who are grateful to Element City for taking them in, but tired of the prejudices they face from the other elements. This echoes the real word struggle of Chinese immigrants under the Chinese Exclusion Act, and Japanese Americans during World War II. One way Ember’s fiery temper manifests itself is with her anger at prejudice and injustice:

The other struggle that keeps Ember intemperate is her conflicting desire to honor her family by taking over the family business, although this isn’t what she wants to do with her life. Wade sees this and realizes that Ember is fighting a war within herself and that is why she is lashing out at people in the store. She is also dealing with her family’s relative poverty and is constantly worried that her family won’t survive if she doesn’t take over the store.

In this scene, Ember becomes jealous of Wade, who was born into wealth and acceptance unlike her family who has struggled for years. This jealousy drives a wedge between her and Wade. It’s interesting that, rather than a family feud, the real forces that keep Wade and Ember in Elemental apart are not an arbitrary feud, but big societal forces like racism, nativism, and cultural differences.

In essence, Elemental takes the star-crossed aspect of the story and makes them more like the modern world. Most of us in first-world countries don’t get into blood feuds but plenty of people face prejudice and hardships based on where and how they were born. Elemental “boils” down the core of the Romeo and Juliet story and tells it differently, while keeping the central lesson that love can overcome and unite family differences and problems when two people are willing to risk everything for each other… even life.

Shakespeare: The Animated Tales- “Macbeth”

This is a 30 minute cartoon version of Macbeth originally produced for the BBC in 1992. It features Brian Cox  as the voice of Macbeth (before he was the voice of McDonald’s), and Zoë Wanamaker as Lady Macbeth (before she was a witch who teaches at Hogwarts).

I like the way it portrays the horror imagery of the play in sort of a European-manga animation hybrid. Admittedly, there are better ones in the series, but this one is still pretty neat.

DVD box art for “Shakespeare the Animated Tales.”

To check out other episodes in the series, view this playlist:

Shakespeare Week Is Coming at Outschool.com

Outschool.com will be honoring the contributions of Shakespeare during the very first Shakespeare Week on March 21-27th.

I’m honored to take part in this celebration, and I’m offering several aclasses which relate to Shakespeare in an engaging way. Here’s the schedule below:

If you want to sign up for one of my classes, please visit my Outschool page:

https://outschool.com/teachers/The-Shakespearean-Student

https://outschool.com/teachers/The-Shakespearean-Student

Hope to see you during Shakespeare Week!

The Fashion Is the Fashion 4: The Journey of Romeo and Juliet

I’ve seen four live productions of Romeo and Juliet, (5 if you include West Side Story). I’ve also watched four films (6 if you include West Side Story and Gnomio and Juliet) and one thing that I’ve noticed again and again, and again is that you can tell the whole story of the play with clothing. This is a story about families who are part of opposite factions whose children secretly meet, marry, die, and fuse the families into one, and their clothes can show each step of that journey.

The feud
Nearly every story about a conflict or war uses contrasting colors to show the different factions. Sometimes even real wars become famous for the clothes of the opposing armies. The Revolutionary War between the redcoats and the blue and gold Continentals, the American Civil War between the Rebel Grays and the Yankee Bluebellies. In almost every production I’ve ever seen, the feud in Romeo and Juliet is also demonstrated by the opposing factions wearing distinctive clothing.

Guelphs and Ghibellines - Wikipedia


Historically, warring factions in Itally during the period the original Romeo and Juliet is set, wore distinctive clothes and banners as well. . In this medieval drawing, you can see Italians in the Ghibelline faction, who were loyal to the Holy Roman Empire, fighting the Guelph faction (red cross), who supported the Pope. Powerful families were constantly fighting and taking sides in the Guelf vs. ghibelines conflict in Verona, which might have inspired the Capulet Montegue feud in Romeo and Juliet.


Even the servants of the nobles got roped into these conflicts, and they literally wore their loyalties on their sleeves. The servants wore a kind of uniform or livery to show what household they belonged to. The servants Gregory and Sampson owe their jobs to Lord Capulet, and are willing to fight to protect his honor. Perhaps Shakespeare started the play with these servants to make this distinction very obvious. Here’s a short overview on Italian Liveries from the Metropolitan Museum of Art:

https://www.metmuseum.org/art/collection/search/86582


In 1966, director Franco Zepherelli set a trend with his iconic use of color in his movie. He chose to make the Capulets wear warm tones while the Montegues wore blue and silver. Juliet (Olivia Hussey) wore a gorgeous red dress that made her look youthful, passionate, and lovely, while Tybalt (Michael York), wore red, orange, and black to emphasize his anger, and jealousy (which has been associated for centuries with the color orange). By contrast, the Montagues like Romeo (Leonard Whiting) wore blue, making him look peaceful and cool. These color choices not only clearly indicate who belongs to which contrasting factions, but also help telegraph the character’s personalities. Look at the way these costumes make the two lovers stand out even when they’re surrounded by people at the Capulet ball:

Dance scene from the iconic 1968 film of Romeo and Juliet, directed by Franco Zeffirelli.
Gnomeo & Juliet - Wikipedia
Poster for “Gnomio and Juliet, 2011


Zepherilli’s color choices were most blatantly exploited in the kids film Gnomio and Juliet, where they did away with the names Capulet and Montegue altogether, and just called the two groups of gnomes the Reds and the Blues.

The Dance


To get Romeo and Juliet to meet and fall in love, Shakespeare gives them a dance scene for them to meet and fall in love. He further makes it clear that when they first meet, Romeo is in disguise. The original source Shakespeare used made the dance a carnival ball, (which even today is celebrated in Italy with masks). Most productions today have Romeo wearing a mask or some other costume so that he is not easily recognizable as a Montague. Masks are a big part of Italian culture, especially in Venice during Carnival:


In the 1996 movie, Baz Luhrman creates a bacchanal costume party, where nobody wears masks but the costumes help telegraph important character points. Mercutio is dressed in drag, which not only displays his vibrant personality but also conveniently distracts everyone from the fact that Romeo is at the Capulet party with no mask on.


Capulet is dressed like a Roman emperor, which emphasizes his role as the patriarch of the Capulet family. Juliet (Claire Danes) is dressed as an angel, to emphasize the celestial imagery Shakespeare uses to describe her. Finally, Romeo (Leonardo DiCaprio) is dressed as a crusader knight because of the dialogue in the play when he first meets Juliet:

Romeo. [To JULIET] If I profane with my unworthiest hand
This holy shrine, the gentle fine is this:720
My lips, two blushing pilgrims, ready stand
To smooth that rough touch with a tender kiss.
Juliet. Good pilgrim, you do wrong your hand too much,
Which mannerly devotion shows in this;
For saints have hands that pilgrims' hands do touch,725
And palm to palm is holy palmers' kiss.
Romeo. Have not saints lips, and holy palmers too?
Juliet. Ay, pilgrim, lips that they must use in prayer.
Romeo. O, then, dear saint, let lips do what hands do;
They pray, grant thou, lest faith turn to despair.730
Juliet. Saints do not move, though grant for prayers' sake.
Romeo. Then move not, while my prayer's effect I take.
Thus from my lips, by yours, my sin is purged.
Juliet. Then have my lips the sin that they have took.
Romeo. Sin from thy lips? O trespass sweetly urged!735
Give me my sin again.
Juliet. You kiss by the book. Romeo and Juliet, Act I, Scene V, Lines 719-737.

Notice that Romeo calls Juliet a saint, and later an angel in the famous balcony scene, which explains her costume at the ball. Juliet refers to Romoe as a Pilgrim, which is a cheeky comment on his crusader knight costume. In the Crusades, crusader knights made pilgrimages to the holy land, with the hope that God (and presumably, his angels) would forgive their sins. Romeo’s name even means “Pilgrim.” Luhrman makes clever nods to Shakespeare’s text by dressing Romeo and Juliet in this way, and gives the dialogue a bit of a playful roleplay as the characters make jokes about each other’s costumes- Romeo hopes that he will go on a pilgrimage and that this angel will take his sin with a kiss.


In Gnomio and Juliet, the titular characters meet in a different kind of disguise. Rather than going to a dance with their family, they are both simultaneously trying to sneak into a garden and steal a flower, so they are both wearing black, ninja-inspired outfits. Their black clothing helps them meet and interact without fear of retribution from their parents (since they do not yet know that they are supposed to be enemies. The ninja clothes also establishes that for these two gnomes, love of adventure unites them. Alas though, it doesn’t last; Juliet finds out that Gnomio is a Blue, when they both accidentally fall in a pool, stripping their warpaint off and revealing who they are.

Trailer for “West Side Story,” (2021) directed by Steven Spielberg.


Sometimes the dance shows a fundamental difference between the lovers and the feuding factions. West Side Story is a 20th-century musical that re-imagines the feuding families as juvenile street gangs, who like their Veronese counterparts, wear contrasting colors. The Jets (who represent the Montagues) wear Blue and yellow, while the Sharks (Capulets), wear red and black. The gang members continue wearing these colors on the night of the high school dance, except for Tony and Maria (the Romeo and Juliet analogs). In most productions I’ve seen, (including the 2021 movie), these young lovers wear white throughout the majority of the play, to emphasize the purity of their feelings, and their rejection of violence. Thus, unlike Shakespeare’s version of the story, West Side Story makes the lovers unquestionably purer are more peaceful than Shakespeare’s Romeo and Juliet, and their clothing makes this clear.

Romeo (John Warren), meets Juliet (Alesia Lawson) in the 2010 Ashland University production of “Romeo and Juliet,” directed by Ric Goodwin.

The Merging of the family
(8:30-11:00)


Costume Designer Charlene in the 2006 AU production deliberately had the characters change clothes when they get married. Juliet was wearing the same iconic red dress as Olivia Hussey for the first two acts of the play but then changed into a pale blue gown that matches Romeo. The clothes re-enforce the idea that the marriage represents Romeo and Juliet abandoning their family’s conflicts, and simply showing their true colors.

Two sets of costumes for Juliet in the 2006 Ashland University Production. Pull the slider bar left to see how Juliet’s costume changes from the start of the show to the end.


Another way of getting everyone in the family to subconsciously unite in grief would be to costume everyone wearing black except Romeo and Juliet. At the end of the play, The Capulets are already mourning Juliet, (because she faked her death in Act IV), and the Montegues are already mourning Lady Montegue (who died offstage). Just by these circumstances, everyone could come onstage wearing black, uniting in their grief, which is further solidified when they see their children dead onstage.

Not all productions choose to costume the characters like warring factions, but nevertheless, any theatrical production’s costumes must telegraph something about the characters. In these production slides for a production I worked on in 2012, the costumes reflect the distinct personality of each character and show a class difference between the Montagues and the Capulets.


The 2013 Film: Costumes Done Badly


The 2013 movie is more concerned with showing off the beauty of the actor’s faces, and the literal jewels than the clothes:

Most of the actors and costumes are literally in the dark for most of the film, probably because the film was financed by the Swarofski Crystal company, who literally wanted the film to sparkle. Ultimately, like most jewelry, I thought the film was pretty to look at, but the costumes and cinematography had little utilitarian value. The costumes and visual didn’t tell the story efficiently, but mainly was designed to distract the audience with the beauty of the sets, costumes and the attractive young actors. The only thing I liked was a subtle choice to make Juliet’s mask reminiscent of Medusa, the monster in Greek Myth, who could turn people to stone with a look. I liked that the film was subtly implying that love, at first sight, can be lethal.

Special Discounts on my Outschool Classes!

I'm teaching two great classes today. Spaces are available!

From now to January 13th, I’m offering a $5 discount for any class that is $10 or more! You can take my Shakespeare classes for as little as $4! Go to my Outschool.com class and enter the coupon code: HTHESNIF6B5 at checkout!

https://outschool.com/teachers/c9bc565b-71e9-44c9-894a-921c472f4a37#usMaRDyJ13

If you’re new to Outschool, use the referral code below when you sign up. You’ll automatically get $20 USD off  as a thank you to use on future classes! My referral code is: MaRDyJ13

Hope to see you on my Outschool page!

New TV Adaptation Of Romeo and Juliet

PBS is going to show (and hopefully stream), the National Theater’s production of Romeo and Juliet Friday, to help celebrate William Shakespeare’s birthday.

The production stars Jessie Buckley as Juliet, and Josh O’Connor as Romeo, who recently won a Golden Globe for his portrayal of the young Prince Charles

After playing another doomed lover whose family won’t allow him to be with the woman he wants, I look forward to seeing him bring his passion and skill to Shakespeare.

Jessie Buckley as Juliet, and Josh O’Connor as Romeo. National Theater, 2021