New Outschool Class: Shakespeare- The Lost Play

This is an interactive game that teaches the craft of Shakespeare’s writing and stagecraft in the form of an Elizabethan escape room. You must find the lost play of William Shakespeare before a mystery thief destroys it! Solve the clues and learn about Shakespeare’s writing and theater to uncover a historical mystery!

Course Description

In this fully online, fully interactive game, you play as a member of Shakespeare’s company. You’ve just discovered that someone has stolen Shakespeare’s new play “Love’s Labors Won,” and you need to find it before the show tonight! In the course of the game, you search the Globe Theater and Shakespeare’s study. Then a mysterious note reveals that someone has stolen the play! You must figure out who it is, and find the play before the thief burns it! Through the course of the game, you will learn about Shakespeare’s theater, the secrets of how he wrote some of his great plays and beautiful poetry, and the work of his contemporaries in a fun, interactive way.

The class is organized into four parts, based on four locations where you will search for the missing play:

Part I- Search the Theater

Part I- Search the theater (website/ Slides/ Jamboard)
You learn the basic parts of an Elizabethan stage (Google slides)
You label the parts of the theater (Google Forms)
You do a virtual tour of the theater (via Globe Theater.com)
Web quest- answer 3 questions about Shakespeare’s Globe: https://www.shakespearesglobe.com/ (handout)
You search the tiring house (the backstage area of the Globe), and find the letter from the thief (Sites).

Part II- THe Crime


A video plays where the thief declares that he’s stolen Shakespeare’s play for money and revenge.
After the video, you will learn about plays, printing, and theft in Shakespeare’s day through a series of Google Slides
Activity- make a folio, quarto, and octavio with just a piece of paper (handout)
Web Quest- answer 3 questions about how Shakespeare’s plays were printed and the first folio (Slides)
Activity 2: make an actors’ scroll or roll the way that Elizabethans might use (video)
Easter egg- find a pair of gloves in the print shop and answer questions.

https://www.shakespeare.org.uk/explore-shakespeare/blogs/shakespeare-100-objects-pair-gloves/

Part III: Write a New Play

You’ll gain new understanding of the types of plays Shakespeare wrote and their basic plot structure via Google Slides. You’ll then take a short quiz to confirm what you learned.

-Plot Structure
You’ll learn about the basic structure of Elizabethan plays via Google Slides.
A second set of slides will demonstrate the plot structure of Romeo &Juliet
You’ll mix and match a series of plot elements to create your own Elizabethan play via Jamboard

Tragedy:

  • A hero is given some unwelcome news
  • He feels betrayed by those close to him
  • He agonizes about the ethics of killing someone close to him.
  • He kills someone (or banishes an honest man) and immediately falls into a downward spiral.
  • The hero does (this will be a mandatory choice)

Comedy:

  • The heroine disguises herself as a boy
  • A hero or heroine swears (s)he will never fall in love and immediately falls in love
  • The heroine pretends not to be interested in the hero, (but secretly loves him).
  • A loyal best friend is captured, sent to prison, or bewitched
  • The hero and heroine hate each other due to a series of misunderstandings.
  • The hero and heroine get married (this will be a mandatory choice).

History:

  • An ambitious young man arises to challenge the king for the throne.
  • The old king dies, (or is murdered)
  • A new king becomes king
  • Duels and or battles
  • Someone dies in battle
  • Someone is murdered, assassinated, or sentenced to death.
  • New King gets married
  • King and Queen reign peacefully (at least for now)

Romance ( if students pick this option, they can mix and match everything (except the main character dying)

Verse practice-
You’ll learn about the verse Shakespeare wrote, through a series of slides and a jam board.
Activity- You will be given a series of famous lines from plays and movies, (such as a quote from a Disney Movie, a Star Wars film, or a song). You will then determine if it is an iambic pentameter line (Google Slides).
Easter egg- you find a second note from the thief (Google Sites).

Part IV- THe Tavern

You will look at a series of pictures and videos about Shakespeare’s contemporaries and try to figure out which of them stole the play. Through the handout, you will conclude who the thief is.
You find a dagger in the tavern and take it. Outside the tavern, you will fight the thief in a short animation. GAME OVER.

THe FIrst Class starts April 28th, 2023. CLick here to register!

My Top 10 Favorite Shakespeares

Shakespeare’s birthday is coming up! This is the week where I usually stop talking about individual plays, and talk about the man himself. Today I’d like to cover how he’s been portrayed in fiction. As you’ll see, with such a famous and at the same time mysterious figure like Shakespeare, there is a lot of leeway in terms of how you portray him. This list shows multiple interpretations of Shakespeare and at different stages (ages) of his life. Some are comic, some are tragic, but all are fascinating to discuss:

#10: Rhys Ivans (Anonymous, as The Earl Of Oxford).

Like I said in my podcast, I don’t believe Oxford was the real Shakespeare, and I have some issues with the character and his lack of humanity. That said, I do like the character they were going for- a tortured genius who has to create, in spite of himself, and it destroys him and his family.

#9: Hugh Laurie

I love what they do here- Shakespeare’s a temperamental artist who hates editors, but ultimately accepts that he has to put butts in seats. It’s very true-to-life and Rowan Atkinson and Hugh Laurie do a great job in this sketch!

#8: Kill Shakespeare Volume 2

Like I said in my full review, I really like the idea of an aging Shakespeare buckling under the pressures of being an icon. Bardolatry, the worship of Shakespeare as a literary god, has been a real thing in academic circles for at least the last 200 years and I think it really hampers first-time readers from even attempting to read Shakespeare. Since this comic is very much attempting to get people to do just that, it makes sense that they portray Shakespeare as a deeply flawed human who is trying his best, but not able to live up to his god-like persona.

#7 Matthew Baynton- Horrible Histories

Even though this history show for kids is also trying to make Shakespeare accessible for British schoolchildren, it actually takes the opposite approach for Shakespeare- make him cocky, self-assured, silly, and a bit of a schlamaazel, who like his own creation of Mercutio, talks too much and invariably gets himself into trouble.

#6: King Of Shadows

Cover of “King Of Shadows,” an excellent Young adult novel for anyone who loves Shakespeare.

“Nat, say hello to William Shakespeare”. They might as well have said, “Nat, say hello to GOD!”

-King Of Shadows

Again, most interpretations of Shakespeare are aware of and try to subvert the god-like status he has in our culture, which is why this YA novel attempts to humanize him, by having him interact with the hero, Nathan, a 20th-century child actor, go back in time and finds himself switching places with another Nathan Field, a real boy actor in Shakespeare’s company. Nathan then meets and befriends Shakespeare and the two form a father-son bond.

This book takes place just a few years after the death of Shakespeare’s own son, Hamnet, so this William Shakespeare has a son-shaped hole in his heart. It’s really heartwarming to see the two broken people form a family bond.

#5: Hamnet

As I said before, Shakespeare is not the main character of this novel; he pops in and out of the life of the real main character; his wife Anne, as he visits her at his parents’ home, and later when he sees her on periodic trips home from London. His characterization is entirely indirect. That said, we learn a ton about him through her perceptive eyes. We see his hatred of his abusive father, his frustration with being a glover’s son with no time to make a living in the theater. We see his ambition take hold as he travels to London, and at last, his contrite return to finally become a good husband after the death of his son. This Shakespeare is sort of a prodigal son, who searches for fame and fortune as a young man in the big city, but eventually comes to value his life at home. This solves the mystery of why Shakespeare never moved his family to London, why he retired in the early 1610s, and why his writings have nothing about his relationship with his family, his wife, or especially his son. This Shakespeare is scarred; trying to redeem himself from the sins of his past.

#3 Kenneth Branaugh- “All Is True”

This Shakespeare is at the end of the journey he took in “Hamnet.” He’s retired from theater, trying to pick up the pieces of his life in Stratford, and trying to reconcile his feelings for the fair-young-man (played by Ian McKellen), and his wife, (played by Judy Dench). It’s melancholic, but still funny in a dour way.

#3: Christian Borle- “Something Rotten”

Like I said in the review of the Broadway musical, Borle is the best part of this show. Like Matthew Baynton, he plays Shakespeare as a cocky young self-assured genius on the outside, but unlike Baynton, we see he has a deeper side underneath. As he sings in the incredibly catchy “Hard To Be the Bard,” Shakespeare is once again dealing with the problem of maintaining his success and is under a tremendous amount of pressure to crank out new and successful plays all the time. Even though he’s the antagonist, he’s more sympathetic than the heroes.

#2: Jacob Fiennes- “Shakespeare In Love”

I realize this movie has lost a lot of prestige over the years, thanks to the controversy over its loathsome producer, Harvey Weinstein. I realize that the film Shakespeare In Love might not have deserved best picture over films like Saving Private Ryan. That said, I still think it’s a fantastic movie and every single element from the sets to the costumes to the near-perfect casting, is top-notch, especially the casting of Jacob Fiennes as Shakespeare. This young, heartthrob Shakespeare hasn’t yet become the self-assured genius we see elsewhere on this list. He’s constantly out-classed by Christopher Marlowe, which is a very good choice because it helps us sympathize and root for this man, whom we all know will become a rich, successful genius, but hasn’t yet.

Fiennes also gives Shakespeare a very good arc- he’s a selfish dreamer like Bottom at the beginning and a sweet, sensitive man at the end. In the end, he writes for all the right reasons- supporting his family, immortalizing his love Lady Viola, and helping his friends and partners in the Chamberlain’s Men. Most of these Shakespeare are fairly static, but this movie gives him a great hero’s arc which allows us to like him and hope that his play is a success. As you can see in this alternate version of the final scene, Shakespeare makes a tearful goodbye to Viola, and sets about paying tribute to her in a play that will eventually become Twelfth Night. He also begins his lifelong partnership with Richard Burbage, who will go on to play Malvolio in that play, as well as Hamlet, Othello, and many others. It’s a satisfying conclusion to his arch, which like Viola, shows that Shakespeare is ready to take on a “brave new world” with a new sense of purpose.

#1: Dean Lennox Kelly From Dr. Who: The Shakespeare Code

Dr. Who (David Tennent) and Dr. Martha Jones ( Freema Agymann), are… disappointed when they meet Shakespeare in person in 1599.

Though this episode has an inauspicious start, Dean Lennox Kelly from this 2007 episode of Dr. Who finds a way to incorporate every aspect of every other Shakespeare on this list! He’s a cocky, self-assured showman on the outside who knows he’s a genius but is also a middle-class man of the people, playing to the groundlings. On the inside though, he is mourning the loss of his son and yearning for love, which is why he falls in love with Martha and (spoiler alert) makes her the Dark Lady of the sonnets. He also is clever enough to figure out what’s going on as three aliens try to manipulate him into using his gift of words to conjure the end of the world for them. Finally, he is still a hard-working writer and does occasionally doubt his own work:

Shakespeare: “To be or not to be”. Oh, that’s quite good.

10th Doctor: You should write that down

Shakespeare: I dunno… bit pretentious?

-The Shakespeare Code.

Again, the best thing about this Shakespeare is his arc- he drops his mask of genius and opens up to Martha and the Doctor, just like how the Doctor confides in Shakespeare how he is mourning the loss of his previous companion, Rose. In the end though, he draws strength in the memory of his son, and actually uses it to save the world!

Is this a historically accurate biopic? No. Is it a silly cartoon? Also no. The reason I ranked this episode the highest is because they managed to encompass the myth and the man of Shakespeare in a very compressed time, with tons of Shakespeare easter eggs, and historical references, and it was filmed in the real re-creation of Shakespeare’s own theater! Someday I’ll write a full review of this episode, but for now, I hope you’ve enjoyed this list, and are hungry for more Shakespeare’s Birthday Week content!

New Trailer/ Special offer on my Murder Mystery Game!

This is my new trailer for my fully online, fully immersive murder mystery game based on Shakespeare’s “Romeo and Juliet.” You play as a detective hired to solve the mystery of Juliet’s murder. You will piece together the plot and characters of Romeo and Juliet, but also use forensic science to identify clues, interrogate suspects, and examine the crime scene just like a real detective! Register now at Outschool.com SPECIAL OFFER: Get $5 off the murder mystery class with coupon code HTHESSQ76F5 until Apr 22, 2023. Get started at https://outschool.com/classes/romeo-a… and enter the coupon code at checkout.

Help Support my podcast

As of right now, if you want to help support the work I do here and my podcast, you can sign up for monthly donations. I have a lot of new ideas for the podcast, but I can’t do them without your support, so please consider being a supporter now!

If you go to my podcast website, there’s now a button that says “Support this Podcast,” where you can choose your monthly rate of contribution, from $9.99 per month to as low as $1 per month! If enough people support this podcast, I’ll start taking requests and giving out rewards to my generous supporters. In short, if you support me, I’ll create content designed to your interests so you can feel that this is YOUR podcast.

Thanks for reading, and please consider donating today!

Romeo and Juliet Murder Mystery Course!

I’m pleased to announce my brand-new, fully immersive, fully online murder mystery game! Similar to my “Macbeth” and “Interactive Guide To London,” course, the course is a series of slides, videos, digital activities, and websites that you explore and complete based on your knowledge of a Shakespeare play. Unlike that course, this one also includes real-life science experiments and handy guides to both the play “Romeo and Juliet” and forensic science!

Background on the game

Through a series of slides, you’ll learn that you are playing the part of a detective, hired by Juliet’s parents to investigate her sudden death. You’ll read her obituary, look at a crime scene photo, and the story so far.

Parts of the course:

The major players of the game

The class is divided into 8 parts that students can complete at their own pace over a 4-week period. Once you are signed up for the class, you will receive a link to a Nearpod Presentation that has links to all the online activities. You will also receive a detective case file, that will serve as your notes as you record your discoveries through the mystery. Finally, I will provide you with a course cheat sheet and a list of resources in case you need help through the various activities.

Week 1: The Scene Of the Crime

The student will learn, not only about the plot of “Romeo and Juliet,” but also the way real detectives and forensic scientists follow clues and try to solve crimes, in this case, an apparent death by poisoning.

Activity 1: Poison Analysis

In a pre-recorded video, The Investigator introduces himself. He is in the middle of doing a toxicology test on the vial found near Juliet’s bed. He explains that most poisons are either highly acidic or highly alkali (aka, bases). Testing the liquid’s PH will help you determine if the substance is poisonous or not.
In a short simulation via Nearpod, you will test multiple liquids for acidity or alkalinity. You’ll even learn how to test substances in your own home for acidity and for alkaline properties!

Week 2: Crime Scene Investigation

Crime Scene Analysis, Romeo and Juliet Style

Using the Nearpod slides and a linked website, you’ll figure out what happened to Juliet’s cousin Tybalt the day before her own mysterious death.

Activity 3: Unlock Juliet’s Computer

Using Shakespeare’s text, you will decode a secret password to unlock Juliet’s website (Google Sites). Using Juliet’s (fake) Twitter account, you will read her account of the events of the play thus far. Each tweet is paraphrased from a line of Shakespearean
dialogue. Once you’ve read the fake tweets, you can play a game where you match them with the real Shakespearean dialogue.

Activity 4: Fingerprint Analysis

Fingerprint Analysis experiment

You will ‘scan’ a fingerprint found on the vial found in Juliet’s bed. The website will tell you who it’s from and you will record it in your case file. You’ll also learn how to take your own fingerprints, and the characteristics real detectives look for when analyzing them.

Week 4: Construct a Timeline/ Make the Arrest:

Using your case file, you will write the sequence of events thus far in your case file and write down information about the suspects (the characters in the play), in the format of a police dossier.

The activities will enrich the student(s)’ understanding of the plot and characters of “Romeo and Juliet” using the format of a murder mystery In addition, the students will learn the methods practiced by detectives, investigators, and forensic scientists when they solve real crimes including toxicology, fingerprint analysis, CSI, and interrogation techniques.

Please sign up now at www.outschool.com!


Graphic Novel Review: “Kill Shakespeare: VOl 4.” a Dark and angsty Shakespeare fanfic.

  • Cover art for Volume 4
  • Kill Shakespeare Comic

In this section, I review a Shakespeare book, movie, or TV show that I feel has some kind of value, either as an interpretation of Shakespeare, or a means to learn more about the man and his writing.

  1. Name: Kill Shakespeare (Vol. 4) by Connor McCreery and Anthony Del Col
  2. Media: Graphic Novel compilation, with accompanying website https://www.killshakespeare.com/ 
  3. Ages: Adult/ Teen. There’s some PG-13 language and a lot of fighting and gore, so it’s not really for kids
  4. Premise: William Shakespeare is more than just a simple playwright- he has a magic quill that brings his characters to life. Some of the characters worship him like a god or like a father. Many others, (as the title implies), want him dead. A faction of outlaw heroes who call themselves The Prodigals are trying to protect Shakespeare, including Juliet and Hamlet, but in this volume, they’ll have to face raging seas, bloodthirsty pirates, and the mind-altering effects of the island in Volume 3, which has pushed them all to near-madness.

   My reaction: Volumes 1&2 were framed as a civil war between the heroes and villains of the Shakespeare canon- basically an Infinity War for Shakespeare nerds. This volume is in the context of a high-seas pirate adventure. It has a lot of cool fights and the drama between Cesario and Viola is great, but honestly, I thought it was poorly paced. Maybe it’s my personal taste, but it’s hard to keep myself invested in the story when everyone is stuck on a boat.

Basic Details:

As I said in my review of Volume 2, what I like the most about this graphic novel is that the characters are consistent with how the real Shakespeare wrote him, yet they make different choices in the graphic novel. They also grow and play off each other in many interesting ways. Here are some examples:

Most of the drama of the graphic novel centers around Captain Cesario, a dashing rogue pirate, and his first mate/ girlfriend Viola. The main characters from Volume 2, (Shakespeare, Hamlet, Juliet, and Othello), have escaped the effects of the island run by the mad wizard Prospero, but are still shell-shocked at feeling the terrifying psychic effects of that island. This is a clever plot device that basically makes it makes all the characters unnecessary except for Hamlet and Juliet. You could look at this installment as the story of 2 couples, (dare I say twin couples) where Viola and Cesario are fighting over whether or not to join Shakespeare and the other Prodigals, to remain on the high sea as pirates, or to betray them and become ingratiated with the fearsome cannibal-pirate Lucius Andronicus.

I won’t give too much away (there are some spoilers), but let’s just say that the relationships in Volume 2 have been tested to the breaking point; Hamlet and Juliet are having extreme problems, (almost as bad as Hamlet and Ophelia). Viola and Cesario are also fighting constantly. In addition, the ship is constantly under threat from the feared pirate Lucius Andronicus. Will the characters solve their internal conflicts before a mutiny breaks out? Or will they all be cut to pieces by the cannibal Lucius? On this boat, tempests are not kind, and salt waves are fresh with DEATH!

Shakespeare Easter Eggs

Kill Shakespeare, Volume 4 is largely based on Shakespeare’s Twelfth Night, which, although it mainly focuses on the courts of Duke Orsino and Countess Olivia, does have aspects of pirates, deception, and lovers quarreling. It is interesting (and I give the writers credit) for taking a light-hearted comedy with songs and dances and turning it into a swashbuckling pirate adventure; that takes real imagination, yet it works with the text; the first time we see Viola she is shipwrecked and the captain that saves her life is arrested offstage. This prompts Viola to disguise herself by wearing her twin brothers’ clothes and donning the non-de-plume Cesario, to freely behave like a man in a man’s world. Shakespeare already made Viola’s fate intertwined with the sea, so it makes sense that she might want to be a pirate. Kill Shakespeare takes Viola’s two identities and makes them two separate people, both intertwined with a love of the sea.

The graphic novel also conflates and expands other pirate characters from the play; there’s another captain in the play named Antonio who saves Viola’s brother Sebastian and is accused of being a pirate, While Viola in Twelfth Night is a noblewoman who out of necessity disguises herself as a man and becomes a servant to a Duke, Viola in this version is trying to escape being a noblewoman and becomes a pirate by choice. Meanwhile, Antonio, who denies being a pirate, is changed into the roguish Cesario, who loves Viola as much as Antonio loves her brother Sebastian in the play. Like Antonio, Cesario cares about Viola’s well-being and is willing to sacrifice everything to keep her safe, even being a pirate. This causes friction between the two since again, Viola wants to continue to be a pirate and would rather die than give it up. Their conflicting roles as shipmates and soulmates keep them at odds during the play, sort of like how Cesario’s mask is split down the middle; half tragic, and half comic.

Critique

I think this graphic novel is poorly paced. Most of the first half consists of Cesario and Viola arguing about what to do with Shakespeare and the rest of the Prodigals. Their drama is good, but it supersedes everybody else, and I found myself wondering what was going to happen to Shakespeare and the rest, and wishing that they’d got more focus. Othello is reduced to a plot device because he is madly searching for Desdemona, whom he killed during the events of Shakespeare’s play. Othello is no longer the honest, loyal friend to Juliet that he was in the previous editions; now he’s more like The Incredible Hulk, filled with animalistic rage and unable to be controlled except by the love of his friend Juliet. In some ways, Othello was the most likable character in the previous volumes so I hated to see him like this.

In addition, the constant couples’ bickering gets a little bit tedious; I suppose that’s inevitable when you take all the comic elements out of Twelfth Night, (Sir Toby and Feste are back in Volume One, and Malvolio, Fabian, and Olivia are nowhere to be seen). I did enjoy the ending where Viola resolves her conflict with Cesario much the same way Viola solves the problem of her being Cesario in the play. I also like the way that they built up the antagonist Lucius from Titus Andronicus. Lucius is a good choice for a villain in this world because he’s seen some truly horrible things in his own play like his father mutilating people, his brothers and sister murdered, and the worst pie recipe of all time. Making Lucius a bloodthirsty, cannibalistic pirate is a great choice. Still, I wish they spent more time fighting with him instead of sailing away from him. In short, the characters are as compelling as ever but the action is lagging and the drama is reduced to mostly petty couple squabbling. I would like to see this series pick up in a more action-packed version more in keeping with a graphic novel.

Recommendation: I’d recommend this book to all mature fans of Shakespeare, anime, Manga, D&D, or any kind of nerd stuff!

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Grade: 2 Shakespeare globes.

  • Official Website:
  1. www.killshakespeare.com

Close Reading: Lady Macbeth “Come You Spirits.”

For commentary: http://www.bbc.co.uk/arts/yourpaintings/paintings/ideal-portrait-of-lady-macbeth-97937

For the final class of my course on Shakespeare’s Tragedies, I’m coaching two young actors on a pair of tragic speeches I’ve selected, and I thought I’d share some of that work with you. The first is a speech by Lady Macbeth that comes from Act I, Scene v. In this speech, Lady Macbeth prays to dark spirits to make her cold and remorseless, so that she can convince her husband to kill the king, and take the throne.

The Text

Lady Macbeth
The raven himself is hoarse
That croaks the fatal entrance of Duncan
Under my battlements. Come, you spirits390
That tend on mortal thoughts, unsex me here,
And fill me from the crown to the toe top-full
Of direst cruelty! make thick my blood;
Stop up the access and passage to remorse,
That no compunctious visitings of nature395
Shake my fell purpose, nor keep peace between
The effect and it! Come to my woman’s breasts,
And take my milk for gall, you murdering ministers,
Wherever in your sightless substances
You wait on nature’s mischief! Come, thick night,400
And pall thee in the dunnest smoke of hell,
That my keen knife see not the wound it makes,
Nor heaven peep through the blanket of the dark,
To cry ‘Hold, hold!’ Macbeth, Act I, Scene v, Lines 388-403.

The Given Circumstances

Lady Macbeth has just received a letter from her husband. That letter informs her the witches prophesied he would be king. Soon after she’s finished reading it, another messenger, (hoarse and out of breath), tells her that King Duncan will be staying at her castle tonight! Lady Macbeth immediately sees this as the perfect opportunity to make her husband king, by plotting to murder Duncan as he sleeps under her roof.

Traditional Interpretations

I’ve seen at least six productions of “Macbeth” and when it comes to this scene I think the main interpretations I see are either that Lady Macbeth is gleefully evil, or highly sexual. While it is true that she is praying to dark spirits, and her language when she speaks to Macbeth is sexually charged, I feel that these are not the only options when playing this character.

Francis McDormad

I love the regal poise of Francis in this 2021 movie. She is utterly in control and has absolutely no qualms about murder. I get the sense that she’s more praying to Mercury to get her to speak daggers to her husband, instead of to Lucifer to help her use one. She even has knives coming out of her ears (look at those earings!) This Lady Macbeth doesn’t seem evil in the sense of a cartoon villain. She’s just a woman in a violent society who believes that regicide is an acceptable way to sieze power. I think in this world, might makes right.

By contrast, Judy Dench in the 1979 RSC production is also very human. Her spirits are like… well spirits. You get the sense that she’s taking a swig of liquid courage to get her to go through with these actions which SHE KNOWS ARE WRONG.

Literary Devices

Imagery

“The Triple Hecate,” by William Blake, 1794.

Ravens in Greek and Norse myths were birds of prophecy and associated with the goddess of magic, Hecate (who appears in the play in Act IV). Ravens often appeared to announce deaths or execution. The speech is also full of imagery that rejects traditionally ‘feminine’ virtues. Lady Macbeth seems to associate womanhood with kindness, mercy, pity, and remorse and thus attempts to shed her femininity to accomplish her cruel objective of killing Duncan.

Verse

The Rauen himselfe is hoarse,
That croakes the fatall entrance of Duncan
Vnder my Battlements. Come you Spirits,
That tend on mortall thoughts, vnsex me here,
And fill me from the Crowne to the Toe, top-full
Of direst Crueltie: make thick my blood,
Stop vp th'accesse, and passage to Remorse,
That no compunctious visitings of Nature
Shake my fell purpose, nor keepe peace betweene
Th'effect, and hit. Come to my Womans Brests,
And take my Milke for Gall, you murth'ring Ministers,
Where-euer, in your sightlesse substances,
You wait on Natures Mischiefe. Come thick Night,
And pall thee in the dunnest smoake of Hell,
That my keene Knife see not the Wound it makes,
Nor Heauen peepe through the Blanket of the darke,
To cry, hold, hold. Macbeth, Act I, Scene v, First Folio Reprint from Internet Shakespeare Editions.

It’s interesting to note that (in the First Folio text) this speech is only three sentences long. It is a constant build up of energy with only three stops. In addition, Shakespeare puts the most important words, at the end of each line. Almost every line ends with something Lady M wants to kill, such as Duncan, or wants to kill within herself (peace, remorse, nature, Woman(hood). The verse also has commands strewn about in the beginnings and ends of lines. The question is, how confident does Lady Macbeth feel while giving them?

Questions to consider

One of the biggest questions I have with this play is why Lady Macbeth and her husband want to be king and queen anyway? After all, Shakespeare has written plenty of plays that detail how hard and stressful (uneasy) it is to be king. Plus, Macbeth is already a trusted lord and friend of the king, why would he want to damn himself to get a job he knows isn’t his to take? I think that, especially now in the 21st century, it’s very important to have a coherent motive for why the Macbeths are willing to kill for the crown.

Our Interpretation

Looking over the text, my actress sensed a deep loneliness in Lady Macbeth and a haunted feeling that makes her seem desperate to change her life. I thought about how insomnia and paranoid fears are repeated motifs in the play, as well as character traits found in both Macbeth and later Lady Macbeth. Then I thought- Macbeth is a soldier; his wife has probably had to spend years wondering if he is going to come home and imagining what kind of terrible death he might suffer on the battlefield While the king sits safely at home. Perhaps she sees killing the king as a form of revenge for all the fear and sleepless nights she’s experienced, and an attempt to protect her husband from war, by safely placing him on the throne. Maybe she sees this as the only way to make sure her beloved husband never dies in battle. Therefore, instead of watching an evil woman become more evil, you’re watching a good woman, (with good intentions), damn herself for love, which I would argue is a much more active and dynamic choice.

Resources:

https://myshakespeare.com/macbeth/act-1-scene-5

Intro to Richard the Second

With the current political climate with leaders voluntarily giving up power and factions rising up within factions, I thought I might give you some historical perspective with Shakespeare’s play about a monarch who stole from his people, caused an insurrection, and whose supporters gave up their own power- Richard II.

Background presentation

Background info packet I created back in 2009.

Richard is a classic story of hubris. Richard literally believed he was appointed by god, and thus he could act with impunity. He, therefore, stole lands, taxed his people, and even gave land away to pay for his wars in Ireland. His actions offended his nobles, especially the house of Lancaster, who rose up and eventually deposed him. This play, therefore, has many lessons on how leaders cannot survive without their supporters, and nobles need to put the good of the people first.

Shakespeare’s version is not a dry chronicle with painstaking historical accuracy. For starters, every single line is in verse, and I don’t think even the real Richard spoke in iambic pentameter all the time. For a history play, this Richard has Shakespeare’s most poetic language:

Shakespeare’s Richard is full of self-pity, bewilderment, and a narcissistic desire for attention with a borderline God-complex. He even art-directs his own deposition with all the tragic solemnity of a passion play, casting himself as Christ, and everyone else as Pontius Pilate:

Shakespeare is very cogent about whether or not it was a good idea to depose Richard, especially since Queen Elizabeth was also an aging monarch who failed to produce an heir or quell a rebellion in Ireland (Shapiro: 1599). Nonetheless, the Queen was aware of the connection and famously declared: “I am Richard the Second, know ye not that?” Some productions have blatantly connected the two monarchs, and even dressed Richard as the Queen.

This play’s strength depends on the casting. Not much happens onstage except for lots of talking, planning, speechifying, and cursing. It depends on actors who can deliver these great lines with beauty but also sincerity:

Happy Twelfth Day of Christmas Everyone!

Hello everyone! I’m back from break and happy to celebrate one of my favorite holidays with you- the one that gave its name to one of Shakespeare’s greatest comedies- Twelfth Night

How to throw a Twelfth Night Party

How To Throw A Twelfth Night Party

How to Make a Twelfth Night Cake

Intro to Twelfth Night (THe play)

I’ve been in this play three times and I’m continually struck by how fun, romantic, and progressive it is. It raises questions about gender roles, social norms, bullying, and even catfishing and heteronormativity! It’s a fascinating and thought-provoking play and it’s my favorite of Shakespeare’s comedies!

Shakespeare’s early comedies are about young love, infatuation, and being ‘madly in love’ (sometimes literally). His middle plays are about mature relationships between men and women and the need for commitment. I would argue that Twelfth Night, (and possibly Much Ado About Nothing), are the best examples of Shakespeare telling meaningful stories about romantic relationships.

Past Posts on “Twelfth Night”

  1. Play of the Month: Twelfth Night
  2. The Fashion Is the Fashion: Twelfth Night
  3. Crafting a Character: Malvolio
  4. Exquisite Artwork from Twelfth Night

Would you like to know more? Take a class!

In honor of “Twelfth Night,” I’ve created a coupon for my course on Shakespeare’s comedies from now till January 31st: Get $10 off my class “Shakespeare’s Comic Plays” with coupon code HTHESYTIT110 until Jan 31, 2023. Get started at https://outschool.com/classes/shakespeares-comic-plays-868BR5hg and enter the coupon code at checkout.

To finish I wanted to give you a complete production of Twelfth Night for your viewing pleasure, but I can’t decide which one, so I will post a bunch today! 

1. 1996 TV movie starring Geoffrey Rush (Pirates of the Caribbean)

2.1996 Thames TV directed by Kenneth Branaugh