Announcing ROMAN MONTH!

Julius Caesar Immortal Longings

In honor of “The Ides Of March” and Women’s History Month, I’ve planned a series of posts, podcasts, activities, and videos all related to “Julius Caesar” and Shakespeare’s female characters. Here’s a preview:

Posts

Play of the Month: Julius Caesar

Why “Mean Girls” is like Julius Caesar

Close Reading: Friends, Romans, Countrymen

Shakespeare’s Roman Women

The Fashion is the Fashion- Julius Caesar- Togas, helmets, etc.

Mock Trial- Julius Caesar

Shakespeare Recipes- Roman Pies

Podcasts

Crafting A Character: Brutus

The turbulent history of “Julius Caesar” in America

Special Promo Event!

Be sure to subscribe for all the fun!

Get $5 off when you sign up for my online class “The Violent Rhetoric of Julius Caesar” with coupon code HTHESIIAW75 until Mar 28th.

Shakespeare: The Animated Tales- “Macbeth”

This is a 30 minute cartoon version of Macbeth originally produced for the BBC in 1992. It features Brian Cox  as the voice of Macbeth (before he was the voice of McDonald’s), and Zoë Wanamaker as Lady Macbeth (before she was a witch who teaches at Hogwarts).

I like the way it portrays the horror imagery of the play in sort of a European-manga animation hybrid. Admittedly, there are better ones in the series, but this one is still pretty neat.

DVD box art for “Shakespeare the Animated Tales.”

To check out other episodes in the series, view this playlist:

New Course on Shakespeare’s Tragedies

In this 9 week course, students will discover Shakespeare’s greatest characters- Hamlet, Othello, Macbeth and others through games, dramatic readings, and interactive projects! -The class is designed to be ala carte- you can learn about all these plays, choose a specific play to focus on, or do the entire course. Each class will have a game of some kind, an engaging quiz, and a short explanation of the setting, characters, and motifs of one or more plays. Each class will also include a close reading of a famous speech.

Course Structure

Background on the Tragedies- the Wheel of Fortune

I will explain the basic structure of Elizabethan tragedies and the concept of Fortune, which is a motif Shakespeare uses in all of his tragedies. I will also debate the concept of “The Tragic Flaw:” the notion that otherwise good people are brought down by single character flaw. Finally, we will quickly summarize the premise behind all 11 of Shakespeare’s tragedies.

The Greek Plays

I will summarize Shakespeare’s two tragedies that are set in ancient Greece and provide commentary on their themes and ideas. I will also draw parallels between the Ancient Greek tragedies of Aeschylus and Euripides and Shakespeare, with a particular emphasis on the Greek philosopher Aristotle’s beliefs on the function of tragedy, which influenced every major drama for the last 2,000 years.

The Roman Plays- From Republic to Empire

We will take a bloody, backstabbing journey to ancient Rome, and discuss how Shakespeare shows through these four plays the dissolution of a republic into an empire. We will discuss the themes of democracy, dictatorship, mob rule, and savagery. Plays covered: Coriolanus, Julius Caesar, Antony and Cleopatra, and Titus Andronicus.

“Hamlet”- The man at the crossroads

We will explore the universality of this timeless tragedy, and do close readings of his famous soliloquies.

 “Macbeth: The Tower built on lies-

In addition to the character and his speeches, I’ll draw parallels to the history behind the play, including witchcraft in the Jacobean era, and the Gunpowder plot against the king!

“Othello”- The Lovers and the Devil

I will talk about how Shakespeare dramatizes race and prejudice in the context of Othello’s struggle with prejudice and his own jealousy.

“King Lear”- The Blind Fools and the Hermit

I will discuss the complex plot of Shakespeare’s tragedy about old age, blindness, betrayal, and families ripped apart by greed.

Think Like a Director

 I will teach the students to think like a director and develop a concept for the characters, set, lights, etc. I’ll also briefly take you through famous productions of these great tragedies by the Royal Shakespeare Company and others.

Special Offer

Get $10 off my class “Shakespeare’s Tragedies: The Fates of Men and Nations” with coupon code HTHESG5B2Q10 until Dec 31, 2022. Get started at https://outschool.com/classes/shakespeares-tragedies-the-fates-of-men-and-nations-xKCYUkC9 and enter the coupon code at checkout.

Shakespeare Week Is Coming at Outschool.com

Outschool.com will be honoring the contributions of Shakespeare during the very first Shakespeare Week on March 21-27th.

I’m honored to take part in this celebration, and I’m offering several aclasses which relate to Shakespeare in an engaging way. Here’s the schedule below:

If you want to sign up for one of my classes, please visit my Outschool page:

https://outschool.com/teachers/The-Shakespearean-Student

https://outschool.com/teachers/The-Shakespearean-Student

Hope to see you during Shakespeare Week!

Watch: “Forged In Fire: THe Roman Gladius”

One way to learn about Julius Caesar is to learn about the weapons he used as general of on of the most fearsome legions in Rome. In this blade-forging competition from the History Channel, 2 master blacksmiths forge their own versions of a Roman Gladius, and put them to the test!

Watch “Caesar Act 3, Scene 2 Analysis” on YouTube

In honor of Black history month, and the impending Ides of March, I’d like to highlight two wonderful black British actors, Ray Fearon and Paterson Joseph, two of the best actors at the Royal Shakespeare Company. In this video, they discuss their interpretation of Act III, Scene ii of Julius Caesar, in a groundbreaking production set in Africa.

Did Shakespeare Celebrate Valentines?

You probably know that I love to speculate and do a little historical detective work and find out whether Elizabethans like Shakespeare celebrated our modern holidays and then compare and contrast how they celebrated them back then versus how we do today. Valentines Day is a day we associate with love and poetry, so of course, I wondered if the most celebrated poet of the Renaissance celebrated it himself!

Based on my findings, if Shakespeare celebrated Valentine’s Day, he probably did mainly what we did- writing letters and poems to his beloved and maybe sending a trinket of love. It’s unlikely he celebrated it like modern Catholics do to honor the martyrdom of a Catholic saint. In my research, I was surprised to learn that Valentine’s Day has been celebrated for hundreds of years and has its roots in a holiday that Shakespeare describes in one of his most famous plays.

Part I: The Feast of Lupercal: Valentine’s Day’s Dark ancestor

According to NPR’s podcast: “The Dark Origins of Valentines Day”, like Christmas, Halloween, and many other holidays, the Christian holiday of St. Valentines’ day was designed to replace the pagan holiday of Lupercal, which was a Roman fertility festival where men engaged in basically what we’d now call- swingers’ parties or key parties where they’d draw a woman’s name from a lottery and… couple for the night.

The Lupercal was also synonymous with the founding of Rome. Lupa is the name of the wolf that saved the infants Romulus and Remus, who would become the first kings of Rome. If you click here, you can read an article about a recent archeological discovery; a cave found under Rome that was once revered as the place where Romulus and Remus lived with Lupa:

https://follyfancier.wordpress.com/2007/11/20/lupercal-grotto-found-under-rome/

Shakespeare actually starts his play of Julius Caesar on the Lupercal, and makes reference to its status as a fertility festival. In Act I, Caesar is watching Antony run a race and tells him to be sure to touch Calpurnia, owing to the superstition that if a man touches a barren woman on Lupercal, it will make her capable of bearing children:

Caesar. Calpurnia!
Calpurnia. Here, my lord. 85
Caesar. Stand you directly in Antonius' way,
When he doth run his course. Antonius!
Antony. Caesar, my lord?
Caesar. Forget not, in your speed, Antonius,
To touch Calpurnia; for our elders say, 90

The barren, touched in this holy chase,
Shake off their sterile curse.
Antony. I shall remember:
When Caesar says 'do this,' it is perform'd.
Caesar. Set on; and leave no ceremony out. Julius Caesar, Act I, Scene ii, Lines 84-95
Shakespeare leaves out that, according to tradition, Antony should be naked and anointed with goat’s blood and slap Calpurnia with a goatskin thong, but that was part of the Roman Lupercal festival.
Lupercalia by ANDREA CAMASSEI, c.1635

Part II: The Beginnings of St. Valentines’ Day

Who Was St. Valentine? - HISTORY
St. Valentine

St. Valentine was either a Catholic priest or bishop who was martyred in the 3rd century AD (Source History.com). According to tradition, he conducted Christian marriages in defiance of Roman law, and rejected the concept of Lupercalian coupling, which is why Emperor Claudius murdered him. Thus, the holiday is intentionally meant to replace Lupercalia, and celebrate monogamous relationships under the Christian God. The popular story is that before his death, he sent a letter to the young daughter of a family he converted to Christianity and signed it: “Your Valentine,” thus starting the tradition of signing cards in this manner. In the 5th century, Pope Gelasius made Valentine’s day an official Catholic feast day to replace Lupercal once and for all.

Part III: The oldest surviving Valentines

Evidence is sketchy how the traditions of Valentines day evolved, in the Middle Ages, but in Catholic Europe the concept of celebrating married love on Valentine’s Day spread, and poets like Chaucer and Shakespeare helped popularize it.

Geoffrey Chaucer wrote in the 14th century of how birds would choose their mates on Valentine’s Day:

For this was sent on Seynt Valentyne's day
Whan every foul cometh ther to choose his mate.

According to History.com, there’s a possibility that Chaucer invented the idea of a St. Valentines feast, and forever linked it with the celebration of love:

The medieval English poet Geoffrey Chaucer often took liberties with history, placing his poetic characters into fictitious historical contexts that he represented as real. No record exists of romantic celebrations on Valentine’s Day prior to a poem Chaucer wrote around 1375. In his work “Parliament of Foules,” he links a tradition of courtly love with the celebration of St. Valentine’s feast day–an association that didn’t exist until after his poem received widespread attention. The poem refers to February 14 as the day birds (and humans) come together to find a mate.

Hanes, Elizabeth. “Six Surprising Facts about Valentines Day.” https://www.history.com/news/6-surprising-facts-about-st-valentine

This theme has been repeated in other pieces of literature. In John Lydgate’s 15th century poem, “A Valentine to her that Excelleth All”, he writes of how it was the custom on Valentine’s Day for people to choose their love:

To look and search Cupid’s Calendar and choose their choose by great affection.

John Ludgate: “”A Valentine to her that Excelleth All”

The Paston’s oldest surviving valentines

In the 1470s in a series of correspondence, from Margery Brews to her husband John Paston refers to the latter as “My right well-beloved Valentine, John Paston, Esquire.”

Margery also wrote adoring letters to John, who was probably away frequently, fighting in the Hundred Years War, and advising Margary’s kinsman, John Fastolfe, (whom Shakespeare mentions in Henry VI, Part I. Her poetry is very tender and must have comforted her husband much:

And if ye command me to keep me true wherever I go,

I wis I will de all my might you to love, and never no mo(re).

And if my friends say, that I do amiss,

They shall not me let so for to do,

Mine heart me bids ever more to love you

Truly over all earthly thing,

And if they be never so wrath

I trust it shall be better in time coming.

Margery’s letters are some of the earliest surviving Valentine’s poetry that proves that the tradition of giving poetry to one’s beloved during the month of February was around in the 15th century, and probably while Shakespeare was a child in the 16th.

Shakespeare’s contributions to Valentine’s Day

Shakespeare mentions Saint Valentine’s Day twince within his works. In A Midsummer Night’s Dream, (a play that is set in Ancient Greece and has connections to Lupercal), he builds on Chaucer’s claim that Valentine’s Day is the day that birds couple for the night. Duke Theseus and Aegeus discover the fours lovers asleep. They are surprised that they are sharing the same ground, since Lysander and Demetrius (as far as the old men know), are rivals for Hermia’s affection.

Good morrow, friends. Saint Valentine is past: Begin these wood-birds but to couple now?

A Midsummer Night Dream, Act IV, Scene ii.

Egeus. My lord, this is my daughter here asleep;
And this, Lysander; this Demetrius is;
This Helena, old Nedar's Helena:1685
I wonder of their being here together.
Theseus. No doubt they rose up early to observe
The rite of May, and hearing our intent,
Came here in grace our solemnity.
But speak, Egeus; is not this the day1690
That Hermia should give answer of her choice?
Egeus. It is, my lord.
Theseus. Go, bid the huntsmen wake them with their horns.
[Horns and shout within. LYSANDER, DEMETRIUS,]
HELENA, and HERMIA wake and start up]1695
Good morrow, friends. Saint Valentine is past:
Begin these wood-birds but to couple now?

Shakespeare has a much darker reference to Valentine's Day in Hamlet.

https://www.youtube.com/watch?v=TfcsP-eKJF8

Ophelia, has gone mad with the loss of her brother, her father, and Hamlet breaking her heart. She starts wandering the castle and can only communicate through songs. She sings a very melancholy song that alludes to the superstition that if two single people meet on the morning of Saint Valentine's Day they will likely get married:
Tomorrow is Saint Valentine's day,
All in the morning betime,
And I a maid at your window,
To be your Valentine.
Then up he rose
And donned his clothes
And dupped the chamber door
Let in a maid then out a maid
Never departed more.

Ophelia seems to be darkly admitting that she and Hamlet have had pre-marital intimate relations and she is no longer a virgin, The song implies that Ophelia entered Hamlet’s chamber a maid (that is, an unmarried virgin), but is let out a maid (unmarried), while the Hamlet very clearly has taken her virginity. Hamlet re-enforces this suspicion by commanding her to go to a nunnery, one of the only recourses for single mothers. It is reasonable to assume that Shakespeare is implying that Ophelia is in fact pregnant, and is driven mad with sorrow that she now has to deliver her baby without any form of support from her father (who is dead), from her brother (who is in France), or her baby’s father, who wants her to leave and never return. Ophelia’s song is a lament that she wishes the superstition were true, and Hamlet had indeed married her.
It’s unlikely that Shakespeare celebrated Valentine’s Day as a religious holiday, after all, Queen Elizabeth had made England a Protestant country. Celebrating a saint day could have been seen as idolatrous in Protestant England. Nevertheless, Shakespeare and other romantic writers helped transform Valentines’ Day into less of a religious holiday, and more as a secular celebration of love and monogamy, very different from its bloody, promiscuous roots.

Sources

Sources:

  1. Paston Letters
    1. https://www.tudorsociety.com/14-february-valentines-day/
    2. The oldest surviving Valentines: https://britishlibrary.typepad.co.uk/digitisedmanuscripts/2011/02/the-oldest-valentine.html 
    3. https://www.medievalists.net/2016/02/margery-and-john-paston-fifteenth-century-valentines/ 
  2. https://www.npr.org/2011/02/14/133693152/the-dark-origins-of-valentines-day
  3. https://www.newworldencyclopedia.org/entry/Valentine%27s_Day#Customs_around_the_world
  4. https://www.tudorsociety.com/14-february-valentines-day/
  5. https://www.theanneboleynfiles.com/valentines-day-in-tudor-england/