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With the new season just released on Netflix, I’m sure a lot of us literary nerds will rejoice and be happy to have an excuse to play dress up, eat some scrumptious food, and converse on the sweet little confection that is Bridgerton. What follows is by no means a comprehensive list of ideas, I just wanted to share some of my research that went into my own party in the hopes that it gives you ideas. Please feel free to respond to this post by commenting or by hitting me up on Twitter at @Shakestud and share your own Bridgerton Party Pics!

Colin Bridgerton.
I need to give a special thank you to my wife in this post. She’s the one who introduced me to Bridgerton, did a lot of research into Regency etiquette and dining, and bought all the ingredients for the party. More than that, she is an extremely talented writer and educator who inspires me in ways even Penelope Featherington couldn’t enumerate. Watching Bridgerton has become a kind of nightly tradition for us and I am very grateful
Bridgerton is a period comedy on Netflix based on the popular novel series. It is set in an idealized version of the late 18th and early 19th century; a time when England was wealthy, cosmopolitan, and when one’s social standing was everything. The shows writers pay homage to great literary figures like Jane Austin, George Brimsley Sheridan’s The School For Scandal, Shakespeare (of course), and real-life scandal writers of the time; rags like Town and Country, The Spectator, and Courtesans.
Some people have criticized the show for not being historically accurate. Others claim that the show’s plots and characters are highly derivative from other comedies like Gossip Girl and others. I would argue that THAT’S THE POINT. Bridgerton is not trying to do anything original- it is nostalgia bait for literature nerds like me who know that shows like Gossip Girl are ripped off from classical sources. What Bridgerton does, is take these classic tropes, put them back into the period where they became popular, and then update the setting to make it more accessible to a modern audience. Much like the party ideas I’ll give you later, this show is like a sweet confection- comforting, unassuming, with an air of nostalgia and romance like a cup of tea and a crumpet.
https://www.vulture.com/article/bridgerton-characters-ranked-netflix.html
The show focuses on the hopes, dreams, and above all, loves of the Bridgeton family; a noble family in Georgian England. Viola, the matriarch of the house, seeks to find love matches for all her children and to avoid scandalous gossip. She does so through her own intelligence and through the help of her network of female friends, all while avoiding the watchful eye of Queen Charlotte (the powerful wife of King George III), and the mysterious scandal monger Lady Whistledown
Like its dazzling costumes, the show is very much fluff and feathers. Bridgerton’s use of color blind casting is extremely refreshing to me and it signals loudly and clearly that Bridgerton doesn’t want to be painstakingly historically accurate. This is an candy-coated and show that concocts an idealized version of Georgian society- one where painful racial problems are thrown out, there are few economic or political problems to sour one’s pallate, but everybody is rich and pretty and looking to fall in love with a wealthy eligible young man or lady. So, with a concept this delicious, I knew I had to throw a party based on it!
There’s a ton of fancy invitations templates online. Below is an invitation I created for free with an app called Canva and a parchment background picture I found online.

You probably also know that I am a huge fan of the website Immortal Longings because of their excellent Shakespearean art and they sell cards too. You can buy the cards or download the pictures on their website.



The Georgian Era was firmly in the Baroque era- a time known for opulence, excess, and as many frills as possible. Deck your home with as much gold, crystal lace as possible! Use electric candles liberally. Also, use curtains and fancy throw pillows to fancy up your dining room! Here are some more ideas from Chateau Challain:
As you can see, since the Georgian era was known as a time of wealth and excess, you could very easily break your wallet or your back trying to replicate an authentic Georgian dinner party, (especially if you lack an entire household staff to bring it to life). What we tried to do was distill some of my favorite foods from the Georgian era down and come up with an easy plan so that a plebian cooking-impaired soul like myself could make them at a reasonable price. I did not want my wife to have to cook for this, though she did wind up trying out a very interesting Georgian recipe:
Thought I honestly doubt that the upper crust Bridgertons would ever eat this, it is an authentic Georgian recipe and it was common among middle class people, American Revolutionary War soldiers, and even pirates! It’s a savory salad that uses eggs, pickles, mixed greens and anchovies. The name is French for “hodge-podge” and it honestly can be swapped out with any number of ingredients. Here’s a recipe that’s pretty close to what my wife used:
https://ancestorsinaprons.com/tag/salmagundi/
1. dinner course- pie 🥧, 🥗 , cheese, grapes, wine 🍷

Just like decor, a party or ball amongst the nobility was a sign of wealth and status. If you wanted to impress foreign dignitaries or net a wealthy spouse, you had to show off the wealth and sophistication of your household. We served duck as the main dish since it’s the sort of game the Bridgertons would have on their land. My wife and I also served a meat pie as an homage to the one Daphne eats excitedly in Season 1. Meat pies were very popular in the British isles due to the lack of refrigeration in the Georgian era. For our party, my wife bought the Steak and Stout pie from Trader Joes, which I realize not everyone likes, but it does have a good hearty feel to it. Accompanying the pie, we served cheese, grapes, and some good red wine!
High tea is a real ritual in England to this day, and if you don’t have a lot of time or money on your hand it can be a bit daunting. Again, we relied on Trader Joes to help fill in the gaps of my cooking skills (since again, I wanted my wife to enjoy the party, not cook). I leaned heavily on ice cream, macarons, and of course, tea since they are all foods featured on the show. In fact, there’s a whole scene at the house where the family fight over the last chocolate macaron.

In case you don’t know, macarons are delicious French sandwich cookies made by sifting dry ingredients, combining them with egg whites, piping them onto a baking sheet, and baking them into light, flaky little half circles. From there you can add any kind of filling you like. Now, these cookies are notoriously temperamental, so I just bought some, but for the brave souls with a little more time on their hands, here’s a recipe from NYT:

Other Dessert ideas: You could incorporate scones petit fours, or jam/ cucumber sandwiches. I find a dessert tower is really nice for this kind of “take what you like” dessert atmosphere. Also, don’t forget the ice cream!
I’m sure I don’t need to tell you that tea has great cultural significance to the British and I labored over what kind of tea to serve during the party. I personally love Indian Chai and that would be appropriate since it’s mentioned in Season 2. I also enjoy Earl Grey (though that one might be too bitter for most people). However, I decided on Harney and Sons Paris Tea, which is my wife’s favorite, and in my humble opinion, is one of the best teas readily available. It’s a black tea that has been withered, rolled, and baked to make it more flavorful and aromatic, though easy to mass produce. I LOVE THIS TEA. Here’s a link if you want to learn more:
https://www.harney.com/pages/this-is-tea
Now, I should mention that there is a lot of officially branded Bridgerton tea, coffee, and tea snacks (of course), but this post isn’t an ad. If you’re interested in the branded stuff, here’s a few links below:
Bridgerton is famous for featuring classical music covers of pop songs, which I really enjoy- it is a nice way of retelling the story of the characters by connecting them with something contemporary. Most of these covers were done by a group called the Vitamin String Quartet and there are playlists on Youtube, Spotify, and others.
During the Regency, music by Mozart and Hayden were all the rage, so if you want to intercut the covers with real classical music from the time period, you can also use them. I would recommend using waltzes or minuets if you want to get people on the dance floor:
1. Charades
2. Blind Man’s Bluff
3. Bridgerton official Games! There’s an official branded Bridgerton game where you write love notes as Lady Whistledown, while everyone else tries to guess who she is. Here’s a link to the Amazon site:https://www.amazon.com/Bridgerton-High-Society-Board-Game/dp/B0CC6SNRWV
Costumes:

Again, for people on a budget, you might want to forgo full Georgian outfits, but this was a time of ball gowns and elaborate wigs for ladies, and men with waistcoats, knickerbockers, and breeches. For more information on the period, here’s a link to Fashion History Timeline:
https://fashionhistory.fitnyc.edu/category/18th-century/
Well, that’s my advice, happy Midsummer everyone!
And to conclude, I want to dedicate this post to my wife who introduced me to the wonderful, sweet, and heartfelt world of Bridgerton. I hope this post helps you bring a fun, fancy-but laid back evening into your home. I hope also that it helps you become closer to and appreciate your loved ones, just as I wish to keep enjoying the show with my wonderful wife.
Parent Description- A fully online, fully interactive course into Shakespeare’s histories taught by a professional text coach and actor.
Students- Uncover the scandalous and gory history behind Shakespeare’s most action-packed plays! Shakespeare’s histories have inspired such works as “Empire,” “Game of Thrones,” “Hamilton” and even the “Star Wars” trilogy. This class will unlock for you why these stories of power and betrayal have been so popular for 400 years.
Format:
0. The class will have a Nearpod with slides, activities, and links to my other resources. The class will be a combination of slides, activities, and videos. Each class will have










-Concept- what if the play was a Hockey movie?


















Great online classes in Shakespeare and science are available for students all this month at Outschool.com.
From now until June 1st, you can get a $20 discount with referral code PAULHT20. Share the joy with other curious minds in the family too! Spread the word and let’s ignite the passion for learning together!
For these classes you meet with me live over Zoom:
This is my 30 minute short and sweet intro to Shakespeare’s life, his plays, and why his work still matters to us today!
Like the Intro to Shakespeare class above, this is an intro to the basic footwork, attacks, and defensive parries of swordplays for someone just begeinning to learn about swords.
This multi-week course delves into the plot, characters and themes of “Romeo and Juliet,” while also providing interactive activities, virtual tours, and webquests.

This is a new course I’m working on to cover all of Shakespeare’s History plays including Henry V, Richard II, and Richard III. More info as it becomes available.
These classes are Flex Schedule, which means the teacher prepares the activities in advance and allows you to do them at your own pace without direct consultation.

2. An Immersive Guide to Shakespeare’s London: A virtual tour of Shakespeare’s London will get kids to interact with the culture of Elizabethan England. https://outschool.com/classes/an-interactive-guide-to-shakespeares-london-E6KqeBQQ?usid=MaRDyJ13&signup=true&utm_campaign=share_activity_link
Delve into the passionate speeches of Brutus and Antony in Shakespeare’s Julius Caesar, which led a whole country to revolution.
4. Gravity Falls: Defeat the Cypher
A flexible schedule class that teaches kids the plot and characters of “Romeo and Juliet,” in the context of a detective story where you solve the mystery of the young lovers’ deaths.
Did you know that Star Wars is based on the ideas and writings of William Shakespeare? This class will teach you about writing and characters though games, interactive activities and dramatic readings of both Star Wars and Shakespeare!
Get $10 off my multi-week classes, including “An Interactive Guide to Shakespeare’s “Macbeth” ” with coupon code HTHES3HDTO10 until Aug 4, 2024. Get started at https://outschool.com/classes/an-interactive-guide-to-shakespeares-macbeth-jp7TIh9B and enter the coupon code at checkout.
Click the link below to get started:

Go to opensourceshakespeare.com and look at Caesar’s lines- how does Caesar view himself? Write 3 examples.

How does Cassius convince his brother-in-law Brutus to betray and assassinate Caesar, his friend and colleague?
Cassius- slide/ https://www.rsc.org.uk/shakespeare-learning-zone/julius-caesar/character/whos-who
Write 3 facts we learn about Cassius at the start of the play:
Brutus:
https://www.rsc.org.uk/shakespeare-learning-zone/julius-caesar/character/whos-who
Brutus- Podcast episode. I posit in this episode that Brutus is
(Independent work): We’ll examine a painting of Brutus’ ancestor Lucius and learn why Brutus values Rome more than even family.
Quizzes on Brutus

RSC Learning Zone- Act III, Scene 2 https://www.rsc.org.uk/shakespeare-learning-zone/julius-caesar/story/scene-by-scene
Brutus- Man of Honour VS Man of Action | Julius Caesar | Royal Shakespeare Company
Antony Julius Caesar, Act 3 Scene 2 | 2012 | Royal Shakespeare Company
Quizzes

We’ll talk about the consequences of violent revolutions and how Julius Caesar has inspired some of the greatest speeches in political history.
-Patrick Henry
– Gettysburg Address
– Mean Girls
-Watch the Caesar Video
– How does the play promote nonviolence?
– How did Brutus’ assassination fail to save the Roman Republic?
Four-score
Dedicate
proposition
Civil War
Endure
Consecrate
Devotion


Happy International Women’s Day! I would like to dedicate my posts today to my daughter, a wonderful strong girl, a Shakespeare fan, and a lifelong lover of the musical “Six”.

I’ve discussed Shakespeare’s best Mother characters before, and his Roman characters as well, but I thought I should include some of the ones who are not mothers and/or unmarried (at least for most of the play). I don’t want to rank these characters since I detest ranking women in general, so here are some of Shakespeare’s best characters, and some of their immortal speeches:
Even though “Henry the Eighth” is my least favorite Shakespeare play, I love how strong Katherine is and how well she fights against the machinations of Cardinal Woosey and her husband. She is a courageous, virtuous, and strong-minded woman, who when Henry demands that she consent to a divorce, Katherine simply says: “No Way!”
A fascinating and electrifying character. She seduces her husband and makes him fully commit to murdering the king. If you look at the post above, you can see the multiple potential readings for why she courts evil spirits to convince her husband to murder the king. Her strength and energy is highly attractive and it was easy for me to see how a man might do anything to make her happy.
I think Elizabethans would have seen the connection between the Virgin Queen who fought off assassination from the Pope, and Isabella, a virgin who fights off the advances of Angello, who seems pious, but who secretly is degenerate and cruel. Isabella even becomes a princess at the end of the play, (assuming she marries the Duke), which means she could literally become a Queen Elizabeth to English eyes.
https://www.rsc.org.uk/shakespeare-learning-zone/measure-for-measure/character/analysis

One of the best female characters in the Roman plays, Portia demands to be taken seriously as a wife and as a Roman citizen. In her one great scene we see her demand that Brutus tell her why he has been so distant and cold:



Some have speculated that in real life Portia helped Brutus with the conspiracy to assassinate Caesar, after all, she was the daughter of Caesar's great rival senator Cato, who was willing to die when he realized the Roman republic was finished.
Not only was the real Portia a great woman, she also inspired some great art. Below is the great masterpiece: Portia Wounding her Thigh, by Elisabetta Sirani (1664). According to Dr. DR. MAURA GLEESON, the painting was commissioned by a fabric merchant, which explains Portia's sumptuous outfit. Portia remains totally calm, yet focused and determined as the other women in the background idly spin clothes in the background. For more information on this masterpiece, click the link below:
If you’d like to learn more about Portia and Julius Caesar, sign up for my online class on the play via Outschool.com. Get a $5 discout with coupon code HTHES6Q5XA5 until Apr 2, 2024. Get started at https://outschool.com/classes/the-violent-rhetoric-of-julius-caesar-flex-schedule-edition-fwB3cwQM and enter the coupon code at checkout.

So happy International Women’s Day ladies! Hope you get some of the love and appreciation you deserve today! More posts coming soon!
Tonight is the Chinese New Year, beginning the Year of the Dragon. I’ve talked before about the fascinating relationship between Shakespeare and China, and I thought I’d illustrate it here by talking about a shared cultural mythology- the concept of dragons. Both Western and Eastern cultures use dragons in their myths, but as you’ll see, they have very different cultural meanings.
Before thee stands this fair Hesperides,
Antiocus, Pericles
With golden fruit, but dangerous to be touch’d;
For death-like dragons here affright thee hard:
Sometimes we see a cloud that’s dragonish;
Antony and Cleopatra
A vapour sometime like a bear or lion,
A tower’d citadel, a pendent rock,
A forked mountain, or blue promontory
In Western myths, dragons are symbols of wrath and fierceness. In ancient Greek and Viking myths, dragons are often guards of treasure, (and sometimes in modern stories like Harry Potter). In the myth of Hercules, a multi-headed dragon guarded the golden apples of the Hesperides, (the apples that kept the gods young and immortal). King Antiochus wants to scare Pericles by comparing his daughter to the apples; if he fails to win her love, he’ll be devoured as Hercules almost was.
His CORIOLANUS is grown
Coriolanus
from man to dragon: he has wings; he’s more than a
creeping thing.
Shakespeare’s Roman general Coriolanus is frequently compared to a dragon in Shakespeare’s play. According to Dr. Peter Saccio of Dartmouth College, this is because the general is unable to relate to other humans- he is solitary, violent, jealous of his power and wealth, and prefers to strike first, then retreat from other people when the battle is won. This is why he utterly fails to get the Roman people to elect him consul in this scene from Ralph Fiennes’ movie. I find it ironic that Fiennes has played not only this character, (who is associated with dragons), but with Lord Voldemort, (who controls several large serpents), and also Francis Dollarhyde in the film Red Dragon:
Swift, swift, you dragons of the night, that dawning
Cymbeline
May bare the raven’s eye! I lodge in fear;
Though this a heavenly angel, hell is here.
Sometime he angers me
Hotspur, Henry IV, Part I
With telling me of the mouldwarp and the ant,
Of the dreamer Merlin and his prophecies,
And of a dragon and a finless fish,
A clip-wing’d griffin and a moulten raven,
A couching lion and a ramping cat,
And such a deal of skimble-skamble stuff
As puts me from my faith.
A thousand hearts are great within my bosom;
Advance our standards, set upon our foes
Our ancient word of “courage,” fair Saint George,
Inspire us with the spleen of fiery dragons!
Richard III
In the medieval story of St. George, the titular knight defeats a dragon, which is basically a stand-in for Satan. George was seen as the ideal knight- virtuous, devoted to his cause, strong, and patriotic. His defeat of the dragon was an allegory for how knights should devote themselves to protecting their lords, ladies, and the innocent against evil. Therefore, it’s intentionally unsettling that Shakespeare has Richard III telling his soldiers to act not like the virtuous St. George, but like the cruel and violent dragon. Richard is Shakespeare’s most villainous king, so it makes sense in context that he would side with the dragon, and thus his defeat would seem even more like a triumph of good over evil. In addition, the real King Richard flew this flag with a dragon on it during the actual Battle of Bosworth Field.

Peace, Kent!
King Lear
Come not between the dragon and his wrath.
None of the animals is so wise as the dragon. His blessing power is not a false one. He can be smaller than small, bigger than big, higher than high, and lower than low.”
–Chinese scholar Lu Dian (AD 1042-1102)
Dragons didn’t have the negative connotations of Western myths. In China, they were symbols of good luck, strength, and success. They were also known to be proud and temperamental-sometimes kind but sometimes vengeful to people who didn’t show them proper respect. In a sense, the dragon was like the ancient Greek gods- they should be viewed with respect and gratitude as well as fear.
The Chinese calendar goes by a cycle of years, not months. It has 12 animals that represent various qualities and those qualities will characterize the coming year. So hopefully a year of a dragon will be a year marked with courage, good fortune, and justice.
IV. What would a Chinese Lear look like?
Looking at the quotes I showed you earlier, it’s interesting that King Lear calls himself a dragon, and it made me think- Lear is a powerful warlord who demands absolute loyalty from his children. Would a Chinese version of King Lear work?

There was a Chinese production of King Lear back in 2017, where the translator and director traveled to the Royal Shakespeare Company in England and worked with the actors and directors of a London production to make their production gain insight into the characters’ motivations. However, I wonder how successfully they translated the Western ideas and values of the play for a Chinese audience. One of the reviews from China Daily.com describes the play like this:
Originating from old British legend, King Lear is one of Shakespeare’s four most famous tragedies. Through the internal disorder of the royal family, the rise and fall of King Lear’s fate and the final punishment of evil powers, Shakespeare expresses his optimistic views in the future of society, thereby adding the glory of strong idealism into his work.
ChinaDaily.com
The last word I would use to describe King Lear is “optimistic”. It is the only tragedy where not only does everyone die, but the entire future of the monarchy is in question. Nevertheless, reading about this production makes me interested in imagining my own version of King Lear, one that emphasizes Chinese values, but also questions them.
Many Chinese stories stress family loyalty, communalism, and respect for elders. You could portray King Lear as a story about the disastrous consequences of self-interest. After all, Regan and Goneril cast their father out and dismissed his followers, and it led their kingdom into civil war. In that version, Lear is like the Dragon King, who in Chinese folklore, was a powerful ruler of the seas, (giving new meaning to the lines “Blow winds, and crack your cheeks”). As a bonus, historically, many imperial Chinese rulers decorated their palaces with images of dragons, and the emperors themselves were associated with the creature, (especially during the Han Dynasty), so when Lear says “Come not between the dragon and his wrath,” In his mind, he literally is a dragon.

In 1736, Jean-Baptiste Du Halde wrote about the Emperor: “His clothing is embroidered with dragons: they are his emblem, and only He can wear dragons with five claws – any infringement to this rule is punished severely.”
Cornell University: Emblems and Mascots of Rulers:
Chinese Imperial Dragons
That said, some dragons were associated with bad luck and ill omens. I’ve said before that Lear’s biggest flaw is that he fails to take time to examine himself or think about the consequences of his actions until it is too late. Maybe Lear thinks of himself as a benevolent dragon, but really is a bad man cursed with bad luck; he is not a dragon, he just has one on his back. So, in short, a Chinese re-imagining of King Lear could be a fascinating look at Chinese culture and give a fresh re-imagining of Shakespeare’s tragic story.
I hope you enjoyed this look into dragons in Shakespeare and Chinese culture. Joseph Campbell said that all cultures share and interpret archetypes to understand their own culture, but also to grasp what makes us all human. For whatever reason, every culture on Earth has some kind of large serpent- Chinese dragons, European dragons, The Aztec god Quetzalcoatl, the Viking Yormungand, even the Piasa of the native tribes of the Mississippi. and they can mean many different things to many different people, which means that we as humans are in some way tied to gether through all these dragon tales (no pun intended).

For my Shakespeare club, I’m coaching two young actors on Viola’s celebrated soliloquy in Act II, Scene ii.I thought I’d share some of that work with you. In this speech, Viola has an epiphany; the lady she was sent to woo on her master Orsino’s behalf LOVES HER!
I left no ring with her: what means this lady?
Fortune forbid my outside have not charm’d her!
She made good view of me; indeed, so much,
That sure methought her eyes had lost her tongue,
For she did speak in starts distractedly.
She loves me, sure; the cunning of her passion
Invites me in this churlish messenger.
None of my lord’s ring! why, he sent her none.
I am the man: if it be so, as ’tis,
Poor lady, she were better love a dream.
Disguise, I see, thou art a wickedness,
Wherein the pregnant enemy does much.
How easy is it for the proper-false
In women’s waxen hearts to set their forms!
Alas, our frailty is the cause, not we!
For such as we are made of, such we be.
How will this fadge? my master loves her dearly;
And I, poor monster, fond as much on him;
And she, mistaken, seems to dote on me.
What will become of this? As I am man,
My state is desperate for my master’s love;
As I am woman,–now alas the day!–
What thriftless sighs shall poor Olivia breathe!
O time! thou must untangle this, not I;
It is too hard a knot for me to untie!Exit
Twelfth Night, Act II, Scene ii, lines 648-672.
Viola has spent an unspecified amount of time disguised as a man. She has just tried (unsuccessfully) to woo Countess Olivia on behalf of her employer, Duke Orsino. Olivia seemed intrigued by her in her disguise as “Cesario,” and refused to hear any more words about Orsino, but asked Viola to come see her again. The Countess then sent her messenger Malvolio to give Viola a ring, which he claims she tried to give to Olivia as a gift. At first, Viola is confused and upset by the accusation, but slowly realizes that the ring is actually a gift for her; in fact, it’s a love token.
I think the comedy depends on how Viola reacts to the realization that Olivia loves her. I’ve seen some Violas that are embarrassed, some that are a little frightened (after all, hell hath no fury like a woman scorned), and others with sad sympathy. Viola is a good person, so she can’t laugh at the lovesick countess, but she can have a wry laugh at herself and how her disguise has caused all this trouble; making her unable to confess her love to him, while at the same time making Olivia think she is a handsome young man.
Michelle Terry is very matter-of-fact in her portrayal. She doesn’t pause, she doesn’t drag out the lines. In fact, she seems more annoyed and scandalized than anything else. The comedy comes mainly from her gestures and movements as she talks to the audience as if they were one of her gal-pals- venting her frustration with this ridiculous situation.
Michelle Terry excels as Viola, straight-faced, tormented, only occasionally raising a conspiratorial eyebrow at the audience.
https://www.theguardian.com/stage/2021/aug/08/twelfth-night-review-shakespeares-globe-theatre
Judy Dench in the RSC TV show “Playing Shakespeare” is very sympathetic to “Poor Olivia, ” and plays the speech with a romantic sentimentality. She’s focused on Olivia, and feels awful for the false hope she’s given her.
Both these interpretations are valid, and they’re a good baseline for two sides of Viola’s personality- the sensitive genteel duke’s daughter who is sympathetic to Olivia, and the down-to-earth funny one who is willing to disguise herself as a boy to survive.

The main image here is the image of the knot- a central image of how convoluted this love triangle is.

I left no Ring with her: what meanes this Lady?
Fortune forbid my out‑side haue not charm'd her:
[650]
She made good view of me, indeed so much,
That me thought her eyes had lost her tongue,
For she did speake in starts distractedly.
She loues me sure, the cunning of her passion
Inuites me in this churlish messenger:
[655]
None of my Lords Ring? Why he sent her none;
I am the man, if it be so, as tis,
Poore Lady, she were better loue a dreame:
Disguise, I see thou art a wickednesse,
Wherein the pregnant enemie does much.
[660]
How easie is it, for the proper false
In womens waxen hearts to set their formes:
Alas, O frailtie is the cause, not wee,
For such as we are made, if such we bee:
How will this fadge? My master loues her deerely,
[665]
And I (poore monster) fond asmuch on him:
And she (mistaken) seemes to dote on me:
What will become of this? As I am man,
My state is desperate for my maisters loue:
As I am woman (now alas the day)
[670]
What thriftlesse sighes shall poore Oliuia breath?
O time, thou must vntangle this, not I,
It is too hard a knot for me t'vnty.
It’s interesting to note that (in the First Folio text), the verse alternates between being regular, and using a run-on technique called enjabment, where the thoughts continue after the end of the lines, starting with lines three and four. Ironically, when Viola says that Olivia was distracted and confused when she visited her, her own thoughts are disjointed and fragmentary as she reaches the inevitable conclusion that Olivia is infatuated with Viola in her disguise.

In the book “Shakespeare’s First Texts” by Neil Freeman he describes how the Folio prints the speech in four distinct sections. Freeman hypothesizes that Shakespeare organized this speech into four phrases that chart the stages of emotions Viola goes through:
Each stage has its own easily identifiable quality, reflecting the growing steps of Viola’s journey in what for her is a huge struggle not only to comprehend, but also to deal with the enormous complications of the dreadful love triangle- the potential results of which are now becomming only too clear.
Freeman, 175.
In the first three and a half sentences, Viola goes through the facts- she gave no ring to Olivia, Olivia was eying her, and half paying attention to what Viola was saying. The phrase ends with Viola’s conclusion that Olivia must be in love with her.
The sentences are of very irregular length- sometimes six words per line, sometimes a few as four. According to Freeman, the irregularity of the verse shows how Viola’s emotions are getting the better of her. Viola could be gasping with remorse over the pain she’s caused Olivia, or shocked at how easily she was taken in by Viola’s disguise.
Each line of this section mentions the people in this love triagle: “My master,” “And I,” “And She,” etc. Viola might be thinking about the possible outcomes to this situation- getting fired, getting discovered, getting married, etc.
Like Hamlet before her and Macbeth after her, Viola ends her soliloquy by saying she has no conclusion. She has no idea how to solve this problem, but can only hope that Time will provide a solution.
As I said, this is a soliloquy, which is to say, a speech where the character is solo or alone onstage. Some people think this means that the characters are talking to themselves, but I firmly disagree with this notion. One reason why Shakespeare writes soliloquies is because they allow a character to share their thoughts and feelings with the audience. They are the ancestors of every aria or solo in opera and musical theater, and every Disney Princess/ Villain song. I’ve even said before that there are some similarities between Viola and a famous Disney Princess:
