You might have read my previous post about Locrine and Humber from that play. Well, today I will continue this series by discussing the other character I play, the mythical founder of Britain, King Brutus.

Now before you ask- NO, THIS IS NOT Marcus Brutus, the man who stabbed Julius Caesar. This Brutus actually lived before said conspirator, around the year 11000 BC. Writers like Geoffrey of Monmouth, writing after the Norman Conquest of England, recorded the story of Brutus as a way of getting the British people on board with a single king uniting all of the kingdoms of England.

According to Monmouth (who clearly had an influence on the writer of Locrine), Brutus was the grandson of Aeneas, the sole survivor of the infamous Trojan War. Like the ancient Greek legends of Perseus or Hercules, Brutus is exiled from Italy for accidentally killing his father, and must then create a new empire in Britain.

Brutus! there lies beyond the Gallic bounds
An island which the western sea surrounds,
By giants once possessed; now few remain
To bar thy entrance, or obstruct thy reign.
To reach that happy shore thy sails employ;
There fate decrees to raise a second Troy,
And found an empire in thy royal line,
Which time shall ne’er destroy, nor bounds confines  – Diana’s speech to Brutus

Historia Regum Britanniae by Geoffrey of Monmouth, c1136

To secure his empire, Brutus must tame the savage giants that rule the untamed wilderness of Britain, in a mythical battle that is still celebrated to this day.

At the beginning of the encounter, Corineus and the giant, standing, front to front, held each other strongly in their arms, and panted aloud for breath, but Goëmagot presently grasping Corineus with all his might, broke three of his ribs, two on his right side and one on his left. At which Corineus, highly enraged, roused up his whole strength, and snatching him upon his shoulders, ran with him, as fast as the weight would allow him, to the next shore, and there getting upon the top of a high rock, hurled down the savage monster into the sea; where falling on the sides of craggy rocks, he was torn to pieces, and coloured the waves with his blood- Monmouth

Function in the Play

1. Legacy of Troy- As I mentioned before, Brutus establishes the link between ancient Troy, and the founding of Britain.

The island was then called Albion,[9] and inhabited by none but a few giants. Notwithstanding this, the pleasant situation of the places, the plenty of rivers abounding with fish, and the engaging prospect of its woods, made Brutus and his company very desirous to fix their habitation in it. They therefore passed through all the provinces, forced the giants to fly into the caves of the mountains, and divided the country among them according to the directions of their commander. After this they began to till the ground and build houses, so that in a little time the country looked like a place that had been long inhabited. At last Brutus called the island after his own name Britain, and his companions Britons; for by these means he desired to perpetuate the memory of his name.

2. Corineus’ Brother In Arms

Like a lot of characters in Shakespeare’s history plays, Brutus has a loyal second in command, Corineus, the mythical founder of the kingdom of Cornwall. After Brutus dies, Corineus is a sort of Lord Protector, lending his council and military experience to Locrine and his brothers:

The name of their commander was Corineus, a modest man in matters of council, and of great courage and boldness, who, in an encounter with any person, even of gigantic stature, would immediately overthrow him, as if he were a child. When they understood from whom he was descended, they joined company with him and those under his government, who from the name of their leader were afterwards called the Cornish people, and indeed were more serviceable to Brutus than the rest in all his engagements. – Historia Regum Britanniae by Geoffrey of Monmouth, c1136

1. Patriarch– Brutus’ sons become the first kings of England, (Locrine), Scotland (Albanact), and Wales (Camber).

During these transactions, Brutus had by his wife Ignoge three famous sons, whose names were Locrin, Albanact, and Kamber. These, after their father’s death, which happened in the twenty-fourth year after his arrival, buried him in the city which he had built, and then having divided the kingdom of Britain among them, retired each to his government.

1. King Lear Right after Brutus’ story in Monmouth’s chronicle comes the ancient story of King Lear, the same story Shakespeare would later adapt into his own play. Like Lear, Brutus has to divide his kingdom, but unlike Lear, he does not try to test his children’s loyalty.

Locrin, the eldest, possessed the middle part of the island, called afterwards from his name, Loegria. Kamber had that part which lies beyond the river Severn, now called Wales, but which was for a long time named Kambria; and hence that people still call themselved in their British tongue Kambri. Albanact, the younger brother, possessed the country he called Albania, now Scotland. After they had a long time reigned in peace together, Humber, king of the Huns, arrived in Albania, and having killed Albanact in battle, forced his people to fly to Locrin for protection.

Our Interpretation

Those who sought to deface our memory,
wipe the name of Trojans from the earth
Those did I captivate with this mine arm.
And in this Isle at length I placed you.
– Locrine, Act I.i

I see Brutus as an intimidating king like Hamlet’s Father (before he became a ghost). I also see him as similar to an Old Testament patriarch like Moses or Isaac- he was led by a god to the promised land, and gave it to his children, who must now protect and defend it.

1. Colonizer

On the other hand, one could also see Brutus as a colonizer- he takes land that wasn’t his and overthrows the natural order. This is a dimension that is not explored in the original story, but our version highlights it.

Playing Brutus

1. Look and physicality– For such a mythic figure, I tried to play Brutus with as much strength and gravity as possible, at least at first. While he is being introduced and fighting giants, I tried to make him a soldier and King in his prime. After a while though, we see Brutus on his death bed, and I play him as frail and shaky; struggling to keep his kingdom together, as he also struggles to stay alive.
2. As Brutus ages, I had him divest himself of his armor as he divests his kingdom- to CAMBER, he gives his shield. To Albanact, he gives his sword, and to Locrine, he gives his crown.

1. Verse

It’s interesting that most of Brutus’ lines are in Trochaic, rather than iambic verse, which could be a way to emulate older forms of verse, but I also suspect that it is designed to emphasize Brutus’ commands.

From Troy to Totnes – The Tale of the Brutus Stone

Then now, my son, thy part is on the stage,
For thou must bear the person of a King.
[Puts the Crown on his head.]
Locrine, stand up, and wear the regal Crown,
Cherish and love thy new betrothed wife.
Locrine, Act I.i

Well, there you go, Hope you enjoyed this overview of the play Locrine. If you like this review, you might like to see the show itself. Click here to purchase tickets: